Tuning in…
Tuning in…
Desert Island Discs
Presented by Roy Plomley
Actress best known for her effervescent cockney humour in the Carry On films and musicals like Things Ain't What They Used To Be.
Eight records
I Heard a Robin Singing
Guest mentions 'every girl was singing I heard a Robin singing' at an audition.
The keepsakes
No book or luxury recorded for this episode.
In conversation
Presenter asks
What part of London do you come from, Bubba?
At the east end.
Presenter asks
Any show business tradition in the family?
Uh no. Uh my grandfather was a docker, but in his spare time he did a bit of a music hall and uh my father was a Charleston champion.
Presenter asks
How did it all start with you? What was your first contact with show business?
Well, it has to go back. I mean, when I was six, I was evacuated to Blackport and sent to a local dancing school. And uh when I came back to London, there was a little label and a letter saying to my mum. Uh this is from the people who Barbara was staying with. You must let her carry on dancing because she adores it. She's a proper show off. So my mother thought, Oh, that's smashing you know. And uh that's it. So I went to a local dancing school from the time I was six to twelve.
The recording
Timestamps play the recording from that turn
Presenter
This download is the only extract the BBC has of this edition.
Barbara Windsor
of Desert Island Discs, the presenter was Roy Plumley.
Presenter
What part of London do you come from, Bubba?
Barbara Windsor
At the east end.
Presenter
Where?
Barbara Windsor
Oh sure did. You'd have never have guessed the jiff.
Presenter
Any show business tradition in the family?
Barbara Windsor
Uh no. Uh my grandfather was a docker, but in his spare time he did a bit of a music hall and uh my father was a Charleston champion.
Presenter
Professional?
Barbara Windsor
No amateur.
Presenter
How did it all start with you? What was your first contact with show business?
Barbara Windsor
Well, it has to go back. I mean, when I was six, I was evacuated to Blackport and sent to a local dancing school.
Presenter
Yeah.
Barbara Windsor
And uh when I came back to London, there was a little label and a letter saying to my mum.
Barbara Windsor
Uh this is from the people who Barbara was staying with. You must let her carry on dancing because she adores it. She's a proper show off. So my mother thought, Oh, that's smashing you know. And uh that's it. So I went to a local dancing school from the time I was six to twelve.
Presenter
Yes, and you had displays every year.
Barbara Windsor
That's right, yes.
Presenter
What we'll call.
Barbara Windsor
Do you know how yeolitis?
Presenter
That's lovely, isn't it?
Barbara Windsor
That's lovely, isn't it?
Presenter
Yeah.
Barbara Windsor
And uh when I was twelve
Barbara Windsor
Mammy got a few quid together, and uh sent me to Ada Foster's.
Presenter
Oh, yes, the theatre school.
Barbara Windsor
Yes. She had been advised, I must tell you this, Roy, to get rid of my cockney accent, you know, because they said she'll never get on with that accent.
Presenter
Of course, did a great job.
Barbara Windsor
To Holly, I know.
Presenter
And what was your first professional appearance, then?
Barbara Windsor
At Golders Green in Sleeping Beauty is one of the Ada Foster babes.
Presenter
Splendid.
Barbara Windsor
Hmm.
Presenter
And after that?
Barbara Windsor
After that
Barbara Windsor
Well, I was very fortunate, um, because it
Barbara Windsor
You know, at the time it was all sort of English roses and you had to speak very s posh and that. But I got into an American show where they wanted little girls with very loud voices called Love from Judy.
Presenter
Oh yes, musical version of Daddy Long.
Barbara Windsor
That's right, yes. And I was in that for two and a half years. I went in with white socks and flat shoes and came out teetering on high heels and paint.
Presenter
Yeah.
Barbara Windsor
Knew it all, didn't I, I thought.
Presenter
And
Barbara Windsor
I'm from there.
Presenter
Yeah.
Barbara Windsor
Oh, then it all started the trouble, didn't it? Because um I'd got rather plump and nothing was in the right place, you know.
Barbara Windsor
and I didn't get any work for some time, so I went to work in a shoe shop because I had no trade behind me, being that I'd left school so early. I couldn't tithe or do shorthand or bookkeeping, the usual things. So I went to work in a shoe shop, which I thoroughly enjoyed. I used to audition on my Thursday afternoons off.
Presenter
Yes, every Thursday.
Barbara Windsor
Yeah.
Barbara Windsor
Oh yeah, oh I went for umpteen auditions and then I
Barbara Windsor
I don't know, I got to about eighty. I dec I thought this is the last one I'm going for. And there was a queue at the Watergate Review. Remember the Watergate Review? Yes, I'm back in Lump Street.
Presenter
Little theatre club.
Barbara Windsor
And there was a great long queue, hundreds of girls queuing up for this audition, and I arrived, and every girl was singing I heard a Robin singing.
