Tuning in…
Tuning in…
Desert Island Discs
Presented by Lauren Laverne
Actor known for breakthrough in Our Friends in the North, Olivier winner for A View from the Bridge, and memorable film villains.
Eight records
It's such a great tune, it's so cool. I just heard this when I was a kid and just thought, who is this guy? Who is this band? What is this music?" (verbatim from transcript, but note the quote is from the guest's words; the transcript has: "It's such a great tune, it's so cool. I just heard this when I was a kid and just thought, who is this guy? Who is this band? What is this music?")
he kind of starts giggling and loses it… it's that giggle I just find really infectious, and I wanted to take it with me to the island because it just makes me happy every time I hear it.
HeldenFavourite
obviously I speak German so it has an extra resonance for me.
there was a fascinating synergy between reggae and punk at that time… the sense that punks and guys that liked reggae could be on the same side.
You've Got the Love (Armand Van Helden's Bootleg Mix)
The Source featuring Candi Staton
it's a tune that raises the hairs on the back of my neck.
just one that gets me leaping around the house, and there's something about that little bell in there that just, yeah, does it for me.
this is a tune that I love to listen to and dance to. I think it's extraordinary. Again, it's another cover.
The keepsakes
The book
a Magnum street photography book (unspecified title)
Magnum (various)
I just want images from back home that weren't sun sea sand and coconut palms.
In conversation
Presenter asks
What is that desire to transform yourself about, do you think?
There's something about the inhabiting of somebody else's persona of getting into their soul, wearing their shoes, you know, just being somebody else. I just weirdly find it fascinating. I suppose it's probably because growing up I didn't really have a sort of traditional family structure around me, siblings and all of that. So I realized I use characters maybe to just… work out how to behave, you know, who to be.
Presenter asks
You met Arthur Miller when you were in Death of a Salesman. What did you take from what he said?
Yeah, we were doing the play and the director at the time said did we want to go and meet him over in Salzburg?… we basically helped them out with their lectures… and in one small room we'd drag Arthur Miller away and do the play with him and he would sit and read it with us and listen to us read it with him and it was unbelievable. I absorbed his ease with us. There was no panic. He wasn't fretting about his play. He just was enjoying the fact that we were all in this creative endeavour together.
The recording
Timestamps play the recording from that turn
Presenter
BBC Sounds, Music, Radio Podcasts. Hello, I'm Lauren Laverne and this is the Desert Island Discs Podcast. Every week I ask my guests to choose the eight tracks, book and luxury they'd want to take with them if they were cast away to a desert island. And for rights reasons, the music is shorter than the original broadcast. I hope you enjoy listening.
Presenter
My castaway this week is the actor Mark Strong. His career took off after a breakthrough role in the landmark BBC series Our Friends in the North, first broadcast twenty five years ago.
Presenter
Since then, he's appeared in more than 60 films as well as acclaimed stage and T V productions, revealing his immense creative agility. You've perhaps tried and failed to forget what he does to George Clooney's fingernails in Siriana. He gave equally memorable performances in other thrillers like Tinker Taylor Soldier Spy and Zero Dark Thirty. He's at home in the sci-fi, fantasy and comic book worlds of Stardust, Kickass and Shazam, not to mention slick action series Kingsman and 2009's Sherlock Holmes. In 2014, he returned to the London stage in Arthur Miller's A View from the Bridge, winning the Olivier Award for Best Actor, and the New York critics were equally impressed when the show transferred to Broadway. He credits a childhood spent in state boarding schools from the age of just six with teaching him to take on roles as a way to survive. These days, audiences love him because he's so good, especially when he's being bad. He says, I love the baddies. More important though, is making the baddies somehow weirdly understood.
Presenter
Mark Strong, welcome to Desert Island Discs.
Mark Strong
Oh, thank you for having me.
Presenter
You use the word transformation a lot, and you love that kind of aspect of what you do, the make believe of it, you know, dressing up and inhabiting an entirely different world. What is that desire to transform yourself about, do you think?
Mark Strong
There's something about the inhabiting of somebody else's persona of getting into their soul, wearing their shoes, you know, just being somebody else. I just weirdly find it fascinating. I suppose it's probably because growing up I didn't really have a sort of traditional family structure around me, siblings and all of that. So I realized I use characters maybe to just.
Presenter
Yeah.
Mark Strong
work out how to behave, you know, who to be.
Presenter
Yes, trying on different personalities for size.
Mark Strong
Yeah.
