Tuning in…
Tuning in…
Desert Island Discs
Presented by Roy Plomley
Old Bailey judge for nearly sixteen years, presided over many celebrated cases and acquired a reputation for toughness.
Eight records
The Yeomen of the Guard: Act I Finale
D'Oyly Carte Opera Company and Sir Malcolm Sargent
My first Gilbert and Sullivan opera was uh in fact Iolanthe. It represents the days when Sir Henry Lytton and Bertha Lewis were at the peak of their performances. And I've been a fan ever since, and could recite all the Pattersongs if you asked me to, some time ago, not now. But I've chosen, as I want to confine it to one, I'm rashing myself to one, because although I'm a fan of Gilbert and Zolivan, not to the exclusion of all other music, I've chosen at the end of Act One of The Omen of the God.
Piano Concerto in A minor, Op. 16: Second Movement
Clifford Curzon, London Symphony Orchestra conducted by Øivin Fjeldstad
I first went to a promenade concert as long ago as a time when Sir Henry Wood was conducting in the old Queen's Hall. It was the last night of the proms of that year in about nineteen thirty, and it was terribly hot, and I've never forgotten standing all the time in that great heat. But Mara Hess played the Grieg Pianofort Concerto. I fell in love with it then and have been in love with it ever since, and I would like to hear that piece.
I've had great difficulty in deciding between two pieces from Madam Butterfly. One is One Fine Day, and the other is The Humming Chorus. I like both. ... I think One Fine Day, sung by Vittoria Los Los Angeles.
Symphony No. 5, Op. 42, No. 1: V. Toccata
I've chosen it For two reasons. One, because it thrills me. I think it's most exciting music. And uh It was played at the wedding of um one of my daughters, and it'll help to remind me of that.
The Sound of Music: The Lonely Goatherd
I like as a change musical comedy. I'm not sure that the sound of music qualifies to be called a musical comedy. I would rather call it a musical play. But the sound of music is the loveliest one I can recall. I could hear it again and again and again. I've had great difficulty in choosing which piece to choose from it, and I've eventually come down on The Lonely Goatherd, sung by Julie Andrews.
Piano Concerto No. 2 in C minor, Op. 18: Opening
Vladimir Ashkenazy, London Symphony Orchestra conducted by André Previn
The piano concerto number two, the popular one, by um Rafmaninov.
Cavalleria rusticana: Intermezzo
Berlin Philharmonic Orchestra, conducted by Herbert von Karajan
I think it's one of the most lovely pieces of music I've ever heard at any time.
Symphony No. 5 in C minor, Op. 67: IV. AllegroFavourite
Berlin Philharmonic Orchestra, conducted by Herbert von Karajan
Why? Because I love it. I think it's magnificent absolutely magnificent.
The keepsakes
The book
E. W. Swanton and John Woodcock
Cricket, as you may have gathered from what I have just said, is one of the passions of my life, and the book I want is Barclay's World of Cricket. It has over five hundred and fifty pages, and it's rather like the fourth bridge. By the time I got to the end of it I'd be quite ready to start again.
In conversation
Presenter asks
Was the idea that you should follow into law your father's or yours?
My father's. And to be an advocate rather than a solicitor. Well, that was his idea. I didn't know which. I hadn't enough knowledge or experience. But he was very shrewd and, I think, realised that I wouldn't have been much good as a solicitor. I don't think I had the patience, and he probably saw that. And he suggested I went to the bar, and when I realised what was involved, I was all for it. I agreed.
Presenter asks
What was your first [brief]?
It was the day after I was called to the bar. It was to go to a magistrate's court, I cannot remember now what the what the trouble was, but I do remember that my opponent was a barrister who had won the VC in World War One. and looking out of the corner of my eye to see what his name was, it was Brett Cloutman, V C. In my nervousness I thought it was K C and I nearly swooned.
Presenter asks
The recording
Timestamps play the recording from that turn
Speaker 3
Hello, I'm Kirsty Young, and this is a podcast from the Desert Island Discs Archive.
Speaker 3
For rights reasons, we've had to shorten the music. The programme was originally broadcast in 1983.
Speaker 3
And the presenter was Roy Plumley.
Presenter
Our castaway this week is His Honor Judge Alan King Hamilton, QC.
