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Desert Island Discs
Presented by Roy Plomley
Oratorio singer who studied at the Guildhall School of Music, won a gold medal, and began her career on music halls.
Eight records
The guest mentions this as her first broadcast, so it is likely one of her chosen discs.
The keepsakes
No book or luxury recorded for this episode.
In conversation
Presenter asks
Do you come from a musical family?
No, not particularly.
Presenter asks
Why did you turn to music?
I think it was just a natural love.
Presenter asks
When you left the Guildhall School of Music, did you find work [easily]?
Not by any means, because just before the First World War when things were difficult, I did usual rounds, you know, singing at Masonics and that kind of [thing]… I could not get into the better music and [opera].
Presenter asks
What was your first break as a serious singer?
Oh, when I went to Leeds I was taken up there by Daniel Meyer, who was the great empresario of those days, and with Madame Clarabatt, she was the great star. And I was terrified, needless to say, but I sang and I never looked back on [it].
The recording
Timestamps play the recording from that turn
Presenter
This download is the only extract the BBC has of this edition of Desert Island Discs. The presenter was Roy Plumley.
Presenter
I was born just by uh in Devonshire Street in Hike Street, Maryland. Yes.
Presenter
Do you come from a musical family? No, not particularly.
Presenter
Ordinary people, you know? Chase people.
Madame Stiles-Allen (Lilian)
As a schoolgirl, what did you want to be?
Presenter
I wanted to be a ballerina.
Presenter
Petty keen on dancing, he loved it. Choreography.
Madame Stiles-Allen (Lilian)
Mm-hmm.
Presenter
In those days I was just sleep enough to be able to do that.
Presenter
And it was not to be, I suppose, that I had to turn to music.
Madame Stiles-Allen (Lilian)
Yeah.
Presenter
Why did you turn to music?
Presenter
I think it was just a natural love. I rarely went to a school like in Orchard Street, where there was a German headmaster.
Presenter
And he used to call me Brunhilde at the age of nine, and I thought what a peculiar name for a child. Why did he call you Brunhilde? Because I had a particularly deep speaking voice, for one so frail and so really so young.
Presenter
And I suppose he could behold me.
Presenter
Having a voice later on to s suit this
Presenter
So much so that he I used to go to the gymnasium to develop my figure.
Presenter
to get my chest broadened'cause I was very narrow chested.
Presenter
that I feel in a way I owe a great deal to him through that.
Presenter
Because I became almost an a athlete.
Madame Stiles-Allen (Lilian)
Yeah.
Madame Stiles-Allen (Lilian)
And you went to study at the Guildhall School of Music? Yes. Where you did rather well. You got a gold medal. Oh yes, I think the first one ever given.
Madame Stiles-Allen (Lilian)
When you left the Guild Hall, did you find work care?
Presenter
And fairly easily. Oh, not by any means.
Presenter
Not by any means, because just before the First World War when things were difficult, I did usual rounds, you know, singing at Masonics and that kind of
Madame Stiles-Allen (Lilian)
Yeah.
Presenter
But I could not get into the better music and the
Presenter
So I had to resort to all kinds of
Presenter
Such as? Such as singing on music halls? Did you? Yes, I did, and one which is rather laughable. I appeared at the little theatre in Chester, where Lockhart's performing elephants were on top of the bill, and I was the one that was at the bottom.
Presenter
Uh
Madame Stiles-Allen (Lilian)
What was your first break?
Madame Stiles-Allen (Lilian)
as a as a serious singer.
Presenter
Oh, when I went to Leeds I was taken up there by Daniel Meyer, who was the great empresario of those days, and with Madame Clarabatt, she was the great star.
Madame Stiles-Allen (Lilian)
Uh-huh.
Presenter
And uh I was terrified, needless to say, but I sang and I never looked back on
Madame Stiles-Allen (Lilian)
After that.
Madame Stiles-Allen (Lilian)
You became best known in oratorio. You didn't do very much opera.
Presenter
No, I did or mostly oratorio and uh opera in Wisconsin.
Madame Stiles-Allen (Lilian)
Let's concert v
Presenter
Yes, quite a number.
Madame Stiles-Allen (Lilian)
Now for many years you had an annual engagement in T. C. Fairbairn's production of Hiawatha. Oh yes, between
Presenter
Twelve years consecutive years. Very happy memories. I love the part of Nicomas.
Presenter
Cast of thousands. Yes.
Madame Stiles-Allen (Lilian)
The Albert Hawk
Presenter
Yes, and I've had it mentioned in Canada and America, people that had heard me in that. I was very flattered.
Madame Stiles-Allen (Lilian)
And so many proms, so many concerts all over Britain. When did you first broadcast? I think it was nineteen twenty
Presenter
D3.
Madame Stiles-Allen (Lilian)
Uh
Presenter
Creation, Haydn's creation is.
Madame Stiles-Allen (Lilian)
The first of many.
Presenter
Many. The very first of many.
Presenter
And there again it was the greatest success I had because I had so much fan mail and I got so much work.
