Tuning in…
Tuning in…
Castaway
1 appearance
Turkish novelist and writer, best known as the most popular female novelist in Turkey, with works translated into 47 languages.
On the island
Eight records
Famous Blue RaincoatFavourite
I've always been a nomad in my soul and Cohen really was a companion for me during those travels.
there's something in this song that makes me very emotional.
it shows so beautifully how music transcends those national boundaries.
When I was much younger I was a big fan of Metallica but here we're gonna hear a very different interpretation.
I used to listen to everything they have produced so many times. I was a big fan of them.
I love this group. I have listened to various albums by them, always on repeat, and I'm a big fan of them.
I love listening to this music when I'm writing fiction, and somehow when I listen to these songs, I produce calmer fiction.
The keepsakes
In conversation
Presenter asks
3:09What about your own notion of identity? You started writing in Turkish, but more recently you've chosen to write in English. What's the difference in how you can express yourself, and why have you made that choice as a writer?
All of my early novels I've written in Turkish first and then about fourteen years ago I switched to writing in English first and that was a big challenge because I did not grow up bilingual the way my kids are growing up so they're always making fun of my mispronunciation. I love this language, the English language. I also love the Turkish language. For me, I don't have to make a choice between them. It's not an either-or thing. … I think over the years I realized there are things I find much easier to write in English. For instance, when it comes to humour, irony, satire, definitely much easier in English. But if there's more melancholy in my writing or longing, I think I find it easier to express that in Turkish.
Presenter asks
6:21You have been an outspoken critic of President Erdogan. There was a recent referendum about extending his powers, and it passed by a slim majority. To what would you ascribe that loss of shared values throughout Turkey right now?
If I may add this about the referendum. Prior to the referendum we have seen a very unfair campaign. It was quite one sided. Almost all of the State's resources and media outlets were devoted to just one side of the campaign, to the yes voice. And the opposite, people who dared to say no, were either intimidated or stigmatized, sometimes they lost their jobs. It's quite murky. I mean it was a tight race, but on the day of the referendum, and I think we need to say this openly, all of a sudden the Electoral Board changed the rules, which was unheard of, really shocking. And on the day of the referendum, in the afternoon actually, the Electoral Board all of a sudden, shockingly, changed the rules and they suddenly announced that from now on they were going to count ballots that did not have official stamps on them. And this of course created a big confusion and cast a shadow on the credibility of the referendum results. So despite all of that, the very fact that at least half of the Turkish society could say no shows us that there is a civil society there that knows their country deserves better. What I'm worried about is a monopoly of power. I don't want anyone in Turkey to have that much power. It doesn't matter who or which party. It's just not healthy. For a proper democracy we need separation of powers, checks and balances, definitely a free media and an independent academia.
Presenter asks
8:24Back in 2006 you were tried in absentia for something you had written. More recently we have seen newspaper editors thrown into prison. Are you more careful now about what you say and write, given the situation in Turkey?
I think every writer in Turkey and also every poet, every journalist, every academic, particularly journalists, I must emphasize because journalism has become the most dangerous profession in Turkey. But in general, anyone who belongs to the literati, let's say, knows that because of an article, a poem, a book, or even a tweet, we can easily get into trouble. And it can happen so fast. In one day, you can be called a traitor by pro-government papers, you can be almost lynched in social media, put on trial, exiled, or imprisoned.
Presenter asks
17:01I haven't heard anything about your father. How often did you see your father growing up?
Just three or four times in my entire life. Goodness. I grew up very disconnected from him and trying to understand that emptiness took me a long time. Then there was a time when I felt very angry about this in my early twenties, probably, but anger is very toxic after a while. So it took me a long time to get rid of that anger. I went through many seasons. However, what was much more difficult for me to digest was the fact that my father was a very good father to his other children. I have two. Yeah, I have two half-brothers and they adored him always. He he was a very good academic to his own students and a good husband, I'm uh assuming, in his second marriage. So what was difficult for me to understand was when somebody is looks so perfect in all other respects, how come our relationship was so broken?
Presenter asks
20:11You combined Middle Eastern studies with LGBT studies. How much pleasure do you get from disrupting expectations in that way?
Don't exactly wait. Usually, these are departments that don't work together. And I used to teach a course called The Queer in the Middle East. … I always felt closer to minorities, to the other, whoever feels like the other in a given context for any reason. So in my work, in my books, both cultural, ethnic, but also sexual minorities have always played an important role. And in a country like Turkey, I have many readers who are, for instance, very xenophobic. I know when I speak to them publicly, they have all sorts of prejudices against Armenians, Greeks, Jews, but then they come to me and they say, I read your book and I love this character, and the character they're talking about is maybe Jewish or Armenian. Similarly, I have many homophobic readers who have grown up in houses in which they were told, Oh, this is a disease, this is, you know, they're perverts, this is the kind of rhetoric that they're hearing. But then they come and they say, The character I loved most in your story was the gay or the bisexual or the transsexual. … the art of storytelling can change people. I know it because it changed me. So I have that faith in the transformative power of books.
Presenter asks
25:59Your novel Honour is about so-called honour killing. You say this is not about religion. Why do you say that?
Uh But It's about patriarchy. Of course, religion intensifies that. The way I see it, they're all connected, in fact. Extreme religiosity, nationalism, misogyny, authoritarianism. It is not a coincidence that very patriarchal and closed societies are at the same time very homophobic societies, for instance. They're all connected. But I guess what I'm trying to question is this notion of masculinity, how we raise our sons differently than our daughters. And unfortunately, sometimes women also take part in the continuity of those very old and wrong traditions. There's nothing honourable about honour killings. We should stop using that word. And in my book, I wanted to question mother-son relationship and how a son is raised in so many traditional Middle Eastern, Turkish or immigrant families sometimes, thinking that they have a right to keep an eye on the modesty, so-called modesty of their sisters, of their female family members. What makes them think this, the way we raise them, like as if they're small sultans in the family? That needs to change.
“I've always believed that in this life, if we're ever going to learn anything, we will learn it from people who are different than us. So diversity is precious. It's difficult, but it's precious.”
“I carry no religion. However, I'm someone who is interested in faith, in the possibility of God, and I not only take faith seriously, but also doubt seriously. I think faith without doubt is a dogma.”
“I think I felt like the other child, the forgotten child, for a long time, and in the end, towards uh the later stages of his life, we managed to become friends, but we never managed to become father and daughter.”
“the art of storytelling can change people. I know it because it changed me. So I have that faith in the transformative power of books.”
“in a country like Turkey, paradoxically, words also matter, stories matter, books matter where there's no freedom of speech.”