Tuning in…
Tuning in…
Castaway
1 appearance
Grammy-winning classical and jazz singer praised as one of the great singers of all time, born a thalidomide baby.
On the island
Eight records
I love this recording so much because the melodies are very beautiful. It's pure, wonderful. Wonderful music to listen to.
Das Wirtshaus (from Winterreise, D. 911)
Dietrich Fischer-Dieskau & Gerald Moore
It is Dietrich Fischer Diskau singing Das Wiltshaus the Tavern uh from Schubert's song cycle, The Winteriser, accompanied by Gerald Moore.
Polonaise in C-sharp minor, Op. 26 No. 1
I love Chopin. And this Polonaise in C sharp is a kind of really forcing and and dramatic piece of music and uh I love it very much.
Stevie wondered what an amazing artist he is. A beautiful voice, great composer. I love soul music very much.
Gérard Souzay & Dalton Baldwin
Gerard Susset is the what shall I say the French answer of Fischer Discow. He was the bariton uh in the sixties and seventies and a wonderful singer, and especially with a French repertoire, and I'm a big admirer of his music making and voice.
It's a wonderful, well played, wonderful composition, uh romantic, and it's wonderful music to relax.
Schlummert ein, ihr matten Augen (from Ich habe genug, BWV 82)
Thomas Quasthoff & Berliner Barock Solisten
the next piece of music is one of my personal favourite pieces. Schlummat ein ir Matten augen from the Bachkantata Ichabegenoek, played by the Berlin Baroque Orchestra, soloists and led by Rainer Kusmau, sang by myself.
Adagietto (from Symphony No. 5)Favourite
Berliner Philharmoniker, conducted by Sir Simon Rattle
especially for her, the last song is a kind of saying bye-bye and remembering to my mom with my favorite conductor and very, very close friend, Simon Rettel.
In conversation
Presenter asks
5:44What do you remember of the event [the 1988 Munich singing competition]?
It was a very funny year. I mean, it was not my first competition, it was my fourth. And I never came out of a competition without any award. So to be honest, I think my inner expectation was maybe higher than I said to other people outside. But … the whole experience was very wonderful. For the last two rounds my par I invited my parents to come to Munich, which was of course very moving because my father was a singer too.
Presenter asks
9:48How were you first looked after [as a child]?
Well the p the thing was that the real small childhood didn't didn't exist because my foot were standing backwards when I was born, so I was laying in a permanent cast for one and a half year when I was nine month old. And I remember that my mother was telling me once that a nurse came to her, saying, Oh, you have a very musical little son. And my mother looked at her and said, 'What are you talking about? He's not even able to talk.' Yes, but he's singing all the melodies, imitating the words, on the right pitch. And so that started very early.
Presenter asks
12:38How young would you have been [at boarding school], and how long did it last?
Well, the problem was at that time nobody really knew how to handle these kind of disabilities. So of course my parents tried to put me on a normal, regular school. But every school said, no, no, no, no, no, no, not possible. We cannot do this to the little boy, we cannot do this to the teachers. So I went to this boarding school then and um I was five years old. The problem was that they didn't separate mental, physical, uh psyche uh disabilities from each other. So I slept the first, I think, two years, I was in a bedroom, which was really very, very difficult because there were even a lot of children who were screaming in the night and … it wasn't very easy.
The keepsakes
The book
Nelson Mandela
It's a wonderful, wonderful example to live with your character in the same way.
The luxury
okay, if I am alone on an island, you know, nobody cares if I'm drunken or not, so I prefer red wine then.
Presenter asks
14:30How did [your wife] open you up?
First of all, she really encouraged me to let go. I had this kind of fear uh at the beginning, especially of our relationship. Um my wife has no physical disability, so I didn't trust my personality enough that every time when she went out I said, Okay, now she's meeting another man and gone. And every time she looked at me and said, Tommy, I didn't marry you because I want to leave you immediately. I love you. So is putting a quality into a relationship which is really very, very beautiful.
Presenter asks
21:32What was it that [your parents] wanted for you in professional terms?
Well, first of all, to put myself in a position where I'm independent and really financially independent. Which is, I think, from the point of view now, totally right. At that point they went very often very much on my nerves. I mean, I think from a special day on there's not only love for your parents, they are they are going on your nerves with their conservative point of view
Presenter asks
26:07Can you explain what you meant by saying seventy million Germans are disabled spiritually and ethically?
Well, very often the reaction of people seeing me the first time is, Oh my god. And they expect a total frustrated, depressed, helpless little piece of meat. What shall I say? I mean and how would you call if you are permanently unsatisfied? How would you call if you're permanently looking that the neighbour has a new car or the nicest uh a more nicer garden or a bigger house or or more important guests? I don't know. I mean, for me, this is also a kind of disability. I live a very satisfying life, I do. And I'm not looking to others what they have, what I don't have. I'm happy with what I have, and I try to work on this.
“I am now which is the irony of the whole story that I am now a fixed professor even without studying at the university ever.”
“you need not only a beautiful voice for this profession, you need also a big. Thick skin. To handle all this”
“before I met my wife and before I was raising a little child, life makes you in some ways hard. And honestly, my wife changed that in a very Smooth but successful way, and I'm much closer now to tears than I was ever before in my life.”
“I think I'm a very communicating artist, and what I'm always doing, even in recitals. is I can show them how much fun it is to do it, and that I would want to include the audience. On my journey, not saying, Here I am, there you are, now eat this.”