Barbara Windsor
And I walked on and sang, Sunnyside the Street.
Barbara Windsor
And I got through the whole chorus, which was quite amazing in those days. I used to get one line out and they'd say, Thank you, Miss Windsor, we'll let you know And um anyway I got through the whole chorus and it was lovely Peter Myers who said Oh, how refreshing all those awful girls seeing I heard of Robin singing.
Presenter
Yeah.
Barbara Windsor
And he said to me, Could I dance? I said, A bit and could I do the Charleston? which I could because of me dad.
Barbara Windsor
And, um, he said, Oh, I think it's lovely.
Presenter
Mm-hmm.
Barbara Windsor
And I stayed with that show for six months.
Presenter
So, six months at the Watergate, things were going pretty well.
Barbara Windsor
Nah.
Barbara Windsor
I was out of work again. I mean, it still wasn't happening really for me, you know.
Presenter
However,
Presenter
Back in the show shop.
Barbara Windsor
Yes, I used to go backwards and forwards, you see.
Presenter
Hmm.
Barbara Windsor
And then I think it I really made up my mind. I thought, well, it's not going to go my way.
Barbara Windsor
And uh suddenly um I got a phone call from Brian Blackburn who said I'm putting on a review at a club.
Barbara Windsor
called Winston's. I'd like you to be in it.
Barbara Windsor
And I was there on and off for five years and it was a marvellous experience because I had to do everything. I had to play schoolgirls, dress up as dinodoors, geniola, brigida, you know, because they were the sex bombs at that time and
Presenter
Because they were the
Presenter
Doing impressions
Barbara Windsor
Don't you improve?
Barbara Windsor
Yes, everything and in drag.
Presenter
Everything you say.
Barbara Windsor
Everything was there. And it it and and it was it it was smashing for me to do that.
Presenter
You were fighting for West End recognition, but your big opportunity came back in the East End.
Barbara Windsor
Number 12.
Barbara Windsor
Yes, with things ain't what they used to be.
Presenter
How did that come about?
Barbara Windsor
Believe it or not, I didn't find out till a couple of years ago and um it was through Bernie Winters. Um Lionel Bart was auditioning with Joan Littlewood. Things ain't what they used to be.
Presenter
This is going to be done at Stratford East.
Barbara Windsor
Stratford East, that's right, yes. And um, Bernie Winter said, Well, there's a little funny girl at the studio I was making too hot to handle at the time.
Barbara Windsor
And he said, Why didn't you call Barbara Windsor? Why don't you get her down here and audition for you?
Barbara Windsor
And that's how I got to audition for things in what they used to be
Presenter
How long did things run?
Barbara Windsor
Oh, two and a half years.
Presenter
Ah
Barbara Windsor
I mean when I get the hits they're fantastic.
Presenter
Uh
Barbara Windsor
But it's all those awful flops in between.
Presenter
What did things lead to, as far as you were concerned?
Barbara Windsor
Oh, s super things uh the rag trade.
Presenter
The T V series.
Barbara Windsor
Yes, the B B C television series.
Presenter
Yeah.
Barbara Windsor
Which made me very commercial. I mean, you can do your shows, but how many people see your night? Six hundred, but you do one night and eighty million people watch you. And that led to
Presenter
Mm-hmm.
Barbara Windsor
But sparrows can't see.
Presenter
The film.
Barbara Windsor
Mm-hmm.
Presenter
This was Joan Littlewood again.
Barbara Windsor
Yes, it was her first attempt at film, as you say, and um she said to me uh that she was doing this film Spanish Councillor, which I couldn't understand because it wasn't a successful stage show. And um she said to me, I want you to play a married lady with two children I said, Oh, God, I can't do that She said, Oh, yes, you can and
Barbara Windsor
Anyway, I ended up by doing it. It was smashing.
Presenter
He went to the United States to promote that film, didn't you?
Barbara Windsor
Oh, that was outrageous actually,'cause I arrived there and they stuck subtitles on the bottom.
Presenter
What?
Barbara Windsor
Well, th I mean, there was a lot of cockney slang, you see, and they assumed that nobody would understand what we were talking about.
Presenter
It was shown as a foreign film, and it was
Barbara Windsor
Practically, yes. But they put it in a classic sort of cinema, you see. And so you didn't get your average New Yorkers go.
Presenter
Would they put it?
Presenter
You see.
Barbara Windsor
to see it. And th there was a ballot. You had to put your voting, whether yes or no, you like the subtitles, and the majority of people said no, and they didn't need the subtitles because we were such animated performers that they got it all.
Presenter
Then what, you came back and worked for John Littlewood again?
Presenter
We as I
Barbara Windsor
Well, yes, I I I got back and oh, what a lovely war had been running here and then it was going to Broadway and she said, uh, would I like to do it? And uh, once again I said no. You see, I I always think I'm so limited in what I
Barbara Windsor
I can do.
