Tuning in…
Tuning in…
Desert Island Discs
Presented by Lauren Laverne
Human rights advocate and executive director of UNAIDS, formerly Oxfam International, and Uganda's first female aeronautical engineer and MP.
Eight records
It's a happy song. It's a woman who's happy to be in love. I chose it because I find love in the work that I do. Even though it's about people who suffer, there's joy in the work I do.
New London Symphony Orchestra, Norman Luboff Choir, Leopold Stokowski
because it makes me remember the Christian missionaries who educated me. And I acknowledge the role that this particularly the Irish women, they played in protecting us, in shaping us, in giving us confidence as girls that we were going to build our country, that we were equal. I just am so grateful to those women.
To me it reminds me so much of that period where we were suffering under Idiamin, but the whole of Africa was under the grip of powerful civilian or military dictators. So he sang, and these it was artists who were resisting, who could speak, but they would pay with their lives. And Bukaka too was killed because of those songs he sang.
heart of glass and it reminds me of those wonderful English girls I found in the Hall of Residence, Saint Gabriel's Hall at Manchester. They were Northern girls and they were so warm and nice and they received me and they really helped me to settle in a country that I didn't know. And in this rainy city, and to have fun, and we danced to Blondie, and I loved Blondie.
It's a song by a South African woman whom I adore, Yvonne Shakashaka. It's called Umkompoti. It's a local brew in South Africa in the Zulu language. But it sounds like um kombozi, and mkombozi in Swahili means a liberator, and it became like a liberation song that we would sing to celebrate the victory we had had and the empowering phase we were in.
The earliest memories of talking about injustice were those songs my father would play on his old piano. He loved this one Steal Away, and he would explain to us that African Americans taken to America working as slaves on plantations, in homes, would sing these songs as a resistance, and they would be speaking to each other, giving each other hope and plans on how to escape to freedom. So I love the African American spirituals. They speak to me powerfully about yearning for freedom, resisting oppression.
Or be happy. By Bobby McFerrin. This song came out right at the time when my brother was diagnosed and I'd put it on my CD player in the car as I drove him to different clinics to be tested, would be put on treatment, and we'd sing it and and I just put a smile on his face and I'd say, Banner, don't worry, be happy. I feel I'm honoring that promise I made to him that one day there would be a cure.
I Wish I Knew How It Would Feel to Be FreeFavourite
It has to be a song by Nina Simone. I wish I knew how it would feel to be free. That is what drives. People like me are search for freedom for myself and for others, for all to be free. So life is about reaching out for freedom.
The keepsakes
The book
Simone de Beauvoir
That book is one of the books that woke me up. About my place in the world as a woman I read it when I was at university at Manchester. That's the book. I'd read it again and again to anchor myself.
The luxury
Yes, I would want a needle to make baskets. We used to take reeds, dry them, cut them, take out the fiber, and use it to weave baskets. I could weave baskets and keep weaving another basket and another basket until I'm rescued.
In conversation
Presenter asks
How do you manage to stay true to yourself when you're holding organisations and governments to account?
That's a difficult one. But I never forget who I am. I always remember that I'm that little girl that grew up in a village, in a poor country. And that I'm not ashamed of who I am, I'm actually proud of who I am. And in every situation I just tell my truth.
Presenter asks
What emotions come to the surface when you think about the girls you grew up with who didn't have the same opportunities?
Ah, like you said, a burden. A burden of actually guilt. One of them, Maimona, is my close friend. She was pulled out of school at the age of about fourteen. One day we were playing with our banana fibre dolls. The next day she was a bride. We cried, and she cried. And she's never overcome poverty really. This shapes my understanding of the world that the people at the top aren't so rich, and the people at the bottom aren't sinking farther. We need to even it out.
The recording
Timestamps play the recording from that turn
Speaker 2
BBC Sounds, Music, Radio, Podcasts.
Presenter
Hello, I'm Lauren Laverne and this is the Desert Island Discs podcast. Every week I ask my guests to choose the eight tracks, book and luxury they'd want to take with them if they were cast away to a desert island. And, for rights reasons, the music is shorter than the original broadcast. I hope you enjoy listening.