Presenter
So Mark, you're currently filming the second series of your television show, Temple. It's about an underground surgeon who patches up villains while trying to find a cure for his sick wife. What sort of preparation did you have to do for that role?
Mark Strong
Well, I went to St Thomas's and watched a surgeon performing some sort of terrible procedure on somebody's lung, which I wondered whether I'd be able to not faint, basically. How did you get on? Found it really fascinating. He was watching it on a screen, and he had the instruments through two holes in the person's chest, and he was basically manipulating everything inside the body while watching a screen. And he found a sort of particularly gruesome-looking piece of the lung, cut it with a particular instrument that seemed to cauterize it at the same time, and then sort of pulled it out through the hole. And the person he was assisting came over and sort of showed it to me. He went, here, look at that. It's like a bit of old boot leather. Wow. And that was a bit of a stunning moment. But it made me realise that surgery.
Presenter
I wondered
Speaker 1
Yeah.
Mark Strong
Often when we see it portrayed, it's done with classical music playing in the background, everyone's in control. But actually, they were all having a chat, whatever they they were going to do on the weekend. But they said obviously, if there's a problem, we all know exactly what we're doing.
Presenter
You're sharing your tracks with us today. I know you're very passionate about music. How did you go about narrowing down your discs to the eight that you're going to share with us?
Mark Strong
I thought that I would want to take the tunes that I just keep coming back to in my life. If I'm around with people and I just want to sort of put a tune on that I want to dance around the kitchen to, these are the ones I think that I just keep coming back to. And they're all sort of from a particular period in my life when I think
Mark Strong
Punk happened sort of late seventies, it made me realize that music could give you your sense of self.
Presenter
We better dive in and get the kitchen dancing started. What are we going to hear first and and why have we chosen this?
Mark Strong
Spanish Stroll by Mink Deville. And the reason I've chosen it will become self-evident. It's such a great tune, it's so cool. I just heard this when I was a kid and just thought, who is this guy? Who is this band? What is this music?
Speaker 3
Uh
Presenter
Uh
Speaker 3
Hey, Mr. Jim!
Presenter
Uh
Speaker 3
I can see the shape you're in.
Speaker 3
Finger on your eyebrow
Speaker 3
And left hand on your hip.
Speaker 3
Thinking that you're such a lady killer
Presenter
You're so slick.
Presenter
Well alright.
Presenter
Spanish Stroll by Mink Deville. Mark Strong, in 2014, you returned to the stage, playing Eddie Carboni, the Italian-American dock worker, in Arthur Miller's A View from the Bridge. Now, much earlier in your career, you had appeared in Death of a Salesman at the National Theatre, and I think you met Arthur Miller then. Is that right?
Mark Strong
Yeah, we were doing the play and the director at the time said did we want to go and meet him over in Salzburg? He was chairing some sort of artistic conference that was going on. Do you remember the film Sound of Music?
Presenter
Yeah, of course.
Mark Strong
Do you remember Christopher Plummer's house, that big house? Yes. In that house. What? Yes, there was some sort of gathering of people from all over the world who have something to do with theatre.
Presenter
Yes.
Presenter
A salon of sorts.
Mark Strong
Yeah, yeah. It was a kind of how theatre works in society and he was chairing it and so we got on a plane, we went over, just a few of us, and we basically helped them out with their lectures and what they were talking to each other about in Christopher Plummer's house and in one small room we'd drag Arthur Miller away and do the play with him and he would sit and read it with us and listen to us read it with him and it was unbelievable.
Presenter
What did you take from what he said?
Mark Strong
I absorbed his ease with us. There was no panic. He wasn't fretting about his play. He just was enjoying the fact that we were all in this creative endeavour together.
Presenter
Your performance in A View from the Bridge won the kind of reviews that every actor dreams of in London and New York. I wonder how it felt as a British actor playing the role of a Brooklyn Docker on Broadway?
Mark Strong
I was terrified initially because I thought
Mark Strong
You know, we're taking an American play not only to the States, but to New York. And a lot of the lines in the play about No Strand Avenue, which is a road there, or Times Square, even, they were literally just a stone's throw from where we were performing. So I knew that we would have an audience full of people who knew exactly what we were talking about. But I have to say, there's an incredibly kind aspect to the New York theatre community. They're very inclusive. They all come and see your show.
Mark Strong
They'll invite you out for dinner and the audiences are really non judgmental. You know, the amazing people that came backstage, Paul Newman, Al Pacino, Harvey Keitel, Sigourney Weaver, I mean everybody who was there at the time would come and see the show, and they were incredibly kind.
