Tuning in…
Tuning in…
Desert Island Discs
Presented by Roy Plomley
A British painter who, at 90, had a London exhibition of recent work and a retrospective at the Tate Gallery.
Eight records
The eight records for this collection haven’t been catalogued yet.
The keepsakes
No book or luxury recorded for this episode.
In conversation
No questions or quotes have been extracted for this episode.
The recording
Timestamps play the recording from that turn
Speaker 1
This download is the only extract the BBC has of this edition of Desert Island Discs. The presenter was Roy Plumley.
Speaker 1
Mr. Grant, you recently celebrated your 90th birthday and you're still working hard. In fact, you've had an exhibition in London of pictures you've painted during the last five years.
Speaker 1
Do you paint every day?
Duncan Grant
Yes, for whenever I can.
Duncan Grant
I have rather to arrange my life, a painting life, according to the weather.
Duncan Grant
In the winter I can only paint up till about four o'clock. The light goes so early.
Duncan Grant
But in the summer
Duncan Grant
I can go on much later.
Speaker 1
and you have a retrospective exhibition at the Tate Gallery.
Duncan Grant
Yes, that's true.
Speaker 1
Now let's go back to the beginning. You're a Scot, aren't you?
Duncan Grant
Yeah.
Speaker 1
And you spent your early childhood in India. Why was there?
Duncan Grant
Um well, my father was a soldier.
Duncan Grant
And my mother and father moved.
Duncan Grant
To India after he had to leave his
Duncan Grant
first regiment, which was a bit too smart for him and but very which he couldn't afford.
Duncan Grant
Unless he changed to a line regiment, which we did, and then found ourselves in India.
Duncan Grant
till I was nine years old, which was the age when they sent boys and the girls back to England.
Speaker 1
What inspired you to take up painting in the first place? Obviously in your home you hadn't mixed with artists living in India.
Duncan Grant
Yeah.
Duncan Grant
Would
Duncan Grant
No, not in India. Certainly not.
Duncan Grant
But earlier on with school
Duncan Grant
Maim.
Duncan Grant
Cool lady.
Duncan Grant
was sent a large and important book on Burne-Jones.
Duncan Grant
And this was an absolute revelation to me. Feelings I had were purely settled ones, and I never had them before.
Duncan Grant
So I think that was the
Duncan Grant
a point in my life which was very important because it
Duncan Grant
It um put me on the way.
Speaker 1
Van Jones was the first influence.
Duncan Grant
First and foremost.
Duncan Grant
Although I've had many other influences.
Speaker 1
You were destined for the army yourself, weren't you?
Duncan Grant
My parents hoped I would go into the army.
Speaker 1
Don't How did you escape?
Duncan Grant
Well, I was rel adamant.
Duncan Grant
I wouldn't do such a thing.
Speaker 1
Mm-hmm.
Speaker 1
So from the army class at St Paul's, you went to art school.
Duncan Grant
Yeah. Uh
Speaker 1
Who influenced you to paint? What what is the inspiration of that?
Duncan Grant
Um
Duncan Grant
Well, I luckily had a very
Duncan Grant
Claire headed aunt, Leda Strechi, who was Lytton Stretchy's mother.
Speaker 1
Yeah.
Duncan Grant
Who said to my master at Saint Paul's,
Duncan Grant
Why do you keep him on here, in your class? He's doing no good. Why shouldn't he start by doing what he wants to do?
Duncan Grant
So my mm schoolmaster was a sensible man and said, why not?
Duncan Grant
He can go whenever he likes, if you find a place for him to go to.
Duncan Grant
And so she said, All right, I'll go I'll send him to the Westminster School of Art.
Speaker 1
Yeah.
Duncan Grant
Which she did and I started my
Duncan Grant
training as an arts student there.
Duncan Grant
When I was seventeen.
Speaker 1
I believe you were turned down by the Royal Academy School.