Presenter
My castaway this week is the human rights advocate Winnie Bianima. She has spent 40 years at the forefront of the fight for social justice as a politician, a diplomat and a charity worker. She's currently the Executive Director of UN AIDS, the joint United Nations programme which was set up to eradicate AIDS as a threat to public health by 2030. She was born in southwest Uganda and grew up in a politically and socially engaged household. Her father was a teacher-turned MP and her mother set up clubs to teach skills to the women in her community who had little access to education. Her father's opposition to the brutal dictatorship of Idi Amin meant the family were under threat and she was forced to flee Uganda for her own safety. She found refuge in the UK in 1978 when she was just 19.
Presenter
By the time she returned to Uganda two years later, she had qualified as the country's first female aeronautical engineer. She went on to spend a decade as an MP in the Ugandan Parliament, helping to write a new constitution for the country in 1995. She later became Executive Director of Oxfam International. She says, I'm a nomad. I've wandered into different things as a curious person who's passionate about social justice. Winnie Bieniema, welcome to Desert Island Discs. Thank you. It's an honour to be here. Winnie, authenticity is a key quality as far as you're concerned, isn't it? I know that you once said, I never hesitate to be myself. How do you manage to stay true to yourself when you're holding organisations and governments to account?
Winnie Byanyima
That's a difficult one.
Winnie Byanyima
But I never forget who I am.
Winnie Byanyima
I always remember that I'm that little girl.
Winnie Byanyima
that grew up
Winnie Byanyima
in a village, in a poor country.
Winnie Byanyima
And that I'm not ashamed of who I am, I'm actually proud of who I am.
Winnie Byanyima
And uh in every situation I
Winnie Byanyima
Just tell my truth.
Presenter
But you are an outlier and I know that you've reflected on that. You know, the girls that you grew up with and around your childhood friends in your village in Uganda, they didn't achieve the level of success that you've reached. And you've talked about this powerful sense of obligation that you feel and you carry that with you and you take that into your work. I wonder what emotions come to the surface when you think about them today, the girls that you grew up with.
Winnie Byanyima
Ah, like you said, a burden. A burden of actually guilt.
Winnie Byanyima
One of them, Maimona, is my close friend.
Winnie Byanyima
She was pulled out of school at the age of about fourteen. One day we were playing with our banana fibre dolls. The next day she was a bride. We cried, and she cried.
Winnie Byanyima
And she's never overcome poverty really. This shapes my understanding of the world that um
Winnie Byanyima
The people at the top aren't so rich, and the people at the bottom aren't sinking farther.
Winnie Byanyima
We need to even it out.
Winnie Byanyima
It's time for your first disc. What have you chosen and why? I've chosen Sanyuliange. It's a song by a Ugandan woman called Juliana Kanyomozi. It's a happy song. It's a woman who's happy to be in love. I chose it because I find love in the work that I do. Even though it's about people who suffer, there's joy in the work I do.
Speaker 1
I need someone to hear
Speaker 1
Uh
Speaker 1
Uh
Winnie Byanyima
Yes, I know young girl, me as I love it,
Presenter
My side.
Presenter
Sanyuyange Juliana Kanyamozi
Presenter
Winnie Bienima, you were born in the south west of Uganda then in nineteen fifty nine, and you grew up in the village of uh Rootie, you were the second of of seven children. Your parents, initially, at any rate, were were both teachers. What do you remember when you think back to those times?
Winnie Byanyima
We had no running water, we didn't have electricity in our house, but my parents were teachers, and I could go home and they would light a lantern, and I could do homework, and they could supervise me. But my friends didn't have this.
Winnie Byanyima
We would walk to school three kilometers to school. They had no shoes. I had shoes. So I'd actually put my shoes in my handbag, hide them there, and walk barefoot, because I couldn't bear
Winnie Byanyima
to feel privileged.
Winnie Byanyima
My mother organized groups of women.
Winnie Byanyima
She had been lucky to go to school. So she had women's clubs and they learnt craft making. And most of the time they were talking about forced child marriage. And uh as a woman who'd been educated herself,
Winnie Byanyima
She would tell them that, look, if your husband is going to arrange a marriage for your daughter and you can't stop him, let me know. Bring your daughter here at home and I will sort him out. I'll talk to him, I'll persuade him, but don't let him do it. So sometimes they would hide their girls at home.
