Tuning in…
Tuning in…
Castaway
1 appearance
Actress, best known as Sybil Fawlty in Fawlty Towers and for playing the Queen in Alan Bennett's A Question of Attribution.
On the island
Eight records
St. John Passion (chorus 'Ruht wohl, ihr heiligen Gebeine')
The Sixteen, conducted by Harry Christophers
massive devotional work to listen to / a faith sustainer
Je suis pas ce qu'on pense (from the film)
Yvonne Printemps and Pierre Fresnay
contains the line 'people forgive you for having succeeded, but never for looking happy about it'
Dido and Aeneas: 'Oft She Visits This Lone Mountain'
Isabel Baillie, Philharmonia String Orchestra, cond. Constant Lambert
studied from this recording for school certificate
I Puritani: 'Vieni al tempio incella luna' [i.e. 'Qui la voce… vieni al tempio']
Joan Sutherland, London Symphony Orchestra, cond. Richard Bonynge
fascinating, extraordinary technical achievement
Hamlet (soliloquy 'What a piece of work is a man' / 'To be or not to be'?)
my favourite actor / his first Hamlet performance captivated me
Die schöne Müllerin: 'Trockne Blumen'
Ian Partridge (tenor) with Jennifer Partridge (piano)
enraptured with this interpretation
Bassoon Concerto in B-flat (slow movement)
Gwydion Brooke, Royal Philharmonic Orchestra, cond. Sir Thomas Beecham
reminds me of our younger son who plays the bassoon and of Tim [West] who played Beecham
Symphony No. 3 in C minor, Op. 44
Scottish National Orchestra, cond. Neeme Järvi
I'd like to have one really massive symphony I don't know very well so I wouldn't get tired of it
In conversation
Presenter asks
5:55Did you mind that Sybil Fawlty took up a disproportionate amount of the attention people pay to you?
I do do sometimes worry, because if if somebody recognizes in the streets, sometimes they say 'Oh, aren't you nice?' in terms of pain and surprise. So maybe, you know, I I did too good a job with with with Sylvia. Mind you, I don't even think she was a dragon. I thought she was a saint and a a heroine, but others don't see it that way.
Presenter asks
7:05Do you think Sybil changed your life in a fairly fundamental professional way?
Yes, it opened doors rather than closing them, I think, yes. Uh people say, you know, did it limit your … your work and I don't think it did. In the theatre, it's always an advantage to have been connected with a a well known television series because it means that the theatre going public may be going to take that giant step from the pavement into the building in order to see what else you can do.
Presenter asks
9:47Your mother was an actress; what did your father do?
Well, my mother gave up the act in which she married my father, because my father was ex army, but he was a salesman. He was nothing to do with the theatre, although he loved the theatre very much, and obviously had fallen in love with an actress. … They did have a a mortgage just before the war, but they sold their house at a loss when the war came, and my father joined up. And they never owned their house again. They never owned their own house. They never owned their own car. They were really very, very hard up. But I got every encouragement from both of them when I said I I wanted to be an actress.
The keepsakes
The book
Shakespeare in German [or possibly a dual-language edition]
William Shakespeare / translator not stated
I know just enough of the Bible by heart to be able to learn quite a lot of Russian while I was on the island. You've got to pass the time somehow, you see.
The luxury
A huge tapestry kit (William Morris design carpet)
I could sit and listen to my records and do the tapestry and I think that would that might stop me going mad for quite a long time.
Presenter asks
15:27How do you get inside a character? How much detail do you go into?
As much as possible is the answer to that, I think. You you say: Who am I? What are the circumstances? The physical circumstances, the emotional circumstances? The circumstantial circumstances, as well as the events, what do I want? What are the obstacles to what I want, both physical and non-physical? And eventually, what do I do? … The inspiration, well the inspiration is just something, no, you don't you don't think about that, you just you just just hope.
Presenter asks
20:01As a character actress, have you minded that you never get to play the romantic lead?
I suppose, yes. A character actress means a non-romantic actress. Um yes, and you don't get to play the romantic lead, as you say. … I do hate anybody, I mean not not me, but I hate actors being categorised. I think it deprives the public sometimes of things that would surprise them. I mean, it's horrible if people say about an actress, 'Oh, of course, yes, she's she's a romantic juvenile, she she won't be any good in the comedy.' And then maybe she might be wonderful.
Presenter asks
24:12Have your careers risen and fallen in tandem, or have there been times when you kept him, as it were, and he kept you?
Oh, he's certainly kept me uh when the children were young, because I I didn't accept anything that took me abroad, for instance. I I stayed at home quite a bit when the children were young. … I think I kept him at the very beginning, and uh since then it's been sort of fifty fifty really. We've been extraordinarily lucky to get about the same amount of work.
“the whole idea of being on a desert island is so horrific to me. … The desert island discs I've chosen are simply a means to stop myself going mad sooner rather than later.”
“I do hate anybody, I mean not not me, but I hate actors being categorised. I think it deprives the public sometimes of things that would surprise them.”
“I hate being alone. When Tim's away I I miss him dreadfully. … the thought that I might one one day be permanently alone is completely intolerable. Just hope I go first, that's all.”
“If I could only take one I'd take the Bach, Saint John Passion.”
“Well, I've been thinking about this for many years, ever since I first started listening to Desert Island Discs. Could I take Shakespeare in German …? … And then if I could take the Bible in Russian … And then if I took as my book a Russian dictionary with with a grammar in the back. … I know just enough of the Bible by heart to be able to learn quite a lot of Russian while I was on the island. … When they finally rescued me … this terrible creature with hair down to her ankles … lying completely mad on the beach … jabbering bits of the Bible in very bad Russian. I think they'd leave me where they found me.”