Presenter
It's been an incredibly challenging time for theatre in particular and live events industry across the board. Is it something that you miss? Is it something that you worry about?
Mark Strong
Extremely worried. I mean it's a it's a really desperate time for theatre. At this moment I've no idea when people will be able to get back into a room and watch a play. I was about to do Oedipus with Helen Mirren in the West End and we've had to postpone that. And the earliest we can even think of starting to rehearse is is spring.
Presenter
Hmm.
Mark Strong
2022.
Presenter
It's time for your next disc to day, Mark. Second up. What have we got?
Mark Strong
My second disc is Are You Lonesome Tonight by the amazing Elvis Presley, who I used to hear a lot because my mum played him a lot when I was a kid. But what I love about this particular track is that he is his exuberance comes across. He kind of starts giggling and loses it, which is something that happens on stage quite a lot as well. And it's that giggle I just find really infectious, and I wanted to take it with me to the island because it just makes me happy every time I hear it.
Speaker 1
I won't crack it.
Speaker 1
The world's a stage and each must play apart.
Speaker 1
I tried.
Speaker 1
Oh god.
Presenter
The famous laughing version of Are You Lonesome Tonight by Elvis Presley, recorded live in Las Vegas in nineteen sixty nine, Ark Strong. So uh that one bringing back memories of your mum, Danielle. She was from Austria, but you were born here in Islington, in London. What had brought her to the UK?
Mark Strong
I think the 60s was happening in the UK and she was a girl in Vienna and at 18 I think she decided she wanted to come and just check London out because it was the centre of the universe at that time. And she'd been in convent school and been running away a lot, didn't want to be there and just got on a train and came over to London and got a job as an au pair and reinvented herself.
Presenter
And then you came along. You were born Marco Giuseppe Salasoglia. Your dad was Italian. Do you know much about that side of the family history?
Mark Strong
No, not really. I mean he he left when I was a baby, so I didn't really have an awful lot to do with him. I'm not sure where he is now, and uh
Mark Strong
The thing perhaps that we have in common is that neither of us seem to have needed each other particularly, which is sad on one hand, but on the other what it managed to do was uh make me incredibly independent.
Speaker 1
Which
Mark Strong
I think having no authoritarian figure or figure that you had to feel you
Mark Strong
Had to please or look up to meant I had to make it up myself.
Presenter
So I'm guessing money must have been quite tight. The late sixties wasn't the easiest time to be a single parent.
Mark Strong
No, I remember we lived in a one room in Stoke, Newington, and bless her, my mum hung a washing line across the room and put a blanket over it so that we had two rooms. That was the idea. And she was working two jobs. She worked in the rag trade in a factory in Islington and then would come home and have to work in a bar in the evenings. So I spent a lot of time with neighbours and just being taken care of and the kind of community spirit of Islington around that time was really strong.
Speaker 1
Hmm.
Speaker 1
Mm.
Presenter
And what do you remember about your mum at that time? You know, as you say, she was young and she'd come to London looking for the fun and culture that was kind of here. Sh she was working in the rag trade, but I know she was a pretty snappy dresser as well.
Mark Strong
Yeah. I remember her beehive. That's the thing. She had this incredible hairdo, and she used to make her own clothes as well, these really thin, sort of pencil thin skirts and matching jackets and heels, and always looked immaculate.
Presenter
She worked her way up, I think, in the rag trade and was a rep at one point.
Mark Strong
Well, she'd travel around different shops with swatches of material and I'd go with her sometimes and she'd just take orders from people, you know, try and sell them what the factory was making. It was a company called Paul Separates, run by an incredible family called the Stoloman family, who I'm still very good friends with. It was Sidney Stoloman who she worked for who was largely responsible for getting me my education and getting me the opportunities that I've had.
Presenter
Mm-hmm.
Presenter
Mm-hmm.
Presenter
He got you a place in a state boarding school.
Mark Strong
It used to be an orphanage, I think, and then it became the Asylum for Fatherless Children, I think it was called. It was set up by a philanthropist, and by the time I got there, it was called Readham School, and its policy was that it would take kids from one parent families.
Presenter
I mean, that must have been bewildering.
Mark Strong
There's a photograph that my mother has of me looking very teary on the day that she left me in my uniform and said, Okay, this is where you're going to be now for a bit. But I love the fact that I was with other kids my age, because obviously being an only child, I didn't have anyone to play with.
Presenter
Hmm.
Presenter
Hmm.
Mark Strong
and suddenly I was in the middle of a bunch of people who were all my mates.