Presenter
Oh wow, yeah.
Winnie Byanyima
keep the girl at home while my for mom is in negotiations with the dad about she's too young, she shouldn't be married off, she should stay in school. My generation of women in my country, we are really the products of those struggles of women insisting.
Winnie Byanyima
To keep a girl in school just like a boy.
Presenter
Your dad, Winnie, he had a a long and extraordinary life. As I said, he started out as a a teacher in a secondary school, but in the sixties he got in involved in politics and eventually became an MP. Tell me about him as a person. What kind of man was he?
Presenter
He was um
Winnie Byanyima
Yeah. An Anglican, because we're British colony, he was well educated.
Winnie Byanyima
because he went to Machillary University, the first university in our country, and taught at the prestigious Boys Anglican Boys' School in our region.
Winnie Byanyima
But when he it was time to marry, he married a Catholic girl.
Presenter
As you will see
Winnie Byanyima
That was friendly.
Presenter
Yeah
Winnie Byanyima
He frowned upon, and he was even threatened that he would lose his job in the Anglican school.
Winnie Byanyima
He had been a church pianist and they discouraged him from playing the piano in the church. They kind of isolated him, but he told them he didn't give a damn and he refused to live in the Anglican Porsche area. It was the Porsche suburb, and bought a piece of land in the poor suburb where we grew up, which was neutral. It wasn't either Catholic or Anglican, it was a Muslim neighborhood. So he was always a maverick. He went into politics but was on the opposition against a dictatorship. And he spoke his mind, he risked his life, and he said to us, The only way to live is to stand up for truth and for justice.
Winnie Byanyima
Lucy B.
Presenter
But
Winnie Byanyima
Yeah.
Presenter
Winnie B and Ema, it's time for some more music, I think. Your second choice today. What have you gone for and why?
Winnie Byanyima
I've gone for
Presenter
Yeah.
Winnie Byanyima
Bach
Winnie Byanyima
Jesus joy of man's desiring because it makes me remember the Christian missionaries who educated me.
Winnie Byanyima
And I acknowledge the role that this particularly the Irish women, they played in protecting us, in shaping us, in giving us confidence as girls that we were going to build our country, that we were equal.
Winnie Byanyima
I just am so grateful to those women.
Speaker 1
There is no
Speaker 1
I am afraid of the soul.
Presenter
Bach's Yezu Joy of Man's Desiring, performed by the New London Symphony Orchestra with the Norman Luboff Choir, conducted by Leopold Stukovsky. Winnie Bienima in 1971, Idyamin became President of Uganda. It was a brutal, frightening time in the country's history. How did life change for you and your family when he came to power?
Winnie Byanyima
Yeah.
Presenter
Yeah.
Winnie Byanyima
My memories of that time
Winnie Byanyima
are about seeing death, seeing violence,
Winnie Byanyima
At school, when families would come to pull a girl out of class,
Winnie Byanyima
And take her away?
Winnie Byanyima
And then she'd come back after a week with her head shaved.
Winnie Byanyima
In morning, then we would know that her father has been killed or disappeared, and we couldn't talk about it. People would bury their dead at night because you have to pretend that nobody has died. Because if you do speak about it or show it,
Presenter
Then they'll come for you too?
Presenter
In nineteen seventy seven you went to university in Kampala to study engineering, but not long after you'd started, your parents decided you had to leave Uganda. Why did they think it wasn't safe for you to stay?
Presenter
What hub
Winnie Byanyima
Pend is a story that I have never really told, but it was, yeah, very defining for me.
Winnie Byanyima
A junior lecturer walked into my room one evening.
Winnie Byanyima
and made a proposition that I should be his girlfriend and that that way I could be sure to pass my exams.
Winnie Byanyima
I said to him right away I was quite a confident little girl, I said, I don't need any help to pass my exams. And I asked him to leave. Before he left he gave me an angry look, and he said to me I was going to regret it. So I rushed to my parents, I told them what had happened.
Winnie Byanyima
And my parents said, Well, get out of there. You can't spend the next four years being blackmailed like that. It's unacceptable.
Winnie Byanyima
So they had a friend who was friendly with the generals in power.