Presenter
As an old bailey judge for nearly sixteen years, he presided over many celebrated cases.
Presenter
and acquired a reputation for toughness.
Presenter
Now you ought to be a solitary castaway. In many ways I suppose a judge's is a solitary life. Very much so. Uh when he's on the bench, at any rate.
Presenter
At the Old Bailey we were more fortunate than in most courts, because we all met at lunch time.
Speaker 4
Yeah.
Presenter
and could discuss our various problems and later on over a cup of tea.
Presenter
But once you're on the bench, you're on your own. And in recess, I presume. You're just sitting in your room. That's right.
Presenter
Is music an interest of yours? Very much so. I can't play anything. And I I I wouldn't dream of trying to sing. I've no idea of voice control in that sense.
Presenter
But I'm very fond of music.
Presenter
We start with Gilbert and Sullivan. My first Gilbert and Sullivan opera was uh in fact Iolanthe.
Presenter
It represents the days when Sir Henry Lytton and Bertha Lewis were at the peak of their performances.
Presenter
And I've been a fan ever since, and could recite all the Pattersongs if you asked me to, some time ago, not now.
Presenter
But I've chosen, as I want to confine it to one, I'm rashing myself to one, because although I'm a fan of Gilbert and Zolivan, not to the exclusion of all other music, I've chosen at the end of Act One of The Omen of the God.
Speaker 4
My Lord, my Lord, I know not how to tell the news I bear. I and my comrade saw the prisoner stand.
Speaker 4
As is the follow the prisoner we sought his saddle duty found the dumb awaiting someone when a prisoner told me found We hunted high We hunted fear The man we sought with anxious care had managed into empty air The man we sought with anxious care had managed into empty air
Presenter
Yeah.
Presenter
God is the welcome destination.
Speaker 4
Presents report the principal is 47 duty by the double ratings of the breadth of prisoner, dropping one in hundred five, in hundreds, and the lab is not the next
Presenter
The closing passage of Act One of Gilbert and Sullivan's The Yeoman of the Guard, the Deulichard Opera Company, and the conductor, Sir Malcolm Sargent.
Presenter
You're a Londoner, are you not? Yes. In the sense that I was born in London. I don't live in London now.
Presenter
Were you one of a large family? Three sisters and myself.
Presenter
And you were sent to be educated in France as a youngster, I believe? No, not quite. I was uh educated in London and at Bishop Storeford Grammar School. I went to France on a holiday with my French governess and two sisters and a cousin.
Presenter
and we were caught there at the beginning of World War One.
Presenter
And my father had some difficulty in coming to rescue us. You come from a legal family? Yes, my father was a solicitor.
Presenter
Was the idea that you should follow into law your father's or yours? My father's. And to be an advocate rather than a solicitor. Well, that was his idea. I didn't know which. I hadn't enough knowledge or experience. But he was very shrewd and, I think, realised that I wouldn't have been much good as a solicitor. I don't think I had the patience, and he probably saw that. And he suggested I went to the bar, and when I realised what was involved, I was all for it. I agreed. What had you been good at at Bishop Stortford Grammar School? Latin, French?
Presenter
And English, I think. And then you went off to read law at Trinity Hall, Cambridge. Yes. Did you row? I wanted to row, but I wasn't heavy enough.
Sir Alan King-Hamilton
Uh
Presenter
So I thought a cock's nose too heavy.
Presenter
So uh I played soccer and cricket and hockey. I did row in a farcical venture. We uh in fact I started it, the Soccer Club against the Rugger Club.
Presenter
the rules being that no member of the crew must ever have rowed in an eight before, except in the same race may be the previous year but we did have a proper cocks each, to avoid colliding with each other.
Presenter
And that was great fun. The only coaching we had was from the boathouse down to Grassy Corner, where with great difficulty we turned round and then rode side by side. And how did you do? The first year we won, I was two.
Presenter
The second year I was stroke, and I regret to say we lost. I'm sorry.
Presenter
What's your second record?
Sir Alan King-Hamilton
What does
Presenter
I first went to a promenade concert as long ago as a time when Sir Henry Wood was conducting in the old Queen's Hall.
Presenter
It was the last night of the proms of that year in about nineteen thirty, and it was terribly hot, and I've never forgotten standing all the time in that great heat.
