Tuning in…
Tuning in…
Castaway
1 appearance
Historian who revived military history with bestselling accounts like Stalingrad and Berlin, revealing the struggles of ordinary soldiers and forgotten citizens
On the island
Eight records
Concerto in C majorFavourite
Alison Balsom and Crispian Steele-Perkins with The Parley of Instruments
I've always loved Baroque trumpets. There's something, I think, very uplifting, and I think it was something which the great courts of Europe found. I mean, trumpeters were always paid far more than anybody else, because it was regarded as a very special, almost celestial music. I just love the joy. It's a sort of joyful rivale, if you like, to put it in military terms.
Well, I've always been a huge Blondie fan. I mean, I think Debbie Harry is one of the great songwriters, but also the rhythm. I mean, it's something which just grabs you. It's Blondie and Union City Blue.
The Philip Jones Brass Ensemble
Jeremiah Clarke's uh well, some people say trumpet voluntary, others say Martin Prince of Denmark. It was the piece of music which I suppose first got me interested in classical music. It was always played coming out of chapel at my prep school in Worcestershire. I think it did sort of stir something in me. And I think ever since I've always been fascinated with the trumpet.
Regimental Band of the Royal Hussars
Coburg was the regimental march of the Eleventh Azars, and I did love it with the regiment, even though I hated Sandhurst. They were a wonderful collection of people. And Coburg was originally written by Michael Haydn, but it was adapted by the Prince Regent, who was Colonel in Chief.
Piano Concerto No. 1 in E minor, Op. 11
Elizabeth Sombart with the Royal Philharmonic Orchestra
Well, this is, shall we say, a very personal choice in a sense because I bought the house just after 1970 and there were friends living there and suddenly Elizabeth Sombart, a great concert pianist, turned up and she moved in her grand piano into the sitting room and she slept on a futon, which was the great fashion of the day, underneath the grand piano and she used to play wonderful concerts for us in the evening.
Well you can't stay still when you're listening to it. I mean I well these were dancing days. These were dancing days though. I was always a useless dancer. I was a worse singer. I mean the children will never allow me, quite rightly, to sing in church or anywhere, even if I was at a wedding or whatever it might be.
Mandolin Concerto in C major, RV 425
Christian Schneider and Danielle Meyer with Ensemble Instrumental de Grenoble
Uh well, V Vivaldi's mandolin concerto. I've n I was never keen on mandolins to start with. It seemed to be something which rather precious people did on Oxford evenings. And then suddenly hearing this one, I was uh I I just simply loved the sound.
Trumpet Concerto in E-flat major, Hob.VIIe:1
Alison Balsom with Deutsche Kammerphilharmonie Bremen, conducted by Thomas Klug
Haydn's trumpet concerto. It's again Alison Borson and it is, I think, one of the most joyous pieces of the trumpet.
In conversation
Presenter asks
0:42Is it the researching or the writing in the end which is your greatest pleasure?
I enjoy both. The research is always exciting because I find, contrary if you like, to the continental idea of history where you get a thesis and then you prove your thesis with the different material you find in the archives, I think that's actually an aberration. I find that the really exciting moments are when you find something in the archives which shows that your presumptions, your attitudes were wrong about something, because then you really know you found something different and new. And that is truly exciting. The writing process is a great pleasure, actually. It's tough at times, but basically it's the most satisfying part. And then, of course, my wife and I, both being writers, we edit each other's work. It was an early moment in our marriage where we had to get through the pain barrier of accepting criticism. But she just puts a line beside a paragraph saying boring or don't understand, and I know I've got a problem, and I do the same to her.
Presenter asks
3:26Are there parts of the world where the version that you have given us of history has not been welcome?
Yes, that's certainly true. In China they expagated my history of the Second World War. Everything was cut out. Any reference to Chiam and Mao was cut out. Russia was of course far more sensitive. I was warned by the Russian ambassador at the time in London when the Berlin book came out that it was in fact he accused me of lies, slander and blasphemy. But then over a vodka lunch, which was rather strange, which he invited me to afterwards, he said, you've got to understand, you know, the victory is sacred and anything which undermines it and of course the appalling accounts of the mass rapes by Red Army soldiers did undermine the sacred element of the victory. So I have certainly been attacked and technically I'm liable to five years' imprisonment if I go back because of a new law brought in by Sergei Shoigu, the Minister of Defence.
The keepsakes
The book
Ivan Turgenev
I'm going to take Turgenev's Fathers and Sons, or Fathers and Children, according to the translation. It is the best. Novel for any aspiring writer to learn from. Because what is this, although it's a novel of ideas in many ways, it shows how the real genius of a novelist can actually summon up a character in a couple of sentences or even less. And I'm always fascinated on how he does it, and that's why it's the sort of book which I can go back to again and again just to sort of try to work that out.
Presenter asks
8:05After more than half a century, how can you be sure that as you sit down with somebody that they are actually telling you what happened?
Often they're not, and it's certainly true that those who'd read lots of official histories, particularly of Russian soldiers and veterans, were basically uh filtering all of their experiences through what they'd read afterwards. And that, of course, is no good at all. But what was interesting was that the women were very different, because they hadn't read the official accounts, and their memories were far more reliable. At the time, the women had kept their mouths shut and their eyes open, and the men had been so humiliated by the Stalinist system that now they were in control of history. They were the ones who were able to tell us foreigners, you know, what happened. But in fact, of course, it was a totally censored, a totally expurgated version of what had happened.
Presenter asks
20:29I have read that it was a book that took a significant personal toll upon you. What happened?
Well, it was such an appalling story. The Berlin Book is about the terrifying collapse of the Third Reich, but also it includes the the mass rapes committed by the Red Army on German women as they advanced on the capital. … I really did have a little bit of a nervous breakdown at the end. I'm never going to forget the face of my editor when I sort of collapsed in tears in her office and felt I just not that I couldn't go on because by then I was fairly close to the end, but whether I was going to be able to sort of keep it all going and so forth.
Presenter asks
22:19Why do you think we choose to read it, given that the facts are often abhorrent?
I think we are fascinated by evil. We have to understand it in some ways. Why are men compelled, in so many cases, to be cruel, to carry out these uh appalling acts? And yet, at the same time, the great lesson of history must be you cannot generalise. I mean, not every Russian soldier was a rapist. Um particularly Jewish officers did what they could to save German women, and they had more reason for revenge than anybody. Not all German soldiers in in the Soviet Union were war criminals. The vital duty of the historian is to fight that sort of categorization, that generalization.
Presenter asks
32:18What have you come to understand about humanity through documenting human suffering?
Thank God there are moments of joy, warmth, even in the worst times. I remember when writing about some Russian women who were prepared to massage the frostbitten feet of German soldiers, hoping that some mother somewhere might do the same for her child, her son. And so you know that you cannot generalise and that war brings out, obviously, the very worst in people, but it can occasionally bring out the best in people. I'm not suggesting that as an argument for war, far from it. It's very much the opposite. But it does show that you can never really make automatic moral judgments.
“the really exciting moments are when you find something in the archives which shows that your presumptions, your attitudes were wrong about something”
“technically I'm liable to five years' imprisonment if I go back because of a new law brought in by Sergei Shoigu, the Minister of Defence.”
“I really did have a little bit of a nervous breakdown at the end.”
“you really had finally met somebody who you knew you would never be bored with. And I have never been bored with her ever.”
“Artemis refuses to watch any war movie with me. She knows perfectly well I'll be grinding my teeth all the way through at all the inaccuracies.”
“Thank God there are moments of joy, warmth, even in the worst times.”