Winnie Byanyima
Who promised that he would help me to get the permission I needed to leave the country to go and find a scholarship. I was aiming at going to the UK to get a scholarship and study there. So this friend of my parents came to take me to meet an official in the Ministry of Education.
Winnie Byanyima
He didn't take me to the ministry.
Winnie Byanyima
He first took me to his apartment. He said he'd forgotten something.
Winnie Byanyima
We got into his apartment.
Winnie Byanyima
He put on music.
Winnie Byanyima
on his player
Winnie Byanyima
The song was The First Cut Is the Deepest and he came to grab me.
Winnie Byanyima
I screamed.
Winnie Byanyima
He was embarrassed.
Winnie Byanyima
He stopped, put me in his car, dropped me back at the University, and said I was stupid, I was childish. These things happen he called it things happen.
Winnie Byanyima
I shocked?
Winnie Byanyima
I was eighteen.
Winnie Byanyima
I had never had a relationship with a boy.
Winnie Byanyima
This was an attempted rape.
Winnie Byanyima
I was frightened.
Winnie Byanyima
At that time there was not even a word called sexual harassment or abuse. There was rape, but you felt ashamed to admit it. When I arrived here in England,
Winnie Byanyima
At the immigration
Winnie Byanyima
I said I was running away from Amin. I was asked why. I mentioned my cousin who had been killed. I said I feared for my life. But I couldn't say that there was an attempt to rape me, to abuse me sexually several times. It y it was too shameful.
Presenter
Winnie, we'll find out more about what happened next in a moment. Right now, though, we need to hear your third piece of music. What have you gone for and why?
Winnie Byanyima
I've chosen Le Boucheron by Franklin Boukaka, a Congolese singer. To me it reminds me so much of that period where we were suffering under Idiamin, but the whole of Africa was under the grip of powerful civilian or military dictators. So he sang, and these it was artists who were resisting, who could speak, but they would pay with their lives. And Bukaka too was killed because of those songs he sang.
Winnie Byanyima
yearning for liberation.
Speaker 1
Afrika, Ne Afrika, Moti Panda.
Speaker 1
I am afraid I have frequently birthday.
Speaker 1
Oh got the funny pass!
Presenter
Le Boucheron, Franklin Buchaker.
Presenter
Winnie Bienima, so as we've heard, you came to the UK as a refugee and you got a scholarship to study aeronautical engineering at Manchester University. What are your memories of your arrival here in the UK?
Winnie Byanyima
Yeah.
Presenter
Yeah.
Winnie Byanyima
I was on the one hand feeling a bit scared of a new country, new place, don't know anybody.
Winnie Byanyima
But yet I was feeling free, really free.
Winnie Byanyima
There was the independence of having girlfriends and going to a dance and having fun and going to Pizzaland and eating a pizza on a Saturday.
Winnie Byanyima
Was it good, pizza? How is it? Was it your first pizza? It was my first pizza in my life, and I loved it.
Presenter
Meets a
Winnie Byanyima
and um going to the pub, having a pint, all these things that I had not enjoyed, and the library wow wow wow John Reynolds library with books of every kind and comfortable chairs to sit on
Winnie Byanyima
Yeah.
Presenter
It was freedom.
Presenter
You say you arrived in Manchester as an angry teenager, which is unsurprising considering what you'd been through. How did university life help you deal with that anger?
Winnie Byanyima
I just found within a few weeks or months there that at Manchester that there was something called the Uganda Human Rights Movement and that Ugandans were organizing in on campuses, in Scotland, in Wales, in London.
Winnie Byanyima
organizing themselves to resist idi Amin. So I joined and I became an activist. Being part of movements helped me channel my anger and to feel that I'm with others, I think saved me, I believe saved me.
Presenter
Winnie, we're getting a sense definitely that you flourish when you've got something to kick against. But you also mentioned the friends you made and the fun that you had at university. So I think we'd better hear some more music. Tell me about your fourth choice today. Uh
Winnie Byanyima
heart of glass and it reminds me of those wonderful English girls I found in the Hall of Residence, Saint Gabriel's Hall at Manchester. They were Northern girls and they were so warm and nice and they received me and they really helped me to settle in a country that I didn't know.
Winnie Byanyima
And in this rainy city, and to have fun, and we danced to Blondie, and I loved Blondie.