Duncan Grant
Yes, I was. But that was
Duncan Grant
I suppose natural. I I didn't particularly object to that.
Speaker 1
You've never exhibited at the Royal Academy during your career.
Duncan Grant
No, never exactly.
Duncan Grant
A picture that they had a right s to show because it was bought by the Contemporary Art Society, but it was never never shown as at an academy exhibition.
Speaker 1
When was it that you first felt that you were secure and and established as a painter? How early or late in your career did you think, well, I have now
Speaker 1
reached a point where I can consider myself established.
Duncan Grant
I don't think I ever did.
Duncan Grant
I I I sold at one sometime fair, I had an exhibition and sold a certain number. I mean prices in those days were so low.
Duncan Grant
But it didn't mean I felt secure at all.
Duncan Grant
But I felt more secure and more encouraged.
Duncan Grant
But the fact that more people seem to care for one's work.
Duncan Grant
But that didn't mean that I was an established figure in any way.
Speaker 1
You become a member of what was called the Bloomsbury Cetre, a group of friends, painters and writers and wits who exercised a lot of influence in artistic matters and had certain ideals in common. What were those ideals?
Duncan Grant
Honesty and the love of truth, I think, which led to friendship between all the members. But I don't think it was the least self-conscious attitude.
Speaker 1
Who were the leaders?
Duncan Grant
Believe
Duncan Grant
Well, I should have said that
Duncan Grant
Lytton Stretcher was one of the leaders.
Duncan Grant
Virginia Wolf Another.
Speaker 1
Yeah.
Duncan Grant
Clive Bell, and a great influence was Roger Fry.
Speaker 1
Where was the meeting place? In each other's homes and studios?
Duncan Grant
Yes, no other place than that.
Speaker 1
Some good parties, one gap.
Duncan Grant
Yes, excellent. Delightful and helpful.
Speaker 1
and some rather good practical jokes. There's a story about
Speaker 1
Some Abyssinians, was it, who decided to inspect one of His Majesty's dreadnoughts, and you were involved in that. W would you care to tell us their story?
Duncan Grant
Well, yes.
Duncan Grant
I was asked by Adrian Stephen, who lived in the same square as I did at that moment, in Fitzroy Square.
Speaker 1
Yeah.
Duncan Grant
And although he didn't know me very intimately at that time, he knew me well enough to ask me if I would join the hoax.
Duncan Grant
Which I said great fun, I said, certainly.
Duncan Grant
And so he then told me all the different things I must do.
Duncan Grant
And we will all be made up.
Duncan Grant
by Clarkson, who was in a celebrated makeup for theatrical people.
Duncan Grant
And uh
Duncan Grant
Otherwise, I don't think that we were asked to do very much. We were sent
Duncan Grant
Our robes, many wonderful jewels for our fingers.
Duncan Grant
and told it to be ready to go at six o'clock in the morning.
Duncan Grant
by train to Weymouth.
Duncan Grant
None of us knew what was going to happen except that we were going to interview the Admiral on his ship, the Red North.
Speaker 1
and pretending to be Abyssinians.
Duncan Grant
And
Duncan Grant
The Emperor and his Suite, and Secretary and so on.
Speaker 1
Yeah, so who
Duncan Grant
That's a whole draw.
Duncan Grant
De Vier Cole, who'd organized the whole thing, was
Duncan Grant
None that got up at all, just himself.
Speaker 1
Yes. And what happened when you got to Weymouth?
Duncan Grant
At Weymouth we were encouraged because there was a red carpet put down at the station. A band played a tune we didn't know.
Duncan Grant
and we will present it to naval officers in full uniform.
Speaker 1
Presumably this had been the Abyssinian national entry.
Duncan Grant
I pres presumably suppose so.
Speaker 1
By the navel band.
Speaker 1
Yeah.
Duncan Grant
I remember that I and Virginia Woolff were both dressed as princes.
Duncan Grant
From Evisinia.
