Tuning in…
Tuning in…
Castaway
1 appearance
Actress voted the nation's favourite; best known for playing Hyacinth Bucket and Hetty Wainthrop.
On the island
Eight records
Symphony No. 4 in F minor, Op. 36: III. Scherzo. Pizzicato ostinato
New York Philharmonic, conducted by Leonard Bernstein
My first response to classical music Was through hearing Tchaikovsky's music.
The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity
Boston Symphony Orchestra, conducted by Seiji Ozawa
I do think Gustav Holst is a composer of genius.
St. Paul's Cathedral Choir and the City of London Sinfonia, conducted by John Scott
If I was on my desert island A feeling A little bit down. I would love to hear The voices of the St. Paul's Cathedral choristers Singing for the beauty of the earth.
Symphony No. 5 in D minor, Op. 47
Moscow Philharmonic Orchestra, conducted by Kirill Kondrashin
I had never. Heard Shostakovich before. I'm talking now about nineteen sixty seven. and I was completely bowled over by it.
The Dream of Gerontius, Op. 38: "My work is done, my task is o'er" (The Angel's Farewell)
I couldn't be on a desert island without hearing a beautiful singing voice, and among the most beautiful that must ever have been. Is Dame Janet Baker a very, very great instrument and consumate artistry.
String Quintet in C major, D. 956: II. AdagioFavourite
Amadeus Quartet with Robert Cohen
Perfect, perfectly formed music.
Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso
Alfred Brendel and the Chicago Symphony Orchestra, conducted by James Levine
I must have the piano, and I shall always remember The tremendous joy and privilege of hearing Alfred Brendel.
In conversation
Presenter asks
1:03Do you still feel vulnerable, Patricia, after all these years of being up there?
Oh, yes, because every time you appear in front of a camera or walk out onto a stage For me it's like the first time. Even night after night. Uh when you put your hand on the handle of that door. Uh it's an unknown quantity, however much you've rehearsed.
Presenter asks
2:40What did make [Hyacinth Bucket] tick?
I mean, she's just sort of riddled with social pretension. That's right, that's what made her tick. But also, coupled with that was her aim for everything to be right and to be the best, which is a good thing. It got out of hand, obviously, in that she had to be above the Joneses next door. But she was vulnerable. She was always getting it wrong and slipping on the banana skin and then coming back and flying the flag again.
Presenter asks
8:16What would have happened if you'd been a bad girl [at home]?
Oh, well, I wouldn't have been uh heavily punished. But uh uh there was a tremendous sense of discipline at home, you know. A very loving atmosphere. But you knew your place, actually.
The keepsakes
The luxury
Tea making outfit with two china cups and saucers, a silver teapot, and every known possible tea
because somebody would turn up at some time.
Presenter asks
29:26You've gone as far as to say that acting is, in a sense, a form of prayer. Can you explain that?
Well, you offer yourself up, really. You Use strip away, even though you appear to be hiding behind a persona. You strip away. At its best. The coverings and get to the core, really.
Presenter asks
33:19Which of the characters you've played would you choose [to be alone with on the island]?
Beatrix Potter. ... I would learn so much from her. And she'd help me with the practicalities of living there. We'd probably get across each other. because she was quite a stubborn old bird.
“I listened a lot to the grown-ups came in handy later on, I suppose.”
“In all comedy, rhythm is very, very important.”
“Oh yes, I think one has to embrace [death] in order to live in the present.”