Speaker 1
Each mistrust loves on the heart
Speaker 1
And it's a desire.
Speaker 1
These are the real things that I was wondering why.
Speaker 1
Just that's come behind.
Presenter
Heart of Glass by Blondie. Winnie Bianima, after you graduated in 1981, you went back home and you got a job as an engineer with Ugandan Airlines. I should say you were the first woman in your country to become an aeronautical engineer. By this time, Idi Amin had been ousted and replaced as president by Milton Abote. But opposition politicians, led by Yuri Museveni, believed the election was rigged and that prompted a guerrilla war. Unknown to your employer, you started working for the resistance.
Winnie Byanyima
What are you doing?
Winnie Byanyima
Sometimes it would be to pass some information on. Sometimes it would be to allow someone to hide.
Winnie Byanyima
Sometimes it could be
Winnie Byanyima
Our injured helping them find somewhere where they can be looked after.
Winnie Byanyima
But as time went on I was found out and then had also to defect and leave my job.
Winnie Byanyima
and joined the rebellion.
Presenter
The bush, essentially. Yeah, we called it the bush, yeah.
Winnie Byanyima
Yeah.
Presenter
I mean, you knew how risky it was. Was it scary doing that work, or was your anger powering you through the fear?
Winnie Byanyima
Of course there was always some fear. It was a civil war, but I was not on the front line. I was doing a lot of work in the rear. But I did sometimes could be part of a mission that is quite risky. But you didn't feel like, oh, I'm about to die or no, no, no. You're with others and you are
Winnie Byanyima
In a struggle for
Winnie Byanyima
A goal.
Winnie Byanyima
A just country, a democratic country, a country where people are free.
Winnie Byanyima
It's time for some more music, Winnie. Your fifth choice today. What are we going to hear? It has to be a song by a South African woman whom I adore, Yvonne Shakashaka. It's called Umkompoti. It's a local brew in South Africa in in in the Zulu language.
Winnie Byanyima
But it sounds like um kombozi, and mkombozi in Swahili means a liberator, and it became like a liberation song that we would sing to celebrate the victory we had had and the empowering phase we were in.
Speaker 1
The money
Speaker 1
Trouble is my people with suffering and fear.
Winnie Byanyima
Most of the time.
Speaker 1
Make sure
Speaker 1
My love
Speaker 1
To make my free
Winnie Byanyima
Yeah.
Speaker 1
Must I shall be
Speaker 1
Um
Speaker 1
It's a freaking freedom
Presenter
Umkumboti by Yvonne Chakachaka.
Presenter
Winnie Bienima, Yueri Museveni became President of Uganda in nineteen eighty six. In nineteen ninety four, after working as a diplomat in Paris, you went back to Uganda hoping to be elected as an MP. How did you try to win over the voters?
Presenter
Amen
Winnie Byanyima
Uh
Presenter
And in my car
Winnie Byanyima
Don't you
Presenter
Uh
Winnie Byanyima
B
Winnie Byanyima
hold rallies and they usually give them a platform and they stand a little above the crowd and talk down to a huge crowd. Well, I went walking. I put on my sneakers and walked door to door in slum areas, finding women cooking. They don't have kitchens. They put a stove outside their one room home.
Winnie Byanyima
and cook on the veranda, and I would sit on the verandah with them, peeling their bananas and cooking, and I'd sit there, I'd carry the baby and talk to the woman and tell her why I want to run. And they'd get so excited. I won that election with a huge, huge landslide.
Presenter
Big.
Presenter
As an MP, you played a leading role in drawing up a new constitution for Uganda. But over the years, you became disillusioned with Moseveni's government. You and your husband Kiza, who was also a politician, began to speak out against corruption within the government. What were the consequences of doing that for both of you?
Winnie Byanyima
Yeah.
Winnie Byanyima
Yeah.
Presenter
We were a m
Winnie Byanyima
Really harassed, eh?
Winnie Byanyima
I was in and out of court, facing uh arrests all the time.
Winnie Byanyima
isolated, no one could step in my home, not even close family people, because it was surrounded and watched and
Winnie Byanyima
People would be interrogated after visiting me so nobody could come.
Presenter
It was too much. And in in two thousand four, Winnie, halfway through your second term as an MP, you resigned. I mean, what was the straw that broke the camel's back?