Presenter
We'll find out a little bit more about what happened next in a moment. Before we get there, Mark, it's time for your third disc today. Tell us about this one.
Mark Strong
This is David Bowie, who, when I was a kid and coming of age, was my idol. I just thought creatively, musically.
Mark Strong
In terms of fashion, he was somebody that opened my eyes to the possibility of creating your own persona, if you like. And this track is Heroes, but it's the German version.
Mark Strong
called Helden and obviously I speak German so it has an extra resonance for me.
Speaker 1
Lovely nuts today.
Speaker 1
Kitchens Einerscher.
Speaker 1
Doctor Man Dessie's gun
Speaker 1
The Imma Hunting Bar
Speaker 1
This isn't that heaven.
Speaker 1
New Island Town.
Speaker 3
Uh
Presenter
Helden by David Bowie. Now, Mark Strong, as you said, you're the person to assess that vocal performance because you were fluent in German before you learned English, I think.
Mark Strong
Pretty much. I spoke a German word before I did an English word, yeah. Oh, did you? Yeah, his accent, it's pretty damn good. What was your first word then, do you know?
Presenter
Oh, did you
Presenter
Yeah.
Mark Strong
It was Auto, which is car.
Mark Strong
Because my mum had come over so young to London, when the holidays happened and stuff, she would take me back home to see my grandmother and I'd stay with her and she lived in a beautiful village called or town called Schladming, which is now a ski resort. But back then it was just a kind of ramshackle rural community and I had the most idyllic time just running around in fields and
Speaker 1
Yeah.
Presenter
Yeah.
Mark Strong
Learning to ski, because at the top of her road was a sort of an old ski lift with single seats that would take you up the mountain, and part of it was to go up there and walk in the summer, but you could also go up there if it was snowing. So I just used to literally put some skis on my shoulder, walk the seventy five yards up the hill to the lift, and then I'd be up there skiing all day.
Presenter
It must have been quite a change from Islington and Stoke Newington.
Mark Strong
It was.
Mark Strong
As I grew up a bit, I think being back in the UK was where I wanted to be. And in fact, when my mum then went back to Germany when I was um eleven, because England was going through a difficult time, she could earn more money back there, she asked me whether I wanted to stay here or go there, so I I stayed here.
Presenter
And that is quite a decision to make at eleven years old.
Mark Strong
It's a very difficult decision to be asked, Zwake, yeah.
Presenter
Yeah.
Mark Strong
I didn't know anybody in Germany, that was the thing. There was only my grandmother over there, and she was in Austria. And my mum was going back to
Mark Strong
Dusseldorf to go and work in a shop. And you have to remember the 70s, at that time, it was the three-day week, there was rubbish piling up in the streets, there were power cuts. You know, frequently the lights would go out, you'd all have to scrabble around for candles. Yet, Germany was having an economic miracle. She could literally earn three times as much working over there than here.
Mark Strong
I just realized she had to go and do that, but I didn't feel that there was anything over there for me. I didn't know anything about Germany at that time.
Mark Strong
Having said that, I stayed here and stayed in boarding school over here, but I used to go home in the holidays. So Christmas, Summer and Easter, I'd go and visit her.
Speaker 1
Yeah.
Presenter
So
Mark Strong
And that's where I kind of learned a bit about Germany.
Presenter
It's time for disc number four.
Mark Strong
Well, the fourth track is By the Clash, a seminal band and one that had an incredibly kind of uh a big influence on my life because when punk arrived it was okay, what the hell is this? This can be for me, not for the adult generation, and um this is something that I can own.
Mark Strong
And the reason I've chosen Police and Thieves is because there was a fascinating synergy between reggae and punk at that time. I think they were both kind of protest music.
Mark Strong
There was the sense that punks and guys that liked reggae could be on the same side.
Mark Strong
Police empty ease in the street.
Mark Strong
Oh yeah.
Mark Strong
Scaring the nation with them.
Mark Strong
Gun them emulation.
Mark Strong
Male Speaker 1.
Speaker 1
Stanthe
Mark Strong
Uh
Speaker 1
He's in the street
Speaker 1
Oh yeah.
Speaker 1
Fighting the nation with their guns and ammunition.
Presenter
The Clash covering Junior Mervyn's Police and Thieves. So Mark Strong, your teenage years were spent at another state boarding school in Norfolk. Not exactly a crucible of punk, but the genre, the music, the culture found its way to you there. How did it happen?
Mark Strong
The culture
Mark Strong
Yeah.
