Tuning in…
Tuning in…
Castaway
1 appearance
Author of the Jack Reacher novels, with over 100 million copies sold, adapted into films and a TV series.
On the island
Eight records
I felt the sun had come out. I felt there was joy, there was happiness, there was energy in the world. Most of all, I felt there was something for me.
they were sort of more rough and more street.
So WhatFavourite
it seemed like a different world, a sophisticated world, a world of taste. And it was the first fork in the road that I came to musically.
Piano Concerto No. 1 (opening)
Stephen Hough, Minnesota Orchestra, Osmo Vänskä
I went to see the movie For the Nudity and came out being absolutely in love with Tchaikovsky.
he demonstrates, he illustrates all the different approaches you can take to musical phrasing and note choice and so on. So I thought I'll put this one in because it's a sort of composite for a dozen songs that I really love.
My friend James Patterson, the writer, says that this track is Why We Were Born With Ears.
This is a man desperately in love, just loving every second of being in love, but also scared that it's not being returned. This is the smallest Beethoven, but the most poignant, I think, ever.
Flower Duet (Sous le dôme épais) from Lakmé
Renée Fleming, Susan Graham, Philharmonia Orchestra, Sebastian Lang-Lessing
I thought this was the loveliest sound that I'd heard for a long time.
In conversation
Presenter asks
2:13So Lee, you'd always start a new book on the 1st of September. Tell me about that moment when you're staring at the blank screen in front of you. What's going through your mind?
That is the best moment of all because there is something unique about the first line, obviously. It is the only line that doesn't have to follow a previous line. So you can do anything. And actually, I never really know how it's going to start. And every year I have this sort of imposter syndrome thing where I'm like, yeah, I've got away with it 25 times before, but now I'm going to blow it. Now I'm going to be found out. So in August, I'm feeling kind of desperate, no ideas. And then toward the end of August, suddenly an opening line or something might pop into my head. And I always write it down, even if I do not know where it's going. I put that down, the first line, the first paragraph, and I never ever change a first paragraph because it has a freshness, it has an organic quality, and if you start messing with it, it just gets worse, not better.
Presenter asks
7:49You mentioned your parents' wartime experiences and I know that your father fought in the Second World War. Did he tell you what he experienced?
Only very late in his life it was that classic thing where uh he never hardly ever mentioned it at all when we were young, other than the occasional sort of wince of disgust, you know, we'd be playing cowboys and Indians or something, shooting each other. And I remember just randomly one thing he said. He said, if you'd ever smelled a dead body, you wouldn't be doing this. But, you know, very, very few clues. Other than if there was ever any documentary footage of the concentration camps, he would leave the room because he'd been in the armored column that had arrived at [Belsen] before anybody else. And there was a kind of bleak greyness at the center of his soul because whatever else happened in his life, you know, his kids did well, this, that, the other, whatever it was. It was as if an invisible voice was saying to him, yeah, but there was [Belsen]. I think it really, really stunted him in a way.
The keepsakes
The book
Lee Child
I would take a battered paperback copy of Killing Floor with me, just to remind myself that I'm at the very bottom of the same trade as William Shakespeare.
The luxury
The only luxury item I really like are watches. Plain looking. I don't like all those multiple dials. I don't like automatic movements. I don't like quartz or battery. I like the sort of old fashioned watch you have to wind up. Wind it when you get up, wind it when you go to bed and just wear it.
Presenter asks
10:06You talked about running into emotional brick walls with your parents and have said that as a writer, you are receiving the love and approval that they weren't able to give you. What was your relationship with them like?
They wanted the boys to grow up to become something notable, not so much for our own sake, but for their sake, as if they were merit badges on a Boy Scout uniform or something. There were three of us in the beginning, and then a fourth one much, much later. And so it was really the three of us as the classic nuclear family. And the other two were, especially my elder brother, really smart guy. … He really was a success, you know what I mean? … He became a nuclear engineer. … And he did a PhD at Cambridge that for a time was, you know, groundbreaking work about the fluid mechanics of turbine blades and so on. … Well, not really. You know, it wasn't quite identifiable enough. They wanted him to be Isambard Kingdom Brunel. And so that whatever we did, we would have been disappointments.
Presenter asks
19:34As well as becoming senior in a technical role, you put yourself forward to become shop steward. What made you do that?
That was just my personality and again a sort of proto-Jack Reacher moment where we were going through major, major industry upheaval. It was when there was BBC, BBC2, Channel 4 and ITV and then it was all getting broken up again because of satellite coming in and so on and so forth and the first thing they had to do was bust the union basically and there was an old shop steward who'd been there for years and he was going to retire anyway due to age and they put the word out the whisper that nobody should stand for the vacancy because if you do you'll be fired in a week and never work in the industry again and something in me just thought wait a minute that's not right so I put myself forward for election and I was elected unopposed and sure enough you know a manager bumps into me the next day and says you're crazy you know you'll be gone in a week … I said we'll see about that.
Presenter asks
25:33By 1995 you were married with a daughter and a mortgage, forty and jobless, but you had started writing the first Jack Reacher book, Killing Floor, and you were determined it would be a success. Where did your confidence come from?
I do not know. I think it was a ludicrous position to take. But I I conned myself basically. In order to give myself the energy and the confidence to do it, I just said, Yeah, of course this is going to work. Like night follows day. It's going to be a success. … I didn't tell them. I didn't tell them I'd lost my job because I just knew that would be like back to the nineteen thirties for them. So I didn't tell them. And then next time they were passing by, they dropped in. And I said, Oh, by the way, I lost my job. And my father said, Well, what are you going to do now? I said I'm writing a novel. And he said, I'll bet you ten thousand to one it's a failure. And objectively, he was quite correct, you know. But this is what I'm saying: there was so little feeling and emotion there. He would say something that was [actuarially] correct without thinking how it would land on the person listening to it. But by then, of course, I was fireproof. I was you know, I'd had that all my life. I was used to lack of encouragement, which actually turned out to be a pretty good preparation for being a writer because, you know, it's the stumbling blocks at every corner and difficulties at every step along the way. So if you're not used to constant praise and encouragement, you're better equipped for it, I think.
Presenter asks
29:07Do you always need something to kick against? And how does that work when you become successful? How do you maintain that?
It it is vital, not just for the writer, but for the reader. Because you know what what is the purpose of fiction really? It's to get what you don't get in real life. And people rage about things. Everybody's got you know, a lousy boss here or there somewhere in the chain of command. Everybody is annoyed or frustrated about something, and they need a sense of revenge as well. And of course, they can't get it in real life. But you can read a book where Reacher shoots the bad guy in the head. And even though you know it's wrong, at a gut level, at some kind of elemental level of your brain, you just love it. You thrill to it. It's consolation for all the frustration you have to put up with in your regular week. What would you like to do if you could get away with it? And read Reacher books. You know what I would like to do if I could get away with it.
“I felt the sun had come out. I felt there was joy, there was happiness, there was energy in the world. Most of all, I felt there was something for me.”
“if you'd ever smelled a dead body, you wouldn't be doing this.”
“It was as if an invisible voice was saying to him, yeah, but there was [Belsen].”
“I had a rule that if you pulled a knife on me, I would break your arm. And I had to do it twice before people got the message.”
“It's okay not to be okay. And I wish somebody had told me that as a kid.”
“I would literally lie there just dreaming stuff up, thinking about things, writing imaginary conversations in my head. I would be fine. A lot of the time I would enjoy my solitude. I'm a very solitary person. I'm probably the best equipped castaway ever.”