Tuning in…
Tuning in…
Castaway
1 appearance
Co-organiser of Glastonbury Festival, the world's largest greenfield festival, which she helped make a global event.
On the island
Eight records
The keepsakes
In conversation
Presenter asks
2:06Tell me a little bit more about the scale of what it is that you're organising here.
We're working all year really with hundreds of area organisers. It's a vast operation. When I was growing up in the 80s, it was really just one field.
Presenter asks
2:39What are the moments that you'll never forget?
It's quite an emotional thing to be a part of. Not only the fact that, you know, my family have been running it for such a long time, but also it means so much to people coming. And so every year there are real highs and some of these moments actually I've chosen today. But there are also difficult years. You know, some years have been just so wet. I mean, I always say when people say, what's your favourite moment? My probably ultimate Glastonbury moment was David Bowie in 2000.
Presenter asks
3:05And what about the lows? I mean, you mentioned mud.
I first went when I was a teenager, 1997, which was notoriously muddy. And me and my friends were supposed to be playing. Our band was supposed to be playing. And we ended up driving home just wearing bin bags and our pants. It can be brutal. Exactly. That's the same year that me and my dad drove around site and tried to persuade people who were walking out not to leave. I was saying, really, where are you going? I've got to go. I can't cope. It's too much. Really? We could just move your tent. Is there any chance you'll stay? No. There's normally a crisis, like every couple of minutes. We're dealing with all kinds of issues. We had the lightning strikes a few years ago, and so we had to shut down all the stages. And I was literally calling every stage manager to get every stage shut down. We only had about three minutes to do that. And it was quite dramatic. But we did it. You know, there were acts that were halfway through their sets. They had to just walk off stage.
The book
Ryszard Kapuściński
Just the poetry of this book was incredible. It captures Africa in the most beautiful way.
Presenter asks
6:59How would you describe them? [your parents]
And every morning, you know, they'd get up at, you know, five or four in the morning and just go and kind of manage that side and then take me to school. We didn't have an office and the phone just was right next to the kitchen. So the phone would ring and it was just always a crisis. And I wasn't that into the festival in the eighties. I wasn't that keen on it. It's pretty scary at times, and it's not at all what it's like now. It was all-encompassing, and you know what it's like when you're at school, you kind of see other kids, and you're like, God, you haven't got this whole thing of just inviting all these people into your garden once a year. And the way people looked when they walk on site, I mean, they still have it a little bit, but in the 80s, it was like, We own this, we're going to set up camp and we're going to live here. And I didn't really understand the concept that they might go. I just felt like, oh, God, this is quite intense.
Presenter asks
10:39Did you spend a lot of time with your parents on your own then? [as an almost only child]
I think so. I was always on a hip. I was always in the car with them. I was attached to them for years. And probably for my older siblings, but they were kind of in their teens in the 80s. Whereas I grew up with my teens in the 90s, and the festival kind of almost grew as I did. So we went through our teenage years together in a way.
Presenter asks
31:52And how angry were people? I mean, what kind of criticism were you coming in for? [over the Jay-Z booking]
Quite a lot of quite personal criticism, and people are always ready with something that's been going that long to say, That's it, it's over, you know, it's had its best years, it's all changed, etc. But I think the hardest part is that we'd sold 80,000 tickets on the day of our ticket sale. That is quite low for us. We normally sell out. We hadn't even announced Jay Z at this point. And then we announced Jay Z and people just took the kind of lack of popularity for that year and the fact that we'd booked a different headliner as being this kind of perfect storm of it's all over. You know, they didn't know they've lost their minds. And I didn't see it coming. I just thought we booked a really good artist. He's like one of the best lyricists in the world, who can come and do the best hip hop show. And then he came on and … Actually, it was incredible. And I kind of had that feeling just about five minutes before he came on when I saw the crowd and they were all chanting J Z J and I was like … Because it's very hard sometimes to tell what the public think. Because the noise of social media is really loud and really extreme. And the press have their own thing to say, their own story to tell. So it's really hard to tell what the actual public think. and I could just see the whole field full. And I went down and I grabbed my dad, who was like, Do you think I should come watch? I say, Yeah. And we went up to the side of the stage and watched him come on. And my dad, he'd just never seen anything. Like, he started laughing uncontrollably. And I started laughing, and we were just looking out at this enormous field. It was just like this real feeling of togetherness. And he was like he was going to battle. And all the crowd were like, we're behind you. And it was the perfect, perfect combination to make an incredible set. And he totally took it on, and it was amazing.
“My mum was just like the kind of anchor to the whole family, really.”
“I look back, when I was in that situation when it feels like you are in free fall, that's how I felt.”
“The heart of it really for me is probably the charity side. I think I grew up thinking that you're doing something right if you're enjoying it and not trying to make loads of money from it.”
“We're not ever going to sell out.”
“I was so happy to see that she went down so well.”