Tuning in…
Tuning in…
Castaway
1 appearance
A violinist, known for his virtuosity and for playing sitting down after being stricken with polio at age four.
On the island
Eight records
Das Fischermädchen (from Schwanengesang, D. 957)
All these songs, they're so... simple in their eloquence... I would feel that I could live with them forever.
Suite in A minor, Op. 10: I. Presto
This is a piece of music that has been the curse of violin students all over the world because they always try to play it as fast, and I just thought it would be fun to hear this.
I love the Beatles and so I chose a record that I think overall is one of the best ones, and it's called Rubber Soul.
Cavatina from String Quartet No. 13 in B-flat major, Op. 130
I don't think that I could get tired of it... every time I listen I could find more things in it.
Dies Bildnis ist bezaubernd schön (Portrait aria from Die Zauberflöte)
inner beauty, outer beauty, just beauty all over
Geistliches Wiegenlied, Op. 91, No. 2
Marian Anderson, William Primrose, Franz Rupp
This record just slays me every time I hear it... I just go crazy when I listen to it.
Cello Concerto in E minor, Op. 85: I. Adagio – Moderato
Jacqueline du Pré, Philadelphia Orchestra, Daniel Barenboim
very special and again it's special not only because of the contents of the record but because of the people who are on the record
In conversation
Presenter asks
3:44Where were your European roots?
Well, my parents come from Poland. A musical family? Not at all. And uh they just immigrated to Israel in the nin early nineteen thirties. And uh there was nothing r seriously, there was nothing uh musical that was going on in the house except for the radio, which was on and uh and I just heard music on the radio.
Presenter asks
4:17You were given a toy violin, but that didn't please you.
No, it didn't please me because um well, I'll tell you, under normal circumstances... To make a sound on any violin is I find the most incredibly difficult thing because there's so many things involved. You have to use your right hand properly, your left hand properly, and if you don't use one thing the other because in other words there is no mechanical any mechanical help that you get. You just have four strings and they are reasonably in tune if you know how to tune and and you just you're on your own. And that's very difficult. So for a for a young child, I suppose it's very frustrating, especially when you hear hyphets on the radio and you said, My goodness, it's so easy, you know, I can do the same thing. Boom, no, you can't.
Presenter asks
5:18Apart from the violin, what were your other enthusiasms as a boy?
To be interested in a violin is is enough, especially when you play two or three hours every day when you practice. I had a fairly normal childhood. I'm I'm very happy about that because I went you know, I went to school. And I had friends uh on the block and we played soccer. As a matter of fact, I was terrific because with my crutches, you see, I was always put at the goal because I could stop anything going by. So uh that was very, very good. They always used me for that. I was goalie. But um, you know, I I I enjoyed my my childhood.
The keepsakes
Presenter asks
13:51What about the contemporary repertoire? How important is it?
I think it's most important. You shouldn't do it out of duty, I don't think. I think that you should do works that are very good, that are successful, that say something, that make a point. And as a matter of fact, I have a couple of concertos being written for me right now, and I'm just crossing my fingers that they're good. Oh, that's going to be exciting. By Americans, by British, by Australians.
Presenter asks
19:02How many concerts do you do in a year?
Well, one year I did a hundred and thirty-five concert and I was too tired to draw the line even. So what happened was that I just decided to to uh to stop. So it's now I think it's now back to about a hundred, which is also pretty pretty bad schedule. But uh I tried to squeeze them sort of all together in one period so that I could have a lot of free time. For example, in the summer I don't play at all. And I spend all my time with my children, with my family, my wife.
Presenter asks
22:38Who would you choose as a companion on the island?
Oh god. I don't need a companion on the island. But if you want me to choose a companion on the island, I'll choose a companion on the island... I've got my wife and children, and you're stuck with that. ... I take the kids. I take my wife and the kids. And they can have eight raised. As a matter of fact, they can stay on the island. I'm leaving.
“It's a combination, it's a little bit of great performances and a little bit of really the music, not necessarily together.”
“To make a sound on any violin is I find the most incredibly difficult thing because there's so many things involved.”
“I think Heifetz is for me really the greatest violinist that ever was, that probably ever will be, as far as I'm concerned.”
“This record just slays me every time I hear it. ... I just go crazy when I listen to it.”
“I'll take my fiddle. ... Yes, a a waterproof case. Everything. And strings.”