Tuning in…
Tuning in…
Castaway
1 appearance
Music-hall actor, singer and dancer from the famous Lupino theatrical family, known by the nickname 'Nip'.
On the island
Eight records
The Lambeth WalkFavourite
I should think well over six thousand times.
I wrote quickly a verse and chorus out and sang it to everybody at rehearsal.
Something that has always given me a thrill when I look back upon it was V Night at the Victoria Palace.
The keepsakes
No book or luxury recorded for this episode.
In conversation
Presenter asks
0:08How far back can you trace the Lupino family in the theater?
Well, uh I hear that it's uh sixteen hundred and thirty four.
Presenter asks
0:17Of course your real name is Lepino. Lane is your stage name, is that right?
Well, it isn't my stage name. It was a name uh that I had to take because of my great-aunt's wishes. Uh you see, she was uh the famous uh actress and proprietess of the Britannia Theatre Hoxton, Mrs. Sarah Lane. She had no off offspring of her own. And when I started uh entering the profession, She wanted me to take the name of Lane. Well, my father didn't want me to take up uh a new name. Uh so he uh hummed and hard about it, and my mother made a brilliant suggestion that to call me the two surnames. And that's why I became Lupina Lane.
Presenter asks
1:07If you made your first appearance on the stage at the ripe old age of three, where was that?
At the Prince of Wales set of Birmingham. Besta Tilly was a principal boy and uh amongst the cast they all happened to have boys, uh uh uh children, you know. and it was decided for Vestatilli's benefit to give her a big surprise. Salary has all the kids. to walk round and follow her round the stage in one of her songs. Wow. Well, a great night came and we were all s lined up there and waiting to go on. and suddenly one of the bunch of kids started to cry. Well as you know, once uh w when one uh one kid starts to cry, the the rest follow suit. And I was too young to um know anything about it, and I was standing there with my mouth open wide. And um My I suddenly felt a push from behind, and it was my father, and I followed Vesta Tilly round the stage. This caused quite a hero amongst the audience, but I was a tiny toddler at the time. But it was such a big success that the following night, which was the last night of the pantomime, The management sent round to my mother to know if I they'd uh she would allow me to do it again.
Presenter asks
4:02Of course, you're the holder of of of a unique record in pantomime as the greatest exponent of the lost art of traps, aren't you?
Yes, uh I managed to do sixty-three traps in six minutes at the London Hippodrome.
Presenter asks
5:20Why is it a lost art [of traps]? Why do we never see it now?
Well, I think principally because um the stages are not built for the for that kind of work. You see, the old theatres uh had t traps already uh built in. And be too expensive to um to put the the traps in.
Presenter asks
5:51Had you any idea when the show [Me and My Girl] opened at the Victoria Palace that it would be the smash hit it was?
Well, uh we hadn't uh an idea that it would be such a success, it turned out to be, but I always had confidence in it. So had my mother, and uh before she died she said, uh nip Stick to the to me, my girl. It's gonna be a success.
“And everybody's called me Nip ever since.”
“I managed to do sixty-three traps in six minutes at the London Hippodrome.”
“I should think well over six thousand times.”