Mark Strong
I used to listen to John Peel every night. Um, ten o'clock, I think he came on. He had a show for a couple of hours, and I used to have a little radio that I would uh go to sleep with on my pillow and listen to
Mark Strong
everything that he was playing.
Presenter
Punk was all about DIY. Anybody could do it. How did you go from being a fan to wanting to get up on stage and start a band?
Mark Strong
I think it was Sounds, had a full page given over to three chords.
Mark Strong
drawn onto the page, and underneath it said, Here's three chords, now go out and form a band.
Mark Strong
And I took it literally. So the guys in my dorm, we all got together and I said, you go and buy a guitar, you go and buy a snare drum and a hi-hat, you go and get yourself a bass. And we just basically got the instruments. And at school, I was in charge of the electronics, the amp and the speakers. So I could find a little room, set up the amp and speakers, we could plug in and make a noise.
Presenter
Now, I know that illustration that you're talking about. It's by Tony Moon. It's called Three Chords. This is a chord, this is a chord, this is a chord, now form a band. I've got it up in my house. I mean, you know, started many a group.
Mark Strong
Stop.
Presenter
And so it was that you found yourself on stage at Ashthorpe Village Hall, am I right?
Mark Strong
Ashwalthorpe Village Hall, yes. Good God, that was a seminar concert. I think there were more of us on stage than there were in the audience. But we threw ourselves around and had a good time. I think one of us left our exercise book behind with some of the lyrics to some of the songs. And I think there was a complaint from somebody who found the book to the school that what was this terrible filth that was happening in Ashwalthorpe Village Hall.
Presenter
So you were obviously doing punk right, to some extent.
Mark Strong
Yeah, we were making a noise and just kind of stupid lyrics, you know, but somebody managed to get offended, so we were really proud.
Presenter
Uh
Presenter
All of that then, interestingly, proceeded at you leaving school and going to study law in Germany. Not the obvious path for an aspiring punk hero. What made you decide to do that?
Mark Strong
I think I was conforming around about that time. I didn't really know.
Mark Strong
where I was headed, what to do. I spoke German, so there was talk of me going to university to study German.
Mark Strong
I wasn't really enamoured of that. I couldn't really get the teachers off my back at school, so the only thing I could think of was we discovered, my mother and I, that you could enter Munich University if you lived there.
Mark Strong
And the A levels that I had were
Mark Strong
Enough to get me in there. So I just sort of randomly chose law because I thought it would be a great thing to do. I thought it was grown up and
Mark Strong
And it would stand me in good stead. But I think I realized in retrospect I just wanted to act being a lawyer. You know, I saw myself in a sort of with a briefcase in a in a BMW with a raincoat saving people or whatever.
Speaker 1
No, I saw
Mark Strong
And it was just fiendishly difficult, and not for me.
Presenter
By chance, though, you did have some next-door neighbours who inspired your next move. You were studying law. What were they doing?
Mark Strong
They were doing, and only the Germans can call it this, a Theater Wissenschaft, which literally means theatre science. But they were playing truss games and.
Speaker 1
Yeah.
Mark Strong
I just wondered what the hell they were doing. They seemed to be having a hell of a lot more fun than I was. A light bulb went off in my head. So I I came back to the UK to go and do a an English and drama degree.
Presenter
So once you'd started studying drama at university and later at the Bristol Old Vic, how confident were you that you were on the right path, that you'd started to kind of find your way?
Mark Strong
I knew that acting and theatre were something that
Mark Strong
I didn't have to work to be interested in it. It just was fascinating to me. In fact, when I was at drama school,
Mark Strong
And we were leaving.
Mark Strong
A chap rang me up from the Worcester Swan Theatre before I'd left and said, Look, I'm doing a season here. Do you want to come and be part of that season?
Mark Strong
And he said to me, You don't have to say yes because you'll have other offers. And I didn't even consider the other offers or think about it. I just went, Yes, yes, I'm coming. I just knew that I wanted to get going in that world. And I went to Worcester and did nine plays in nine months, which is like another year at drama school. And I loved every second of it.
Presenter
It's time for your next track, Mark Strong, disc number five. What are we going to hear and why are you taking it with you today?
Mark Strong
Disc V is just a catchy tune. I remember just thinking not only is an incredibly clever version of Satisfaction by The Rolling Stones, but it is unique and inventive.
Mark Strong
And it it gets me going every time. It's my Devo.
Presenter
I can't get no
Presenter
Setters back, John
Speaker 3
Uh
Presenter
Come here! Damn me no!