Presenter
But Mara Hess played the Grieg Pianofort Concerto. I fell in love with it then and have been in love with it ever since, and I would like to hear that piece.
Presenter
Played this time by Clifford Curzon, because I understand you haven't got a recording, unfortunately Mari has. Alas, we couldn't find one. But here is Sir Clifford.
Presenter
Part of the second movement of the Greek piano concerto, Clifford Curzon was the London Symphony Orchestra conducted by Euvin Fellstadt.
Presenter
Now, very sensibly, as one who would have to think on his feet, you joined the Cambridge Union. In fact, you became President. I did. Any fellow members we would know? Yes, um
Presenter
Lord Carradon, in those days HM Foote,
Presenter
He went to America with me on a debating tour.
Presenter
Lord Devlin he preceded me. I was secretary when he was President. Pat Devlin in those days. Selwyn Lloyd.
Presenter
was my Vice President. He, as you know, became Lord Selwyn Lloyd, Foreign Secretary.
Presenter
Chancellor of the Exchequer
Presenter
Speaker of the House of Commons.
Presenter
I was sandwiched between Pat Devlin and Sylvan Lloyd. It was an inverse sandwich. I was the uninteresting piece of bread with the interesting bits of material on both sides. This group of union members that you went with on the debating tour in the United States, this was to American universities, of course. And one Canadian.
Presenter
Yes. McGill. Any stories arising therefrom from that tour?
Sir Alan King-Hamilton
McGill
Presenter
Oh, a great many, uh
Presenter
In some university, I forget which one, in the Middle West. It was in the days when uh there wasn't a very big liberal movement in the Middle West.
Presenter
and we were staying one night in the house of the debate coach, as they used to be called.
Presenter
And we got talking, and he gradually took down his back hair and opened his heart to us. And he said that there was one book that he loved to read, but he dare not expose it on the shelves of his room.
Presenter
and we were agog to know what on earth that could be, and he went up and took out two or three books, and from behind he withdrew the Rubaiyat of Omar Kahim.
Presenter
Which he wasn't allowed to have on the campus. It was quite remarkable.
Sir Alan King-Hamilton
French.
Presenter
We also met Mackenzie King in Toronto, drank cocoa with him at two o'clock in the morning. That was interesting.
Presenter
So you graduated in law. You worked for a while in a solicitor's office. Now that normally is frowned on, I believe, for a a future barrister. No, not frowned on, so long as you purge yourself of the taint of having been in a solicitor's office. And I had to wait over a year to purge myself of that taint. It was my father's idea to get to know something of their side of the profession, which was extremely useful and very wise. And I learnt a lot. And then what? Pupillage? Yes. Had you eaten your dinners before pupillage, or does that happen at the same time? No, I had eaten them before and possibly the last few during pupillage. One has to eat
Presenter
So many dinners in order to keep term. If you're not at a university, it used to be six d dinners in order to keep a term. If you are at a university, because you were there and had to come up to London, they reduced it to three dinners a term. And very useful it was, because at dinner you met barristers and senior students, you dined in a mess of four, and in the conversation you got to know the traditions of the inn, the traditions of the profession, and the most topical legal arguments that were going on. One learnt a lot. It has useful purposes. And on the whole, remarkably good dinners. In those days, very. And very, very cheap, with free beer thrown in in those days. And then you were called to the bar. Yes, by the Middle Temple. Right.
Presenter
At which point?
Presenter
Let's have your third record.
Presenter
Well, I've had great difficulty in deciding between two pieces from Madam Butterfly. One is One Fine Day, and the other is The Humming Chorus. I like both.
Sir Alan King-Hamilton
I
Presenter
Well, I can sort that difficulty out for you because they're both on the same record, on different sites. Oh, how fortunate, because what could be better than after one fine day's hunting to listen to the soothing music of uh the humming chorus. Oh, which one would you like to hear now of the two? I think One Fine Day, sung by Vittoria Los Los Angeles.
Presenter
One fine day from Puccine's Madam Butterfly sung by Victoria de Los Angeles.
Presenter
So they were a young barrister looking for briefs. What was your first one, Doug?
Presenter
It was the day after I was called to the bar.
Presenter
It was to go to a magistrate's court,
Presenter
I cannot remember now what the what the trouble was, but I do remember that my opponent was a barrister who had won the VC in World War One.