Duncan Grant
But I afterwards heard that this the officer said that if they had only known she was a woman.
Duncan Grant
They had a throne into the sea.
Speaker 1
That doesn't sound like naval gallantry somehow. And then you were taken on board.
Duncan Grant
No, somehow.
Duncan Grant
Yeah, yes. And um
Duncan Grant
We were introduced one by one to the Admiral and his staff. And the first lieutenant happened to be a cousin of Adrian Stevens.
Duncan Grant
and said, My wife, that chap is very much like my cousin Adrian.
Duncan Grant
But it didn't go any further.
Speaker 1
We were given lunch.
Duncan Grant
Uh the wind was so great that we couldn't eat in power in the open air with without our beards falling all in little bits and we whisked off in the sea. So we they were told that we didn't care to eat in public.
Duncan Grant
And we would like to go downstairs.
Duncan Grant
to be out of view of
Duncan Grant
Most people.
Duncan Grant
We were shown all over the ship, and even the most secret things we were shown.
Speaker 1
Very little security, it seems. How long did you keep up the hoax?
Duncan Grant
How long?
Duncan Grant
Well, I it went on. I suppose we arrived in about twelve and we didn't leave till
Duncan Grant
From about f half or four or five in the evening.
Speaker 1
And did they ever discover it?
Duncan Grant
Coal
Duncan Grant
immediately went and told her.
Duncan Grant
Daily Mail or something about it. So the whole secret was out next morning.
Duncan Grant
I was furious, I remember
Speaker 1
Was there any official trouble? Did anybody complain or?
Duncan Grant
I hope they complained a great deal.
Duncan Grant
In fact, the Admiral was life was made miserable by the crowds in the streets.
Duncan Grant
It's like singing out.
Duncan Grant
Batoga, Batoga or something, that's because they thought that's the language we were using. And after that it was a technique.
Duncan Grant
They're very unpopular in in in the
Duncan Grant
House of Commons and so on and
Duncan Grant
Uh King Edward heard about it.
Duncan Grant
and sorted as a shocking fun making fun of his Navy.
Duncan Grant
And if any of us ever wanted to go to Buckingham Palace, we shouldn't be admitted.
Speaker 1
You were jolly lucky not to be invited to the Tower of London. Well, I know what it'd be nowadays. For over sixty years you've been
Duncan Grant
Well I know what
Speaker 1
A leading painter. Would you say you've been a prolific one?
Duncan Grant
Yes, I think I would.
Speaker 1
If you were told that only one piece of your work was going to survive, what would you like it to be? A difficult question that.
Duncan Grant
Well, I find it such a difficult question that I dr
Duncan Grant
I really don't know that I could answer it.
Duncan Grant
with any conviction, but there is a picture in the Tate Gallery which belongs to them.
Duncan Grant
called the tub.
Duncan Grant
which I think is is satisfactory, a satisfaction to me while I did it and it still is.
Speaker 1
Yes. That was while you were still very much under the influence of the post-impressionist.
Speaker 1
You were in those days something of a rebel. What do you think of the work of the young rebels of today, the people whose work seems
Speaker 1
To ask perhaps a little outrageous.
Duncan Grant
I never feel that outrageous.
Duncan Grant
But I think I should say that they were perhaps wrongly directed sometimes, but not
Duncan Grant
Not all
Speaker 1
Not outrageous.
Duncan Grant
I know.
Duncan Grant
I hope they are.
Speaker 1
What do you like to do when you're not painting?
Speaker 1
Do you do you read a lot? Do you like pottering round the garden?
Duncan Grant
Yes, I like pottery around the garden and I like r reading.
Duncan Grant
And I have very little else to do, really.
Speaker 1
Well, if you do a full day's painting, that that's
Duncan Grant
That's about it. I like talking to people.
Speaker 1
That's a bad idea.
Duncan Grant
And
Duncan Grant
My life seems very full. I mean, I don't find it empty.
Speaker 1
I'm sure of that.