Tuning in…
Tuning in…
Castaway
1 appearance
English singer who began as a pantomime principal boy and was invited to an Italian opera company at 18.
On the island
Eight records
The keepsakes
In conversation
Presenter asks
0:58As a youngster, what did you want to be?
I just wanted to go on the stage.
Presenter asks
1:19When you left school, did you go straight into the theatre?
Yes. I left school the August that I was fifteen. And I gave an audition a few weeks later to a Manchester producer, and I told him I was seventeen. 'Cause in those days, you know, fifteen was not accepted to do, you know, principal roles. And I said I was seventeen and I got the job of principal boy in his touring pantomime.
Presenter asks
5:34What was the first big part you played?
The first big part was Mosetta.
Presenter asks
5:59For several years you slogged away at Sadler's Wells playing leading parts without very much happening, but what was the breakthrough?
I think after my little girl was born I sang Leonora in Trovatore for a company called Basilica. And Andrew Porter gave me a most wonderful write-up for this. And he then was asked to do the translation for the New English Ring. And I think it was an amalgamation of Andrew Porter and Reggie Goodall, who'd heard me sing some Wagner. And they said, Would I do the Brunhilde? and it just … [happened] from the Valkyrie.
The luxury
Not recorded.
Presenter asks
6:48There was an occasion last year when you got Covent Garden out of trouble – can you tell me about that?
Oh yes, with my hair in curlers. Was Easter Monday? And they rang up and said, 'Would I stand by?' for the Dutchman at the Garden and I said, 'Yes,' not realizing really what I was letting myself in for, 'cause I hadn't in fact sung it for seven years. ... I had a look at the score in the car on the way down, the A40. I'm glad there were no police around me because we've never gone down there so quickly. And we got – I made about two mistakes, I think not actual word mistakes, just I came in a bar too soon in a couple of places. Which I think was pretty good going, after seven years.
Presenter asks
8:30Have you any one particular ambition, any one role, any one place?
Well obviously I want to sing Isolde when I think or when someone else thinks I'm ready. ... I don't really mind where, but I think my favourite place would be at the London Coliseum, with the Saddlers Wells. Because I think, you know, if you sing it in English first it's marvellous, and you really know what's going on.
“They wanted me to go to Italy with them, but it was a case of when you got there we would they would look after me, but I had to in fact get myself there and we just didn't have the money in those days, it just wasn't possible.”
“He said that he didn't like to think that the voice would, you know, just be neglected and not do anything. I'cause he I think he realized that I'd come to a point where I was either going to go on or give up.”
“After we'd finished the off stage in the second act, we used to sneak up to the gallery to see the end of the opera, which was marvellous.”
“I had a look at the score in the car on the way down, the A40. I'm glad there were no police around me because we've never gone down there so quickly.”