Tuning in…
Tuning in…
Castaway
1 appearance
Jazz saxophonist who has probably done as much for the cause of jazz in the UK as anyone.
On the island
Eight records
The keepsakes
In conversation
Presenter asks
0:54How well could you endure loneliness?
I think I could take it for a couple or three months, perhaps. I think after that I'd start gibbering a little.
Presenter asks
1:27What do you want music to do for you on your island? To recall the past, to give you great performances?
In the main, just good performances of pieces of music that I like. I mean, some of the pieces would bring back memories, but in general, they would just be good performances of good tunes.
Presenter asks
9:13You were one of the best tenor sax players in the country, winning all the polls. Why did you decide to open a jazz club?
Well, I'd always felt that the jazz clubs, such as they were in those days, really catered to kids who wanted to come down and dance. And I thought it would be nice if there was a place where the music was primary and there wasn't any dancing. I'd been particularly impressed on my first visit to New York by visiting 52nd Street, where there were 12 or 14 jazz clubs within two or three hundred yards of each other. The first one I went to was called The Three Deuces, and that I think really was the basis of the club we opened finally in Gerrard Street in 1959.
The luxury
Presenter asks
14:28How much do you play yourself [nowadays]?
Oh, as much as I ever did. [Even] more, probably. I work with a quartet and we work in the club and we do tours abroad and in England. So I'm playing as much now as I ever do.
Presenter asks
15:03Where did you get those gags [your comedy routine]?
Oh, you pick them up on the way. You can't travel on tour with musicians half your life and not pick up some kind of routine.
“I think I could take it for a couple or three months, perhaps. I think after that I'd start gibbering a little.”
“I'd always felt that the jazz clubs, such as they were in those days, really catered to kids who wanted to come down and dance. And I thought it would be nice if there was a place where the music was primary and there wasn't any dancing.”
“If we were going to stay open, we'd have to import foreign musicians, Americans in particular.”
“Well, you know, if you've got somebody there who people think of as a jazz legend, the atmosphere can tend to get a little solemn and people can tend to be a little overawed. By the thing. So it's nice to go on and burst a few balloons.”
“Could I have a life-size rubber inflatable Faye Dunaway doll? … No, one or the other. What a heart-rending decision. I'll take the saxophone.”