Presenter
Yeah.
Winnie Byanyima
One day I get up, I get dressed, I was going to Parliament.
Winnie Byanyima
And my son says, Oh, ma'am, you're going to Court. And I said, No, I'm going to Parliament.
Winnie Byanyima
And he said, But I thought you work in the court.
Presenter
Because you were there so much.
Winnie Byanyima
Because I'd been to court so much, he was beginning to have to think that my job is to work in a court, because I was going to court and now I realized this is it.
Winnie Byanyima
My son is suddenly seeing what he shouldn't be seeing, and this is going to affect him. So I left.
Winnie Byanyima
Painfully
Presenter
Painfully. Winnie, let's just pause the story for a moment. Let's get your next disc from you, if you could. It's time for your sixth choice today. What have you gone for?
Winnie Byanyima
The earliest memories of talking about injustice
Winnie Byanyima
were those songs my father would play on his old piano. He loved this one Still Away, and he would explain to us that African Americans taken to America working as slaves on plantations, in homes, would sing these songs
Winnie Byanyima
As a resistance, and they would be speaking to each other, giving each other hope and plans.
Winnie Byanyima
on how to escape
Winnie Byanyima
to freedom.
Winnie Byanyima
So I love the African American spirituals. They speak to me powerfully about yearning for freedom, resisting oppression.
Speaker 1
Steal away
Speaker 1
Steal away
Speaker 1
Steal away to Jesus.
Speaker 1
Steal away
Speaker 1
Uh
Presenter
Steal away.
Speaker 1
Behold.
Speaker 1
I ain't got long
Presenter
Um
Presenter
To stay. Steal away, Nat Kinkole. Winnie Bienema, in 2013, you were appointed Executive Director of Oxfam International, and today you're Executive Director of UN AIDS. Both organizations recently came under scrutiny following evidence of serious sexual misconduct. Now, those incidents predated your arrival and you implemented important changes. But given your own experiences that you've talked about with us today, what emotions did hearing those stories bring to the surface?
Winnie Byanyima
This is the thing. I can remember what the one time I broke down during that crisis was during after an interview by a a radio interview by a Canadian journalist.
Winnie Byanyima
who attacked me very hard, tell me how rotten our organization was and all this.
Winnie Byanyima
I was trying not to be defensive, to say that, you know, I understand the pain of sexual abuse. I w I wasn't telling him I've seen it in my own life, but in my heart it was there. And after the interview I cried. I felt as if I was being
Winnie Byanyima
How can I say? A salted
Winnie Byanyima
'Cause I know the pain, or I knew it, and it all came back. I that's why I couldn't but apologize.
Winnie Byanyima
I couldn't defend.
Winnie Byanyima
Staff I defended the one who was.
Winnie Byanyima
Abused.
Presenter
Winnie, in your current role with UN AIDS, your goal is to end the AIDS epidemic by twenty thirty. Now I know that this subject is incredibly close to your heart and that in fact you lost your brother to the virus. What happened?
Winnie Byanyima
Hmm.
Winnie Byanyima
Bernard was first diagnosed when I lived in Paris as a diplomat.
Winnie Byanyima
He was a very gentle person. He was frightened at that time.
Winnie Byanyima
HIV was a death sentence. There was a treatment, but it just prolonged your life for a couple of years.
Winnie Byanyima
I got him on it.
Winnie Byanyima
And he was healthy.
Winnie Byanyima
for several years while in France.
Winnie Byanyima
When we went back home,
Winnie Byanyima
He was one of the lucky ones on treatment because there was a pilot and he was able to be part of the pilot.
Winnie Byanyima
When he went
Winnie Byanyima
and met there some people he knew, and he'd not go back. He kept falling out of treatment because he didn't want to be known. There was strong stigma around HIV. My brother now started falling sick. He kept weakening and weakening and we lost him in
Winnie Byanyima
two thousand and six we lost him. And I always say that Bernard didn't die of AIDS, Bernard died of stigma. Had he stayed on treatment, if he hadn't been scared of being shunned by people, he'd be alive to day.
Presenter
Winnie Bianema, it is time to take a break for some music, your penultimate track. What have you got for us? Don't worry
Winnie Byanyima
Or be happy.