Speaker 1
Uh
Speaker 1
Let us back John
Speaker 1
And I drop
Speaker 1
In a truck, in the truck, I try, I can't get no
Speaker 1
Okay, get those!
Speaker 1
When I'm riding in my car and a man comes on the radio, he's telling me more and more about some useless information.
Presenter
Devo covering the stones with satisfaction. Mark Strong, I noticed that there's there's a bit of a kind of running theme in your music of alternate versions, unusual covers. Everything's slightly at an angle today, which I find fascinating.
Mark Strong
And then the first one is a very good.
Mark Strong
I think it's because I like
Mark Strong
Not doing the obvious. Just maybe in acting and in taste, not choosing the thing that everyone else likes or doing the thing that everyone else is doing. What's the other thing? You know, when you've played anger over 30 years, you've got to work out different ways to do it. You know what I mean? Otherwise, you're just doing the same thing every time. So I like something that's a little left field, if possible.
Presenter
Do.
Presenter
If possible. How easily do you take to being part of a a company or a an on-set family?
Mark Strong
I love it, because in the absence of family as a kid and doing cod psychology on myself, probably being part of a theater group or being on a film set with a group of people is like it's like family. In that time you are incredibly close.
Mark Strong
You see each other at their best and their worst. You wake up with them, you say good night to them, and it's an all day, every day. I mean, I've just come off Temple II ninety six shooting days, and you get very close with people.
Mark Strong
So I love that family element. What I also love, ironically, is the fact that you say goodbye.
Mark Strong
And you have to say goodbye, so you get to have another family somewhere down the line. And I'm sure that also comes from my
Mark Strong
my upbringing, that, you know, I was in one school and then another school and then I was at my mum's house and I and I just moved on from place to place. And in life, I think I've always just I've moved on forward and acting gives me the opportunity to do that.
Presenter
It's time for your sixth disc now. What have you chosen for us?
Mark Strong
Disc Six is a nod to my clubbing period, and uh it's a tune that raises the hairs on the back of my neck. It's You've Got the Love by Candy Staten, but it's DJ Aaron's bootleg mix, which has a phenomenal bass line.
Presenter
Sometimes I feel like throwing my hands up in the air.
Presenter
I know I can count on you.
Presenter
Sometimes I feel like sin or I just don't care. But you've got the love I need to see me through.
Presenter
Sometimes it seems the boy is just too rough.
Presenter
Things go wrong no matter what I do.
Presenter
Now and then I feel like life is just too
Speaker 3
Uh
Presenter
You've got the love, the source featuring Candy Stat and Erin's bootleg mix. So, Mark Strong, your career got a massive boost when you were cast in the BBC One Drama series by Peter Flannery, Our Friends in the North. Your co-stars were quite the roll call, and it was a huge break for all of you: Daniel Craig, Christopher Eccleston, Gina McKee, and you. The piece is 25 years old now, but still seen as a landmark in T V drama. Did you have any sense that it would go on to be so revered and important at the time?
Mark Strong
No, none whatsoever. I didn't realise that at all. I remember Daniel and I walking through the streets of Newcastle going, do you think this is going to be any good? Because we just didn't realise. And I'd been in the theatre doing plays and to do a long shoot like that, I think it was nearly a year probably of shooting, and aging from sort of twenties up to 50s was no big deal for me because that's kind of what I'd been doing in the theatre.
Mark Strong
So I I just did it thinking, Great, this is a good piece of writing, and they're great actors, and I just hoped it would do all right.
Presenter
And it was a drama on a very broad canvas: housing policy, corruption in the North East, police corruption in London, the miners' strike.
Mark Strong
But that's what made it so successful, I think. It was a political state of the nation piece that looked at our country from Harold Wilson through to Margaret Thatcher, but through the eyes of four fairly ordinary individuals who were growing up at the time. And that's its special
Mark Strong
thing I think is that the the synergy of those two things.
Presenter
It's time for disc number seven. What are we going to hear, Mark?
Mark Strong
Right, disc 7 is just one that gets me leaping around the house, and there's something about that little bell in there that just, yeah, does it for me. This is.
Mark Strong
Run DMC
Mark Strong
Peter Piper.
Speaker 1
Little ball be cold lost a sheep
Presenter
Peter Piper, Run DMC. So Mark Strong, you and your wife Liza have two teenage sons. I wonder how you approached being a dad, given that you had no role model of your own on that front.