Presenter
and looking out of the corner of my eye to see what his name was, it was Brett
Presenter
Cloutman, V C. In my nervousness I thought it was K C and I nearly swooned.
Presenter
Now of course the Second War broke out before you had got very far in your career.
Presenter
You took a temporary job as a press censor. Now that sounds fascinating. It was.
Presenter
I mean, what did it mean? Could you telephone the Daily Express and tell them to change their front paging?
Presenter
No, it didn't work quite like that. Uh one worked all round the clock uh in shifts if you were in that section as I was uh when I began.
Presenter
But there were defence notices, D notices, which we all had.
Presenter
Any newspaper which had anything doubtful sent it in to be censored. If he had no doubt about it, he didn't trouble. He sent it in to us, and there was at large about twenty or thirty of us, working all round the clock.
Presenter
A piece would be put in front of us, and if it was all right, we passed it, stamped it if it wasn't, we altered it as we thought fit, with the blue pencil, the famous blue pencil, making suggested alterations.
Presenter
But I wasn't in that section long. I eventually went to Cables, that's foreign press cables.
Presenter
And then to um
Presenter
postal section, which didn't work all round the clock, that was only press material going out by post. And I had about forty ladies, multilingual ladies, dealing with all this foreign press material going out. And then I eventually left that and uh
Presenter
Joined the Royal Air Force. You joined the Royal Air Force on the intelligence side, which must have produced some stories for you.
Sir Alan King-Hamilton
Uh
Presenter
Are there any that you can tell us?
Presenter
and I joined up in September thirty eight at the time of Munich.
Presenter
I I was so disgusted with what happened about the checks.
Presenter
And I was told to wait, and of course I waited, and in the beginning of thirty-nine th the war, uh nobody wanted me.
Presenter
And I was waited and waited, and then I was told, as I had temporarily joined the civil service, that they couldn't accept me in the army any more, which I thought was so much rubbish that in a huff I went into the Royal Air Force Department in the ministry, and they took me straight away.
Presenter
and within a week I was in uniform uh in their intelligence department.
Presenter
Uh well, there was a lot of excitement. But you see, we knew everything that was going on in the war from the air point of view, and also the military and the naval, because they had naval advisers and air advisers, military advisers, foreign advisers and economic warfare department.
Presenter
And we were all seeing each other every day and working together frequently on joint matters, and one knew what was going on. It was very, very exciting. You joined a North Sea convoy at one point. Yes, I did. That was uh j just taking leave on a on a sort of holiday, really to get a breath of fresh air.
Sir Alan King-Hamilton
Pit it again.
Presenter
As a bannister, were you mixed up in courts-martial work? Only after the war I did, I think, three courts-martial. One in Hamburg, and it did me good to see Hamburg flat.
Presenter
Acres and acres and acres of rubble, and having come from London and been in London in all our air raids, it did me good a little bit. I shouldn't say it perhaps, but it was a little satisfying, being human.
Presenter
To see it, um I defended a guardsman who with a guards officer had been charged with um obtaining uh
Presenter
Well, armed robbery, really. They were armed and they got um goods from Germans who were dealing in the black market.
Presenter
That was a bit of interesting. Then I had two over here. Two in this country. Three, in fact.
Presenter
And then
Presenter
The war over, you demobilize, you left the Royal Air Force and back to your chambers, back to the bar.
Presenter
So, record number four. Vidos Tocata.
Presenter
I've chosen it
Presenter
For two reasons. One, because it thrills me. I think it's most exciting music.
Presenter
And uh
Presenter
It was played at the wedding of um one of my daughters, and it'll help to remind me of that.
Presenter
The Toccata from Vidor's Fifth Symphony, Marie Claire Allain, at the Great Organ of Orléans Cathedral.
Presenter
I presume a young barrister judge turns his hand to all sorts of cases. Yes.
Presenter
If he's on the common law side. He then decides whether he's going to specialise in criminal law or civil law. Yes, but there's no clear demarcation. Some only do criminal, but there are many, particularly those who go on circuit, who do both. Those were the days, of course, of capital punishment. You had to be very sure that your line of attack was accurate when you could send a man to his death. Yes, indeed.
Presenter
You took silk and became a queen's counsel. This isn't always a good idea for a young barrister, is it? It's a great risk.