Winnie Byanyima
By Bobby McFerrin. This song came out right at the time when my brother was diagnosed and I'd put it on my C D player in the car as I drove him to different clinics to be tested, would be put on treatment, and we'd sing it and and I just put a smile on his face and I'd say, Banner, don't worry, be happy.
Winnie Byanyima
I feel I'm honoring that promise I made to him that
Winnie Byanyima
One day there would be a cure.
Presenter
Here's a little song I wrote You might want to sing it note for note, don't worry
Presenter
Be happy.
Speaker 1
Happy
Presenter
In every life we have some trouble But when you worry you make it double Don't worry
Presenter
B
Speaker 1
Happy, not very big, happy now.
Presenter
Bobby McFerrin and Don't Worry, Be Happy.
Presenter
Winnie, you you still take time and I think make a point of finding the joy in life, despite the challenges that the work and as an activist brings.
Winnie Byanyima
Yeah.
Presenter
Um, I read that you are quite a fan of the B B C television show Last of the Summer Wine. Yes. Can you confirm that so it is the case?
Winnie Byanyima
The summer wine.
Presenter
What do you love about it? Yeah.
Winnie Byanyima
I don't know. These old men, they represent the joy of living. You know, they are weak, they know they are frail, they s they stand up for each other and then they f make fun of each other. So I love them. And I think that the most important thing in life for me is
Winnie Byanyima
To make others happy?
Winnie Byanyima
But
Winnie Byanyima
It's because I'm happy. If I'm unhappy, I can't make others happy.
Winnie Byanyima
So I'm really a happy person.
Winnie Byanyima
Yeah.
Presenter
Winnie, I'm about to cast you away to a desert island. You'll be all alone there. How are you in your own company? You know, you very much kind of li live a life of service and activism for others.
Presenter
In fact, you've touched
Winnie Byanyima
I love my own company.
Winnie Byanyima
I walk alone, I go on long hikes on my own.
Winnie Byanyima
I sit alone and read a book.
Winnie Byanyima
I go out to a restaurant and eat a meal on my own.
Winnie Byanyima
It is by
Winnie Byanyima
Finding
Winnie Byanyima
Peace and joy within yourself that you can actually be useful to others.
Presenter
Well, Winnie, there won't be any restaurants on the island, but you'll certainly have books. We'll get to them in a moment. Before you go, one more disc from you, if you would. Your final choice to day. What are gonna
Winnie Byanyima
It has to be a song by Nina Simone. I wish I knew how it would feel to be free.
Winnie Byanyima
That is what drives.
Winnie Byanyima
People like me are search for freedom for myself and for others, for all to be free.
Winnie Byanyima
So life is about reaching out for freedom.
Winnie Byanyima
I wish I knew how
Presenter
Would fee.
Presenter
To be free.
Presenter
I wish I could pray
Speaker 1
Uh
Presenter
Are the chains holding me?
Presenter
I wish I could say all the things that I should say Say them loud, say them clear
Presenter
For the whole round world here
Presenter
I wish I knew how it would feel to be free. Nina Simone.
Presenter
So, Winnie be an Ema, I'm going to send you away to the island now. I'm giving you the Bible, the complete works of Shakespeare. You can take one other book, too. What will that be?
Winnie Byanyima
Bonne de Beauvoir's The Second Sex. That book is one of the books that woke me up.
Winnie Byanyima
About
Winnie Byanyima
My place in the world
Winnie Byanyima
As a woman I read it when I was at university at Manchester. That's the book. I'd read it again and again to anchor myself.
Winnie Byanyima
You can also
Presenter
To have a luxury item for pleasure or sensory stimulation. What would you like? A weaving needle. Oh.
Winnie Byanyima
A weaving needle? Yes, I would want a needle to make baskets. We used to take reeds, dry them, cut them, take out the fiber, and use it to weave baskets.
Winnie Byanyima
I could weave baskets and keep weaving another basket and another basket until I'm rescued.
Presenter
And finally, Winnie, which one track of the eight that you've shared with us today would you rush to save from the waves, if you had to?
Winnie Byanyima
Yeah.
Presenter
Yeah.
Winnie Byanyima
Nina Simmons, I wish I knew how it would feel to be free.