Presenter
So that's I have a lot to thank the BBC for.
Madame Stiles-Allen (Lilian)
You didn't make many records in the early part of your career.
Presenter
Yeah.
Madame Stiles-Allen (Lilian)
No.
Presenter
Because my voice was not suitable, it was too big.
Madame Stiles-Allen (Lilian)
Before electrical recordings came out.
Presenter
Yeah exactly, you see. Had that been in Vogue I should have been quite at home with it.
Madame Stiles-Allen (Lilian)
In those uh acoustic days a voice was either a recording voice or it wasn't, there was nothing you would do about it.
Presenter
Yeah. Yeah.
Madame Stiles-Allen (Lilian)
Exactly.
Presenter
What happened?
Madame Stiles-Allen (Lilian)
Now, Madame Stiles-Allen, in an interview once you said that you often felt in your career that you were spiritually guided.
Presenter
Yes, I do, because I frequently have these feelings and uh
Presenter
It has been narrated before, this been written up in a book, while I was singing for the BBC, singing Vaughan Williams's Silent Noon.
Presenter
and I suddenly had this feeling of levitation.
Presenter
So much so I took my shoes and off and I had to hang on with my toes.
Presenter
And I went cold, and I turned round to Barclay Mason, who was the accompanist, and said, Shally Apine has passed on.
Presenter
And he said, How do you know? I said, I'm sure I'm sure I felt his pulsing.
Presenter
and on the way home was on all the placards that Chaliopin had passed.
Presenter
And I got in touch with Hannan Swoffer and asked could this be possible? And he said, Did you know him? I said, No, did I met him? I said, No, I admired him very much. He said, Well, probably in one of your lives you might have sung with him, or might have he knew you, and in passing he heard your voice and was attracted to you, and either he was wanting to take you with him, or to take your place and sing or sing with you.
Madame Stiles-Allen (Lilian)
When did you decide to concentrate on teaching?
Presenter
When the war broke out and everything went, you see all contracts were ceased and there was no concerts.
Madame Stiles-Allen (Lilian)
Right.
Madame Stiles-Allen (Lilian)
And what are your views on the younger generation?
Madame Stiles-Allen (Lilian)
Are they better musicians?
Presenter
Well, I should say yes, better musicians. But the voices is But the voices no, I don't there's something missing. And I'm not being old fashioned in saying things aren't what they were.
Presenter
But I'm listening for something that's going to really thrill me and I never get it.
Presenter
Why do you think that is? Don't they work as hard? No, I don't think they work as hard, and I don't think they appreciate words.
Presenter
It's all my voice, my voice, my voice.
Presenter
And I believe it was Wagner who said, You can all sing my beautiful music, but who will sing my beautiful words?
Presenter
Yeah.
Presenter
What are your hobbies?
Presenter
Knitting straights to relate. Yes. Though we're going to mention her now as her hobbies too, flag starts.
Presenter
And may I just quote little thing to you?
Presenter
Dear Kathleen Ferrier said to me, I was singing its recital, and she was put in to play the piano, Kathleen, and I was knitting between my items, between the first and second half, and she came to me and said, Oh, fancy you knitting Why do you do that, madam?
Presenter
I said but while I'm writing I'm not thinking, and it's giving my brain a rest, so when this when I go on the second half I start afresh.
Presenter
And when I met Kathleen again some years after, she said, You know, I took your tip and I did the same.
Madame Stiles-Allen (Lilian)
Yeah.
Madame Stiles-Allen (Lilian)
You like gardening, too?
Presenter
Oh yes. I love I can't do very much now, of course, but I love gardens.
Madame Stiles-Allen (Lilian)
You have green fingers.
Presenter
Yes.
Presenter
Yes, I talk to the flowers.
Presenter asks
You said once that you often felt in your career that you were spiritually guided. Could you tell us about that?
Yes, I do, because I frequently have these feelings and… while I was singing for the BBC, singing Vaughan Williams's Silent Noon, and I suddenly had this feeling of levitation. So much so I took my shoes [off] and I had to hang on with my toes. And I went cold, and I turned round to Barclay Mason, who was the accompanist, and said, 'Chaliapin has passed on.' And he said, 'How do you know?' I said, 'I'm sure I'm sure I felt his pulsing.' And on the way home was on all the placards that Chaliapin had passed.
Presenter asks
What are your views on the younger generation of singers? Are they better musicians?
Well, I should say yes, better musicians. But the voices no, I don't [think] there's something missing. And I'm not being old fashioned in saying things aren't what they were. But I'm listening for something that's going to really thrill me and I never get it.
“I frequently have these feelings and… while I was singing… Vaughan Williams's Silent Noon, and I suddenly had this feeling of levitation. So much so I took my shoes [off] and I had to hang on with my toes.”
“I said, 'Chaliapin has passed on.' And he said, 'How do you know?' I said, 'I'm sure I'm sure I felt his pulsing.'”
“But I'm listening for something that's going to really thrill me and I never get it.”
“I don't think they work as hard, and I don't think they appreciate words. It's all my voice, my voice, my voice.”