Mark Strong
It was and has been a revelation. I had no blueprint of how to behave. I had no inkling of how I would behave. I suppose what it's taught me more than anything is patience, because I have especially when I play football, I have a a tendency to kind of
Mark Strong
The red mist can descend very quickly. You know, I can go down that path very quickly. And I think I've learned over the years that that doesn't have any value. And you basically, with boys,
Mark Strong
You've just got to give them love because they're almost fully formed when they come out of the womb. I think you think you're changing them, you think you're doing things to them by teaching them whatever it is you're teaching them, but actually I think that they have their spirit in them already. So all you really need to do is just carry them through from being very, very young to adulthood.
Presenter
Mark, over lockdown people have perhaps had more time than they would usually to spend with their families and of course it's been a very tricky time too. People are at a loose end, particularly in your industry. And I wondered if you'd learned anything about yourself during this COVID period when you couldn't work before your TV show was back up and running.
Mark Strong
I've learned that family is incredibly important and actually the best thing you can do is be around because a lot of my working life has been going abroad to make films and luckily the kids were toddlers for a lot of that time and all you're really doing then is stopping them bumping into the furniture. They don't really miss you as long as they're having a good time. Whereas when they become teenagers I think they need to start asking you questions about life and they want to work stuff out. Even though they may be too embarrassed to do it, I'm aware that those issues will be coming up for them. Love, trust, hate, whatever they're experiencing. And the lockdown has kind of taught me that being around
Mark Strong
is very useful for that. And it's kind of brought us all together in a way that probably wouldn't have happened had there not been any pandemic. I would have probably been abroad filming and everything would have been fine.
Mark Strong
But there's just been an extra level of sort of family togetherness that I've absolutely loved.
Presenter
It's almost time to cast you away, Mark. How do you think you'll manage on the island? Are you practical?
Mark Strong
Not in a DIY sense, no. But I am good at problem solving and problems, so I think I would be quite practical. Yeah, if I had to build a shelter or something like that, I'd probably get on with it and be all right.
Presenter
Like that.
Speaker 1
Uh
Mark Strong
I wouldn't mind being on the island on my own. I'm quite good with my own company, born again of my childhood, and um I'd be happy with that, although I would want to get off at some point.
Presenter
Well, before we cast you away, we've got one more disc to go, of course. Number eight, what are we going to hear and why have you chosen it today?
Mark Strong
This tune is just amazing. Punk is one of the few types of music you can listen to and dance to. You know, punk for all that I love it, it's sometimes difficult to listen to. Classical music you can't really dance to.
Mark Strong
Not all of it, anyway, but this is a tune that I love to listen to and dance to. I think it's extraordinary. Again, it's another cover.
Mark Strong
It's Whole Lotta Love the Led Zeppelin track, done by Eichentina Turner.
Speaker 1
Oh, that's a wanna hold up.
Mark Strong
Run a hole out of the line.
Mark Strong
This is your outlook.
Mark Strong
I need a lot of
Speaker 3
Baby, I've been buried.
Speaker 3
Ah
Mark Strong
Oh, this good time, baby. I've been yearning.
Mark Strong
Oh yeah.
Presenter
Whole Lot of Love as performed by Ike and Tina Turner.
Presenter
It's time to cast you away, Mark. I'm going to give you the Bible and the complete works of Shakespeare. I'm assuming the Shakespeare will be especially welcome. But you can have a book of your own choice, too. What would you like?
Mark Strong
Yeah.
Mark Strong
I thought long and hard about this. It's difficult to find a book that you've read that you want to keep reading, um, although people obviously will have chosen books like that. But I wanted a book of street photography or a book of cities photographs taken of cities. I think Magnum do a a street photography book, just to basically remind me
Presenter
Oh f
Mark Strong
Of home. I just want images from back home that weren't sun sea sand and coconut palms.
Presenter
It's yours. You can also have a luxury item.
Presenter
Know what you like?
Mark Strong
I'm being a bit clever with this. My luxury item is a wind-up radio.
Presenter
Wolf
Mark Strong
I'm a big radio fan. I mean I listen to Radio 6 all the time, 5 Life for Sport, Radio 4 for News. I mean big radio fan and I have it on all the time in the house so I wouldn't really be able to survive without a radio. But this particular radio has got to be chrome plated or stainless steel so that I can use it to attract a ship's attention by flashing the sun at them when it's time to leave the island.
Presenter
Well, now let me think. Now, there is precedent, believe it or not, for the taking of a radio, a wind-up radio. We can't have anything that has to plug in or anything that can transmit. It's receive-only, and as you say, it would have to be wind-up. So, on the basis that it's been taken before, I'm going to allow it. Oh, thank you very much.
Mark Strong
Yeah.
Mark Strong
Mm-hmm.