Winnie Byanyima
Winnie B and Ema, thank you
Presenter
Very much for letting us hear your Desert Island discs. Thank you for having me.
Presenter
I hope you enjoyed my conversation with Winnie. We'll leave her in peace, weaving baskets on the beach. We've cast away many other advocates and activists, including Malala Yousafzai and Maya Angelou. You can find their episodes in our Desert Island Discs programme archive and through BBC Sounds. The studio manager for today's programme was John Boland, the assistant producer was Christine Pavlovsky, and the producer was Paula McGinley.
Speaker 2
Since the war began, my inbox has been flooded. People from Ukraine, Russia and Britain are getting in touch with me. They're telling me about a very different battle, but one that's also having real consequences for the people caught up in it.
Speaker 2
I'm Marianna Spring, and in this new podcast for Radio 4, War on Truth, I'll be reporting on the extraordinary information war being waged over Ukraine, and hearing from the ordinary people sucked into it.
Speaker 2
This blatant denial of reality is being waged by trolls, state media, influencers, online and beyond.
Speaker 2
From BBC Radio 4 War on Truth. Subscribe now on BBC Sounds.
Presenter asks
How did life change for you and your family when Idi Amin came to power?
My memories of that time are about seeing death, seeing violence, at school, when families would come to pull a girl out of class and take her away? And then she'd come back after a week with her head shaved. In morning, then we would know that her father has been killed or disappeared, and we couldn't talk about it. People would bury their dead at night because you have to pretend that nobody has died. Because if you do speak about it or show it,
Presenter asks
How did you try to win over the voters when you ran for MP?
I went walking. I put on my sneakers and walked door to door in slum areas, finding women cooking. They don't have kitchens. They put a stove outside their one room home and cook on the veranda, and I would sit on the verandah with them, peeling their bananas and cooking, and I'd sit there, I'd carry the baby and talk to the woman and tell her why I want to run. And they'd get so excited. I won that election with a huge, huge landslide.
Presenter asks
Given your own experiences of sexual abuse, what emotions did hearing about sexual misconduct at Oxfam bring to the surface?
I can remember what the one time I broke down during that crisis was during after an interview by a Canadian journalist who attacked me very hard, tell me how rotten our organization was and all this. I was trying not to be defensive, to say that, you know, I understand the pain of sexual abuse. I wasn't telling him I've seen it in my own life, but in my heart it was there. And after the interview I cried. I felt as if I was being salted 'cause I know the pain, or I knew it, and it all came back. That's why I couldn't but apologize. I couldn't defend. Staff I defended the one who was abused.
Presenter asks
What happened with your brother Bernard's HIV diagnosis and death?
Bernard was first diagnosed when I lived in Paris as a diplomat. He was a very gentle person. He was frightened at that time. HIV was a death sentence. There was a treatment, but it just prolonged your life for a couple of years. I got him on it. And he was healthy for several years while in France. When we went back home, he was one of the lucky ones on treatment because there was a pilot and he was able to be part of the pilot. When he went and met there some people he knew, and he'd not go back. He kept falling out of treatment because he didn't want to be known. There was strong stigma around HIV. My brother now started falling sick. He kept weakening and weakening and we lost him in 2006 we lost him. And I always say that Bernard didn't die of AIDS, Bernard died of stigma. Had he stayed on treatment, if he hadn't been scared of being shunned by people, he'd be alive to day.
“I always remember that I'm that little girl that grew up in a village, in a poor country. And that I'm not ashamed of who I am, I'm actually proud of who I am.”
“One of them, Maimona, is my close friend. She was pulled out of school at the age of about fourteen. One day we were playing with our banana fibre dolls. The next day she was a bride. We cried, and she cried.”
“I said to him right away I was quite a confident little girl, I said, I don't need any help to pass my exams. And I asked him to leave.”
“He put on music on his player. The song was The First Cut Is the Deepest and he came to grab me. I screamed.”
“I always say that Bernard didn't die of AIDS, Bernard died of stigma. Had he stayed on treatment, if he hadn't been scared of being shunned by people, he'd be alive today.”
“I love my own company. I walk alone, I go on long hikes on my own. I sit alone and read a book. I go out to a restaurant and eat a meal on my own.”