Tuning in…
Tuning in…
Castaway
1 appearance
Opera singer, a mezzo-soprano revered for exquisite capabilities, who broke her leg on stage and finished the performance on crutches.
On the island
Eight records
I like music to help me feel good… Latin music has always really resonated with me… this is a tango… sung by one of my dear friends and colleagues, Jose Manuel Tapata. And he brings this really, wow, unfiltered and raw exuberance to the way he sings.
This was my first real solo… I had the most extraordinary high school choir director, Carl Wolff… And this was my first solo, my sophomore year in high school.
Original Broadway Cast of Jesus Christ Superstar
This was my escape… I would escape to my upstairs bedroom and I'd steal my sister's LP of Jesus Christ Superstar, and I'd grab my hairbrush and I'd turn that volume up as loud as I could… I became Mary Magdalene.
Scenes from an Italian Restaurant
This was still my high school years… I started to understand my place in the universe because no other place made sense. So I really lost myself in the world of Billy Joel.
Overture to The Marriage of Figaro
Chamber Orchestra of Europe, Yannick Nézet-Séguin
I think one of the great creations of all mankind… this is the piece that restores my faith in mankind and humanity.
It's the piece we played at his funeral and the piece that brings tranquillity in a millisecond.
Bono, The Edge, Adam Clayton, Larry Mullen Jr.
There was a really cataclysmic event in my life, in the world's life. It was 9-11… the thing that I turned to was music… And I was screaming this out, going, Can't it just be about love?
Primary ColorsFavourite
Sister Helen Prejean… I had the extraordinary privilege of now calling her my friend… It's talks about the big picture… it's going to remind me about what's really important.
In conversation
Presenter asks
1:55How do you manage that [the roller coaster of highs and lows]? Because that is much of your life.
I it is much of my life. It's interesting that the world of opera is full of extremities. So big tragedy, big love, big conflict, big high notes. And because for some reason I've chosen this career that has that roller coaster, that plunges you into the depths and then whips you up to these heights. And it takes a while to figure out how to navigate that. In order to succeed on the stage, I have to be very present in every single millisecond that I'm singing. So, if I'm worried about the note that just didn't go very well behind me, or the scary one that's approaching, I lose my sense of being now, being here, and producing the sound well. If I can just stay present now. Somehow I I seem to stay in a relatively middle road.
Presenter asks
5:06Let's ponder for a moment on the subject, the vexed question I imagine, of perfection. In performance that is transcendental, that sends the audience to that special place, you can't surely think about perfection. Something else has got to happen. Perfection can end up locking in a performance, can it?
Oh, a hundred percent can become your biggest enemy as an artist. If my only goal is perfection, I'll be admired as a singer. Say, Oh, that voice, it's incredible. Look at what she does. But to make somebody travel to a place, that is when we have to let go. And that is that's mental work. It's psychological work. It has nothing to do with vocality. It has nothing to do with the technique of a singer. It has to happen. mentally and then You have to give yourself permission to just jump off the cliff.
The keepsakes
The book
Bryce Courtenay
My go-to book is called The Power of One ... it's fascinating and inspiring and long. So I could take a long time reading it.
The luxury
I'd bring some lavender scented oil. I imagine it's gonna be stressful being on the island and it will calm me down.
Presenter asks
9:03Your father was a choir master, was that right? A part time choir master. You were very, very close to your dad. Tell me about him.
Yeah. He was an architect. He worked from home, self employed. He was not a good businessman. He would give his work away for free. But he was a wonderful architect, and he was the volunteer church choir director at our local Catholic church. That was really. The biggest musical influence on me was choral music and watching my father conduct the adult choir. And Yeah, it's um oh, I miss him. We would talk philosophy and we would talk astronomy. We'd sit under the stars and ponder the universe. What I realize now, looking back on it, was his dream was to be a musician. He grew up in the World War Two time and his father said, No son of mine is going to be a pansy musician. And so that dream was squelched from the very beginning. To this day, he probably was the person that had the greatest appreciation and need for music that I've ever known. And it brought him great comfort and solace in a sometimes difficult life. So I think it showed me from the very beginning the power of music to actually. Um Help somebody, to heal somebody. And I remember he would come to everything that I did. and with every concert he would say with sort of this kind of sense of astonishment But you're really doing this.
Presenter asks
14:00And what did your mother say? Was she full of praise and warmth at this great little note that had come back?
Ah, see, I remember my dad's reaction, not my mom's, actually. I I'm sure she reacted well.
Presenter asks
14:09So tell me a bit more about your mom. What was she like?
Well, you know, I I'm so glad I've gotten older because I have such a better understanding of her now. She was the mother of seven kids with no money and staying at home. And it was really hard on her. I don't think she enjoyed being a mom. She did the right things, but it was my sense was that she was doing it out of duty. So I didn't get along with her. And I think for a long time I you said something about not being worthy in the opening statement. I think that has been something that has been the challenge for me is that what else do I have to do? That was really a fundamental part of my growing up. How what else do I have to do to get her to see me? And I happily have left that behind for the most part, but it was that was a very formative part of my upbringing.
Presenter asks
26:52Living the life you live, as we know, constantly on the road, constantly striving, constantly managing the bookings and the diaries. A considerable strain, surely, on personal relationships, I'm sure. You have been married twice, you are now in a relationship again. Is it to do with, as you explained it, the personal journey and the trajectory and the strength of that personal journey? Or is it a logistics thing that makes it difficult?
Oh, wow Now that's a really good question. I will have to ponder this on my own for a while. I think it is obviously a combination of the two, but ultimately I would say it is that personal journey. The logistics of having any kind of a relationship in this career are very tricky. You want to be best friends with somebody, but you can't be that person that brings them chicken soup when they're sick. And that's difficult. But ultimately, I know in my case, it really has been about giving myself permission to continue to grow. I've had to reconcile a lot of guilt along the way because, going back to the Catholic thing, you know, you get married and you take a vow and it's for life. And it's a struggle when your reality doesn't line up with what you thought you were going to do. But I know in my case, every instance in my personal life has brought me to much deeper personal growth, and I don't have a single regret.
“In order to succeed on the stage, I have to be very present in every single millisecond that I'm singing.”
“You have to give yourself permission to just jump off the cliff.”
“Go to Europe, go travel, go get into trouble, go live life. Because again, opera is representing the huge extremity of life experience.”
“We would talk philosophy and we would talk astronomy. We'd sit under the stars and ponder the universe.”
“How what else do I have to do to get her to see me?”
“And I was screaming this out, going, Can't it just be about love? Can't we just stop the insanity of everything else?”