Presenter
It's an awful problem to know whether to apply for it or not. You don't always get it.
Presenter
I got it the first time uh not through any ability of mine, just because there happened to be a shortage of silks on the Oxford circuit at that time, and there was, so to speak, a vacancy, and uh
Presenter
I applied at the right time.
Presenter
But it was an awful risk and I was very worried about it because you lose
Presenter
All your junior work, and it's really like starting up again.
Presenter
You became a recorder successively in in a number of towns. These are are our part time posts, are they? Yes, they don't exist any more in that sense. It was in the old days of quarter sessions.
Sir Alan King-Hamilton
Yeah.
Presenter
City and Borough Court of Sessions and County Court of Sessions.
Presenter
At the city and borough quarter sessions they were presided over by a recorder, who had to be a barrister of I think it was at least five years' standing.
Presenter
And at county court of sessions he was called a chairman or deputy chairman, again of five years' standing but as a rule it was only a silk Queen's Counsel who got it sometimes junior, but not often.
Presenter
It must be difficult to plan life, because a trial can last a long, long time, or it can be over in a day or two, and you don't really know, I presume, when you'll start. When you're sitting as a recorder, do you mean? Well, as a barrister. Oh, you you've got a rough idea.
Sir Alan King-Hamilton
Well, as a battery.
Presenter
But sometimes it takes a certain course which takes you by surprise, and then it's either much shorter than you anticipated, or very much longer.
Presenter
But generally speaking, uh with some experience you've got a rough idea as to whether it's a a a short two or three day case or two or three weeks.
Presenter
or sometimes two or three months or more.
Presenter
This is a question you must have been asked many times. Your defence counsel for a man who says I done it.
Presenter
And you're quite sure he's done it, but
Presenter
You've still got to go ahead and defend. Well, up to a point. You can't put him in the witness box. If he says to you, I done it, it's a fair cop gov, I done it, then you can't put him in the witness box to say on oath that he hadn't done it.
Presenter
All you can do is to try to destroy the prosecution case, and at the end of the prosecution case make a speech to the jury. It may be you have one or two other witnesses on different aspects of the matter.
Presenter
But then make a speech to the jury to try to satisfy them the prosecution hasn't proved his case. You can't put him in the witness box to say he hasn't done it. No. And of course vice versa, if if you're sure someone is innocent.
Presenter
Oh, if you're sure he's innocent, you can sometimes advise him even then not to go in the witness box,'cause it may be better for him that he doesn't give evidence.
Presenter
But when you're sure he's innocent, it's a very much greater strain upon you than if your personal view is he's guilty.
Presenter
I used to regard it as an exercise in advocacy when I knew he was guilty. It didn't worry me. I just did my best as an exercise in advocacy. When I thought he was innocent, I was very, very worried.
Presenter
Your fifth record, please.
Presenter
I like as a change musical comedy. I'm not sure that the sound of music qualifies to be called a musical comedy. I would rather call it a musical play. But the sound of music is the loveliest one I can recall. I could hear it again and again and again. I've had great difficulty in choosing which piece to choose from it, and I've eventually come down on The Lonely Goatherd, sung by Julie Andrews.
Sir Alan King-Hamilton
High on a hill was a lonely goatherd, lay hood lay, hood lay more. Loud was the voice of the lonely goatherd, lay hood lay, bodiloo. Folks in a town that was quite remote, heard lay, hood lay, hood lay, lay more. Lusty and clear from the goatherd's throat, heard lay hoodloo.
Presenter
Juliandrew singing The Lonely Goatherd from the sound of music
Presenter
You were made a judge and appointed to the old bailey, the central criminal court. Business wasn't nearly as brisk there as it is now.
Presenter
When I was appointed I was junior boy, so to speak.
Presenter
and I sat in the seventh court, which was a temporary court.
Presenter
When I retired there were twenty three courts, and they still, even then, sometimes borrowed courts in the law courts in the Strand.
Presenter
Let's talk about some of the memorable cases over which you presided. Savondra, for example. Oh, yes, indeed. Um fire automarine, or or famic as it came to be called the biggest insurance swindle ever to be tried in this country.
Presenter
But he was a great character, full of uh charm and wit, and uh
Presenter
Enormous personality, which was all, of course, part of his stock in trade. He w he was a conman par excellence.
