Tuning in…
Tuning in…
Castaway
1 appearance
A playwright whose farces have become classics.
On the island
Eight records
Berlin Philharmonic Orchestra, conducted by Eugen Jochum
Wagner died only three years before I was born and um I would certainly take a bit of argument. I'd take the prelude to Act Three of Loewencrin.
Leonard Osborn, Martyn Green and Margaret Mitchell
Of all the performers in Gilbert and Salgeman operas, I think. Martin Green. The chap who died only in February, alas, he was a friend of mine, a very nice man, but apart from that I always thought he was the most Present performer of all and My second best was Leonard Osborne, and in this little bit of bloody gore. We have first Leonard Osborne, then Martin Greene, and finally Margaret Mitchell.
Berlin State Opera Orchestra, with Alexander Kipnis
I'll always be awfully fond of orchestral waltzes. I think the The orchestral waltz which tops the lot, or operatic waltz, is the Rose and Cavalier one by Richard Strauss, and I think that's the one I'd pick along.
Fantasiestücke, Op. 12: No. 2, Aufschwung (Soaring)
I'm very fond of the piano solo, and of all pianists I've ever heard. I think uh Arthur Rubinstein. is my favorite
I'm Gonna Sit Right Down and Write Myself a Letter
Of all those American caps, Fat Swallow has always been my favorite. And I would like to have Fat Swala playing My favorite Pat's wallet number.
My Love ParadeFavourite
All this time I was at the Old Rich and all that period, there was a great artist. They unique artist really. Who was very beloved by everybody, particularly by myself, and by Ray Flynn, who was a tremendous admirer of his, and that's Maurice Chevalier.
Tom Walls talking about his Derby win with April the Fifth
This is a rather remarkable record. A record of the voice of my dear old friend Tom Walls. talking about his derby win with his horse April the fifth.
Symphony No. 5 in E minor, Op. 64: First Movement (excerpt)
Berlin Philharmonic Orchestra, conducted by Herbert von Karajan
On the classical side of music, Tchaikovsky has always been my favorite, and I don't think I can have gone for Desert Island without a little bit of him. And this, I think, is one of the most beautiful refrains he ever wrote.
In conversation
Presenter asks
0:36Are you a gregarious man? If you had to, could you adjust yourself to loneliness?
I'm very good company for myself.
Presenter asks
6:12What did you want to be at that time [when you were at school]?
either an actor or playwright.
Presenter asks
6:36What was your job [in the city]?
No, it was it to do with the the city, uh wholesale, uh provision merchant, Joseph Travers and sons, an old family firm... I didn't enjoy commerce and was cerp certainly not cut out for it.
Presenter asks
13:54What's the basic principle in writing farce?
Don't be funny. Write it seriously. Serious, straightforward, honest to goodness, recognizable types of human beings. in dire situations. The situations are the ridiculous, the farcical side of it.
The keepsakes
Presenter asks
18:22What do you think of the theatre today?
I like the old fashion I'm old fashioned quite I'm so old, but I I like action. situation, a play with a good story and good situation. But at the same time, I think the acting today is absolutely far, far superior to what there used to be
Presenter asks
20:06How good are you going to be at looking after yourself [on the island]?
Oh, no, I couldn't put up a hut. I can't do anything for myself. I'm very bad my hair. I can't even change an electric light bulb without very apprehensive contortions of countenance. I couldn't do anything like building huts, and I just lie down and hope for the best.
“I'm very good company for myself.”
“Don't be funny. Write it seriously. Serious, straightforward, honest to goodness, recognizable types of human beings. in dire situations.”
“If I caught a fish, I'd be so sorry for it, I'd throw it back.”