Tuning in…
Tuning in…
Castaway
1 appearance
Craftsman who ran a workshop repairing a Cotswold inn and worked in wood, stone, glass, and leather.
On the island
Eight records
Brandenburg Concerto No. 2 in F majorFavourite
No quote given in transcript.
Variations on an Original Theme, Op. 36 "Enigma Variations"
No quote given in transcript.
A Nightingale Sang in Berkeley Square
Manning Sherwin and Eric Maschwitz
No quote given in transcript.
In conversation
Presenter asks
0:24At school, were you taught anything of arts and crafts, or was this an outside influence in your life?
I think really the actual teaching in the school was of no value at all, but the ability to walk down the main street of Chipping Camden and look at the buildings and look at things that were happening … was a great education, and particularly at that time because CR Ashby had just brought his Guild of Handicraft down from the Milen Road, sixty craftsmen, sculptors, woodcarvers, gilders, enamellers, silversmiths and so on.
Presenter asks
3:07Did these [wartime] experiences bring about any major change in your ideas on life?
Oh yes. I think one couldn't possibly have that … experience and be left unmoved. … first of all, the terrible destruction of life and of … splendid towns which can't be replaced at all … struck me as something so frightful that one had got to see what could be done in the way of making a contribution oneself to something creative. I didn't want to simply be in charge of a shop repairing old furniture.
Presenter asks
4:00So what was your contribution to be?
The effort was to see whether I could make some furniture. First of all, furniture for the Ligan Arms, simple things like beds and so on. I wanted to make straightforward furniture that could be used, that wasn't an imitation of old work, but was of a very high quality.
The keepsakes
The luxury
Presenter asks
6:41Did utility furniture change the design trends of furniture more or less permanently?
Well, I think it did. It's very difficult to estimate. … I think on the whole people got used to rather simpler and better shapes. And certainly there is … quite a lot of much better furniture available today than there was before the war.
Presenter asks
8:19To what extent do you think you succeeded in achieving the objects of the Council of Industrial Design?
I think … it's very difficult to say that. … we made a beginning. … whether our generation can do much more than make a beginning, I don't know. We had over a hundred years of pretty minimal attention to design problems.
“I think really the actual teaching in the school was of no value at all, but the ability to walk down the main street of Chipping Camden and look at the buildings and look at things that were happening … was a great education.”
“I didn't want to simply be in charge of a shop repairing old furniture. I really feel the antique dealer who has never done anything for craftsmen or artists and … is only interested in people who are dead unless of course they're customers.”
“The curious thing was that the answer … in this state of … national emergency was a good, simple, modern design. There wasn't enough timber to make barbers legs, there wasn't enough labor to do little bits of carving.”