Presenter
And the celebrated Janie Jones case. Celebrated or infamous? Well, infamous. I mean, the unpleasant side of that case was that it wasn't just the the sorting out of a flourishing prostitution business. There was also, I believe, an element of young girls being lured into prostitution. That was the worst part of it, lured into prostitution, and then, in a sense,
Sir Alan King-Hamilton
Uh
Presenter
blackmailed to stay into it when they realized what they'd let themselves in for and and were wanting to go, and then threats of violence on them if they told their parents or the police. That was the the worst part of it.
Presenter
Now you've tried some very horrible cases.
Presenter
You have to keep your head and, of course, not be swayed by your emotions, which must be very difficult sometimes. It is at times, yes.
Presenter
That after years of experience, you get used to it. You have a sort of clinical approach to it. Do you ever feel it's time to bring back the birch in some cases? Yes, I do.
Sir Alan King-Hamilton
Uh
Presenter
And have said so.
Presenter
Do you think your reputation for toughness was justified? No, I don't. I'm surprised that I have that reputation, because in more cases have I passed a sentence which, on reflection,
Presenter
I have thought was much too lenient.
Presenter
And I've said to myself afterwards, you were weak, you should have passed a a heavier sentence.
Presenter
That's happened far more frequently than the other way about. I can only remember two cases offhand where I passed a sentence which I thought was too heavy, and on reflection I had the defendant back into court and reduced it. I can only recall that having happened twice. I suppose you only have to be besmirched in the press once or twice and and you get a reputation. You get a reputation. Well it's because the cases achieve
Sir Alan King-Hamilton
Yeah.
Sir Alan King-Hamilton
You get a rip.
Presenter
Publicity, enormous publicity, when you pass a heavy sentence uh and uh th it spreads and you and you get the reputation, which in my view, in my case, I think was quite unjustified.
Presenter
Precord number six.
Presenter
The piano concerto number two, the popular one, by um Rafmaninov.
Presenter
The opening of the second rack Maninov piano concerto, Vladimir Ashkenazi, with the London Symphony Orchestra, conducted by Andrei Prevan.
Presenter
You've had some pretty tough characters in the dock, Judge. Do you ever get threats? I have had them, yes. I don't take them very seriously, but uh the police do.
Presenter
They have to because they would be blamed if anything uh went wrong. You've had police protection, I presume, from time to time? In two or three cases, yes. What about threats to jurors?
Presenter
Oh, I've had those, uh when the the jury had to be protected to or from their homes by plainclothes policemen. I hear that nowadays in the old bailey the jurors are kept out of sight of the public court, which which seems a Yes, that happened in my day. There was only one court in those days, and court number two, where the jury box is beneath the public gallery.
Presenter
And whenever you had a case where nobbling, as it's called, was likely to take place, that court was used. But sometimes, unfortunately, you had two or three cases of that kind going on at the same time, and we couldn't all get into the same court.
Presenter
But nowadays they've changed things round because nobling takes place so often.
Presenter
that uh the jury is I think in every court being placed beneath the public gallery. But even that doesn't stop it, because there's somebody in court who will recognize someone.
Presenter
Are there drawbacks to the jury system? You have twelve good men and women, true, but do you sometimes wonder if they're really understanding what's going on? Yes, in some cases, particularly in long commercial fraud cases.
Presenter
I don't think it's fair on the jurors that they should be kept away from their avocations, whatever they are, for three, four or five months or more. They may be missing the chance of
Presenter
Promotion?
Presenter
and their employers are are missing their services.
Presenter
In such cases, particularly in fraud cases, I think a judge and two lay assessors, an accountant may be, and somebody from a Chamber of Commerce would be.
Presenter
Ideal, it would save an awful lot of time. And I presume once a a juror loses the thread of a case like that, he's useless. Yes.
Presenter
You officiated.
Presenter
At a blasphemy case. Now, that's a great rarity. It was the first one for.
Presenter
I can't remember, it was fifty-two or or fifty-six years. Very rare case of criminal libel, and was absolutely fascinating.
Presenter
It was a very unpleasant piece of verse printed in a newspaper for homosexuals. Yes. It was blasphemy against Christ, of course, and you're not a Christian. No. I'm a Jew.