Barbara Windsor
She said, Why? And I said, Because it's a director's piece.
Barbara Windsor
I wouldn't have a chance to shine in that show and I wanted to go on Broadway and shine really. And she said, Oh, you've become boring with your rag trades and all the rest of it and she got me at it. So I ended up by going to Broadway.
Presenter
How long did it run?
Barbara Windsor
Four and a half months, which is pretty good going.
Presenter
We
Barbara Windsor
We played opposite Hallo Dolly.
Barbara Windsor
And uh Golden Boy. We used to get the overflow from Hello Dolly. If they couldn't get into Hello Dolly, they'd try Golden Boy. If they couldn't get into Golden Boy, they'd try us.
Presenter
I want it.
Barbara Windsor
And be shocked.
Presenter
Then you came back and you were leading lady in a very big musical industry.
Barbara Windsor
Ah
Presenter
And the bigger they are
Barbara Windsor
Yes, but dias it's still'cause I left Broadway and said I must go back to London.
Barbara Windsor
You know, because I'm starring in a new musical. Lionel Barr's written the music, Joan Little is going to direct, Oliver Messel's doing the sets, Paddy Stone is doing the choreography, called Twang, you see.
Barbara Windsor
Did I little but no?
Presenter
Yes, it was a strange enterprise, so big, so costly.
Barbara Windsor
Mm, mmm, what went wrong?
Presenter
What went wrong? What was the trouble?
Barbara Windsor
Well, I mean, it we can talk about it now at the time it was awful. I mean, we all thought it would be super to get together, all the mates and things ain't what they used to be, and do another show together, but we'd forgotten we'd all changed. You know, I wanted to be name above the title, so did Li, so did Joan, you see. And uh, it was none of your sort of dozen dirty props and a few bum actors. It was uh we'd all changed.
Presenter
We don't
Presenter
Big stuff.
Barbara Windsor
Yes, and I don't think anybody really got together.
Presenter
Yes, and after that you did a very successful musical with Danny Larue.
Barbara Windsor
Oh, yes, that was most fortunate, because I was terribly worried after twang.
Barbara Windsor
And uh within three weeks Danny had phoned me up and
Barbara Windsor
With this musical Call Comes Fire With Me, which was a very big success.
Presenter
And of course your carry on films. How many of those have you done?
Barbara Windsor
Oh, I've only done four.
Barbara Windsor
People always think I've done far more, only because
Barbara Windsor
What they usually show.
Barbara Windsor
some part of my body on the posters.
Presenter
See you.
Barbara Windsor
Mm-hmm.
Presenter
Now bring the story up to date. You're playing Marley Lloyd.
Barbara Windsor
Yes, and sing a root song.
Presenter
Yes. You'll try it out at Greenwich first.
Barbara Windsor
Yes, and it was a lovely success there and uh
Presenter
How are you in the West End?
Barbara Windsor
Yeah, it's all being lovely and super.
Presenter
Has your career worked out more or less the way you wanted it to?
Barbara Windsor
Much better than I ever imagined, actually.
Presenter
What's your ambition if the telephone rang tonight and said, when you're free?
Presenter
What would you like that offer to be?
Barbara Windsor
Well
Barbara Windsor
To do a film in Hollywood.
Presenter
That would be smashing, wouldn't it? What sort of film? Dramatic film, musical film, comedy film?
Barbara Windsor
No super comedy with somebody like Jack Lemmon.
Presenter asks
What was your first professional appearance, then?
At Golders Green in Sleeping Beauty is one of the Ada Foster babes.
Presenter asks
How did [the film Sparrows Can't Sing] come about?
Believe it or not, I didn't find out till a couple of years ago and um it was through Bernie Winters. Um Lionel Bart was auditioning with Joan Littlewood. Things ain't what they used to be. … Bernie Winter said, Well, there's a little funny girl at the studio I was making too hot to handle at the time. … And he said, Why didn't you call Barbara Windsor? Why don't you get her down here and audition for you? And that's how I got to audition for things in what they used to be.
Presenter asks
What's your ambition if the telephone rang tonight and said, when you're free? What would you like that offer to be?
Well … To do a film in [with] … No super comedy with somebody like Jack Lemmon.
“When I was twelve, Mammy got a few quid together, and uh sent me to Ada Foster's.”
“She had been advised, I must tell you this, Roy, to get rid of my cockney accent, you know, because they said she'll never get on with that accent.”
“I went in with white socks and flat shoes and came out teetering on high heels and paint. Knew it all, didn't I, I thought.”
“I went for umpteen auditions and then I got to about eighty. I dec I thought this is the last one I'm going for.”
“We all thought it would be super to get together, all the mates and things ain't what they used to be, and do another show together, but we'd forgotten we'd all changed.”
“Much better than I ever imagined, actually.”