Mark Strong
Oh, thank you very much. Thank you. Thank you.
Presenter
It's yours.
Mark Strong
Woo-hoo.
Presenter
And if you had to save just one of the eight tracks that you've shared with us today, which would you rush to grab from the waves?
Mark Strong
I think it would have to be Helden, the Bowie track, just because it's epic, it reminds me so much of a particular time of my life, it has that germline element, and and he was such um an incredible influence on my life in terms of how to be
Mark Strong
And they're your own individual.
Presenter
Mark Strong, thank you very much for letting us hear your Desert Island discs.
Mark Strong
Thank you.
Presenter
Hey there, I really hope you enjoyed that interview with the actor Mark Strong. We've cast away many actors to our island, including Brian Cox, Dame Helen Mirren, and George Clooney. You can find their episodes in our Desert Island Discs programme archive and through BBC Sounds. Next time, my guest will be Dame Louise Casey, Baroness of Blackstock.
Presenter
I do hope they'll join us.
Speaker 3
Hello, Greg Jenner here. Series 3 of Radio 4's top comedy history podcast, You're Dead to Me, is now in full swing. That's when you find yourself in the pocket of Big Asclepius.
Speaker 3
We like to learn and laugh about the past by pairing up a top historian with a top comedian. That is hangry at a new level, isn't it? So far in this series, we've met the Irish pirate queen Gronia O'Malley, explored the strange world of ancient Greek and Roman medicine, and discovered the dramatic family life of the Borgias. All I know about the Borgias is from Assassin's Creed 2. So make sure you've subscribed to You're Dead to Me on BBC Sounds.
Presenter asks
How did it feel as a British actor playing the role of a Brooklyn Docker on Broadway?
I was terrified initially because I thought… we're taking an American play not only to the States, but to New York. And a lot of the lines in the play about No Strand Avenue, which is a road there, or Times Square, even, they were literally just a stone's throw from where we were performing. So I knew that we would have an audience full of people who knew exactly what we were talking about. But I have to say, there's an incredibly kind aspect to the New York theatre community. They're very inclusive. They all come and see your show. They'll invite you out for dinner and the audiences are really non judgmental. You know, the amazing people that came backstage, Paul Newman, Al Pacino, Harvey Keitel, Sigourney Weaver, I mean everybody who was there at the time would come and see the show, and they were incredibly kind.
Presenter asks
Your dad was Italian. Do you know much about that side of the family history?
No, not really. I mean he he left when I was a baby, so I didn't really have an awful lot to do with him. I'm not sure where he is now, and uh The thing perhaps that we have in common is that neither of us seem to have needed each other particularly, which is sad on one hand, but on the other what it managed to do was uh make me incredibly independent. I think having no authoritarian figure or figure that you had to feel you had to please or look up to meant I had to make it up myself.
Presenter asks
Punk was all about DIY. How did you go from being a fan to wanting to get up on stage and start a band?
I think it was Sounds, had a full page given over to three chords. drawn onto the page, and underneath it said, Here's three chords, now go out and form a band. And I took it literally. So the guys in my dorm, we all got together and I said, you go and buy a guitar, you go and buy a snare drum and a hi-hat, you go and get yourself a bass. And we just basically got the instruments. And at school, I was in charge of the electronics, the amp and the speakers. So I could find a little room, set up the amp and speakers, we could plug in and make a noise.
Presenter asks
How did you approach being a dad, given that you had no role model of your own on that front?
It was and has been a revelation. I had no blueprint of how to behave. I had no inkling of how I would behave. I suppose what it's taught me more than anything is patience, because I have especially when I play football, I have a a tendency to kind of The red mist can descend very quickly. You know, I can go down that path very quickly. And I think I've learned over the years that that doesn't have any value. And you basically, with boys, You've just got to give them love because they're almost fully formed when they come out of the womb. I think you think you're changing them, you think you're doing things to them by teaching them whatever it is you're teaching them, but actually I think that they have their spirit in them already. So all you really need to do is just carry them through from being very, very young to adulthood.
“I use characters maybe to just work out how to behave, you know, who to be.”
“I absorbed his ease with us. There was no panic. He wasn't fretting about his play. He just was enjoying the fact that we were all in this creative endeavour together.”
“The thing perhaps that we have in common is that neither of us seem to have needed each other particularly, which is sad on one hand, but on the other what it managed to do was make me incredibly independent.”
“I love that family element. What I also love, ironically, is the fact that you say goodbye. And you have to say goodbye, so you get to have another family somewhere down the line.”