Presenter
And I wondered I now know the reason why I was asked to do it, but uh I needn't go into that. But um I thought at the time it was perhaps because it was thought that I could be more impartial. Was that not the case? I probably was more impartial, but that wasn't the reason I was asked to do it.
Presenter
But I was shocked as much as any Christian would have been, right? Absolutely shocked. But the law was absolutely fascinating.
Presenter
You have now retired. How do you spend your time? I know you keep very busy. I sit from time to time. The Lord Chancellor asked me if I would help out in my local Crown Court, which I do on short stints, no more long cases, thank you. I've had more than my share.
Presenter
I am President of one and Chairman of another association that deals with sheltered flatlets for the elderly, which takes up quite a bit of time.
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I lecture occasionally.
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To uh Hendon Police College?
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and to various people. I talk after dinner and after lunch for various charities.
Presenter
And I've written a book. Ah, yes. Nothing but the truth. And it's doing rather well, I gather. So I'm told. The publishers tell me they're pleased.
Presenter
One amusing incident I was told occurred the other day. A very elegant and well dressed gentleman walked into a bookshop, and saw some of my books lying around, and said to the assistant, I think I'd better buy one of those. I met the judge once. It was on the occasion when he sent me down for a long stretch.
Presenter
Oh, well, it's rather nice to think your own customers are supporting. Yes, you can't sell a book one way, you can sell it another.
Presenter
Another record.
Presenter
This one is the Intimezzo from Cavallera Rusticana by Mascani. I think it's one of the most lovely pieces of music I've ever heard at any time.
Presenter
The intermerzzo from Mascagne's Cavalleria Rusticana, played by the Berlin Philharmonic Orchestra conducted by Carrigan.
Presenter
Now, Judge, we've put you on this desert island. How resourceful are you going to be in those miserable circumstances? Could you look after yourself?
Presenter
My family think I would be quite hopeless.
Presenter
and I'm bound to admit that I'm not very useful about the house, although I do like gardening and do quite a bit of that.
Presenter
But I think that somewhere I've got hidden away some reserves of initiative and resourcefulness, and I think I would surprise even myself. I'd have a jolly good try, anyway. Have you done any fishing? Anything useful like that?
Presenter
I have done fishing, not very successful, but I'm prepared to persevere. Cooking?
Presenter
If I say yes, my family will uh go into hysterics.
Presenter
I have tried, not with great success, but of course one improves as one goes along. Would you try to escape? Do you know anything about navigation?
Presenter
A little bit.
Presenter
I would try to escape after two or three weeks, I think. I would have had enough by then. I would be missing my family very much.
Presenter
But how to escape? That's the point.
Presenter
I I saw outside Oslo um Tor Haerdahl's um Kontiki, the the wonderful raft that he built that went from the South America to uh the Polynesian Islands, I think, s somewhere like that. Uh and that intrigued me enormously, and I would try to do something like that, if only I could attach stabilizers to it, because I'm the world's worst sailor.
Presenter
And I doubt if I could succeed in attaching stabilizers to a raft. This is getting a very ambitious project.
Presenter
He did. Well, good luck then. I think I'd probably have to stay on my island because I couldn't achieve it. What's your last record?
Presenter
The Beethoven Fifth Symphony, Last Movement. Why? Because I love it.
Presenter
I think it's magnificent absolutely magnificent.
Presenter
Part of Beethoven's Fifth Symphony in C minor, the Berlin Philharmonic Orchestra, conducted by Herbert von Karian. If you could take only one disc out of the eight you've played us, which would it be? I think the last one, the Beethoven.
Presenter
And you're entitled to one luxury, one object that would give you pleasure, but is of no practical use.
Presenter
Could I have a television set?
Presenter
I can't guarantee what reception is like. Well, a solar battery and an enormous aerial. You could you couldn't you manage that? If you like to risk it. Well, can I have an alternative if it doesn't work?
Presenter
Such as
Presenter
I'd like a cricket bat.
Presenter
about a dozen cricket balls, a net, and uh one of those machines which propels cricket balls at you as though it were a bowler.
Presenter
Could you manage that?
Sir Alan King-Hamilton
Uh
Presenter
No practical use.
Presenter
Have the television first, and if it doesn't work, let us know. Then we'll have to fetch the television set before we give you all the cricket apparatus. You say let us know. Right. Does that uh suggest that there's a telephone? Because if there's a telephone there, I want to phone my family.
Sir Alan King-Hamilton
You say let us know.
Presenter
You just send up a rocket.
Presenter
And one book apart from the Bible and the complete works of Shakspere. Cricket, as you may have gathered from what I have just said, is one of the passions of my life, and the book I want is Barclay's World of Cricket. It's edited by Jim Swanton and John Woodcock.
Presenter
It has over five hundred and fifty pages, and it's rather like the fourth bridge. By the time I got to the end of it I'd be quite ready to start again. Right. Give us the title again. BARCLY'S WORLD OF CRICKET, EDITIED BY JIM SWANTON AND JOHN WOODCOT.
Presenter
And uh w when I'm not doing that, I shall fill up the time playing a new game I've invented. What's that? If you don't mind my saying so, uh Mr. Plumley, it's called Desert Island Risks. What are the rules? The rules are that the players imagine that they have acquired a desert island in the remotest part of the southern Pacific.
Presenter
And they have to populate it with eight people.
Presenter
whose deportation to the island would be of benefit to the world in general and the United Kingdom in particular.
Presenter
And the winner would be the person whose list includes three names not on anybody else's list. It's a very good idea. I don't think, before we go off the air, I'll ask you for your list. I'll ask you for it afterwards. I think that would be very wise. Of course, the problem comes when, having chosen one's list, somebody like Roy Plumley asks you, and if you could only send one person to the island, which one would it be? Yes, I might well do that.
Presenter
And thank you, Judge Alan King Hamilton, for letting us hear your Desert Island Discs. Thank you.
Presenter
Goodbye, everyone.
Speaker 3
You've been listening to a podcast from the Desert Island Discs Archive. For more podcasts, please visit bbc.co.uk/slash radio four.
What did it mean [to be a press censor]?
No, it didn't work quite like that. Uh one worked all round the clock uh in shifts if you were in that section as I was uh when I began. But there were defence notices, D notices, which we all had. Any newspaper which had anything doubtful sent it in to be censored. If he had no doubt about it, he didn't trouble. He sent it in to us, and there was at large about twenty or thirty of us, working all round the clock. A piece would be put in front of us, and if it was all right, we passed it, stamped it if it wasn't, we altered it as we thought fit, with the blue pencil, the famous blue pencil, making suggested alterations.
Presenter asks
How do you defend a man who says "I done it"?
Well, up to a point. You can't put him in the witness box. If he says to you, I done it, it's a fair cop gov, I done it, then you can't put him in the witness box to say on oath that he hadn't done it. All you can do is to try to destroy the prosecution case, and at the end of the prosecution case make a speech to the jury. It may be you have one or two other witnesses on different aspects of the matter. But then make a speech to the jury to try to satisfy them the prosecution hasn't proved his case. You can't put him in the witness box to say he hasn't done it. No.
Presenter asks
Do you think your reputation for toughness was justified?
No, I don't. I'm surprised that I have that reputation, because in more cases have I passed a sentence which, on reflection, I have thought was much too lenient. And I've said to myself afterwards, you were weak, you should have passed a a heavier sentence. That's happened far more frequently than the other way about. I can only remember two cases offhand where I passed a sentence which I thought was too heavy, and on reflection I had the defendant back into court and reduced it. I can only recall that having happened twice.
Presenter asks
Are there drawbacks to the jury system?
Yes, in some cases, particularly in long commercial fraud cases. I don't think it's fair on the jurors that they should be kept away from their avocations, whatever they are, for three, four or five months or more. They may be missing the chance of Promotion? and their employers are are missing their services. In such cases, particularly in fraud cases, I think a judge and two lay assessors, an accountant may be, and somebody from a Chamber of Commerce would be. Ideal, it would save an awful lot of time.
“But once you're on the bench, you're on your own.”
“I was sandwiched between Pat Devlin and Sylvan Lloyd. It was an inverse sandwich. I was the uninteresting piece of bread with the interesting bits of material on both sides.”
“I used to regard it as an exercise in advocacy when I knew he was guilty. It didn't worry me. I just did my best as an exercise in advocacy. When I thought he was innocent, I was very, very worried.”
“I met the judge once. It was on the occasion when he sent me down for a long stretch.”