Tuning in…
Tuning in…
Desert Island Discs
Presented by Kirsty Young
Entrepreneur and philanthropist who founded the Sutton Trust, spending £50m on social mobility, and funded the campaign for a total handgun ban after Dunblane.
Eight records
It was my first business deal. I was a 16 year old and Love Me Do was released… I bought 24 tickets… Then a few months later She Loves You came out, and that just blew the socks off everybody. I mean, it was the startled Beatle mania. So the tickets I bought were worth a fortune. So I sold the tickets and kept four… and three friends and I went to the New Year's Eve, we went to the Beatles' Christmas Show.
Richard Rodgers and Oscar Hammerstein II
I got a place at university and then I went travelling for six months… I get back and there's a letter from my future tutor saying I want you to come and do a maths exam… I felt very depressed because I thought I'd done badly and I was got out the exam and there was a cinema opposite… was playing the sound of music. So I went in there… And it just lifted my spirits enormously because it's that kind of movie.
I was living in New York… All of a sudden I heard this incredibly loud Rolling Stones music… I called down to the concierge… And he said 'That is the rolling star.' So I said, what? He said, 'Yeah, Keith Ritchard just moved into the building.'… So twenty minutes later they stop… In honor of the fact that the Rolling Stones stop playing at my request, I'd like to do jumping chat for that.
When I lived in New York there used to be a radio programme called Saturday Night with Sinatra. And we would religiously listen to this because most people in New York were big Sinatra fans. So the reason I've chosen this is to remind me of good times in New York.
I was flying out to California with an American friend of mine on July the 4th… we land in in San Diego. We're immediately thrust onto a huge beach party on Mission Bay and it's like being stepped off the moon… there was beering hose pipes, they were roasting pigs… And as you can imagine, the girls were all blonde and beautiful. And of course, they were playing Beach Boys.
I was dating this rather nice girl in New York who was loved the ballet. So I ended up buying season's worth of ballet tickets, two tickets, at City Ballet… After about three months, she dumped me. So I was left with these ballet tickets. Then I realized, if I asked girls out and say, 'well, you want to come to the ballet with me,' they thought I was sensitive, considerate. They thought I was wonderful.
The Magic Flute (excerpt: Papagena, Papageno)
Bryn Terfel and Christine Rice
They were putting together financing for a new opera house at Glimbourne. They were asking people like me to put some money in, so I did… I became a founder member of Glimeborn, which means I get two tickets for the rest of my life. So as a result of that, we have been going to the opera quite frequently. And I guess the my favorite opera is The Magic Flute by Mozart.
We have a house in Florida that is right by the sea and we have a terrace that overlooks the sea that has a very good sound system. So my wife and I both love music, love listening to music and love singing to music. We sit out there belting away to Jimi Hendrix… the Beatles, you name it. But our favourite is Simon and Garfunkel.
The keepsakes
The book
The Complete Works of Robert Frost
Robert Frost
I think he's a wonderful poet. I've spent time up in New England, which is where he's from, New Hampshire, Vermont. I love his poetry. It's about, you know, rural life in those parts of the world. Birches and the road less traveled and so on and so on.
The luxury
I would want two cases of champagne. One to drink. And if there's any left, one to the people that rescue it.
In conversation
Presenter asks
Fairness and opportunity sound pretty simple. Why is it proving so difficult [to improve social mobility]?
It's like pushing water uphill. Social mobility we're talking about… people from low moderate income backgrounds moving up the ladder in a relative sense. And if you're doing that, you are actually displacing people who are already on that ladder. So there is a lot of resistance to social mobility because of that.
Presenter asks
What persuaded you to take such a change of direction [from business to philanthropy]?
Well, the first thing was was the Dunblaine situation. I'd been in the States for twenty years. I was very sensitized to the gun issue… the Don Plane thing happened, which was horrific, and there was a campaign to ban handguns set up in this country. And I got the organizer and two fathers whose daughters had been massacred in this dreadful thing. And I said, Listen, I'll fund whatever you guys need. And as you know, we've a complete ban… The thing was so successful way beyond anyone's dreams. So that got me into philanthropy, and then I set up the Sutton Trust, and that was having come back to this country. Chances for kids from low, moderate income backgrounds have gone backwards.
The recording
Timestamps play the recording from that turn
Sir Peter Lampl
This is the BBC.
Presenter
Hello, I'm Kirstie Young. Welcome to Desert Island Discs, where every week I ask my guests to choose the eight tracks, the book and the luxury item that they'd want to take with them if they were cast away on a desert island.
Presenter
For rights' reasons, the music on these podcast versions is shorter than in the original broadcast. You can find over two thousand more editions to listen to and download on the Desert Island Disc's website.
Presenter
My castaway to day is the entrepreneur and philanthropist Sir Peter Lampel. His beginnings were modest, his achievements are not. He made a fortune in commerce, but instead of buying a super yacht, he plumped instead for trying to do his bit to make Britain a fairer place to grow up. As founder of the Sutton Trust, he spent twenty years and around about fifty million pounds of his own money trying to improve educational outcomes and social mobility.
Presenter
He first got a taste for giving after the Dunbling school shootings. It was his money that funded the campaign that successfully saw the introduction of a total ban on hand gun ownership.
Presenter
Witnessing the power of that well-financed crusade, convinced him to devote the remainder of his time and wealth to giving disadvantaged youngsters at the bottom of the pile a hand up. He says, I am into excellence, but I think we need to focus more on fairness and opportunity. We have got such a long way to go to make it fair. So, Sir Peter Lampel, fairness and opportunity sound that sounds pretty simple, doesn't it? Why is it proving so difficult?
Speaker 1
Uh
Sir Peter Lampl
So
Sir Peter Lampl
It's like pushing water uphill.
Sir Peter Lampl
Social mobility we're talking about.
Sir Peter Lampl
people from
Sir Peter Lampl
Low moderate income backgrounds moving up the ladder.
Sir Peter Lampl
In a relative sense. And if you're doing that, you are actually displacing people who are already on that ladder.
Sir Peter Lampl
So there is a lot of resistance to social mobility because of that.
Presenter
And it's the case, I believe, that if you were somebody
Presenter
Born in the late 50s, you're more likely to have made your way up the class structure than somebody who was born in 1970. We're getting less socially mobile as a country.
Sir Peter Lampl
Yeah, we are. You're absolutely right. If you're born in the late 50s, you had more chance of moving up the ladder than if you were born in the 70s. And it's interesting why that is. Really, two main reasons. One is inequality has risen enormously over those years and since then. And high inequality means lower social mobility because there is much further to go. And the second reason is education. You might think, oh, well, education is good for everybody. Actually, the people who've taken advantage of education opportunities, like many more kids going to university, have been the middle classes. The lower classes are still shut out.
Presenter
So much to talk about, Sir Peter Lampel, but for now we're going to go to your music. Tell me about this first disc. Why is it on your list?
Sir Peter Lampl
Well, my first piece of music is She Loves You by The Beatles.
Sir Peter Lampl
It was my first business deal.
Sir Peter Lampl
I was a 16 year old and Love Me Do was released and it sort of became on my radar as a new group, the Beatles. And then a few months later, Please Please Me and I saw that there was going to be a Beatles Christmas show was advertised. And I don't know why, but I bought 24 tickets. I thought they'd be a great investment.
Sir Peter Lampl
Then a few months later She Loves You came out, and that just blew the socks off everybody. I mean, it was the startled Beatle mania. So the tickets I bought were worth a fortune. So I sold the tickets and kept four
Sir Peter Lampl
And three friends and I went to the New Year's Eve, we went to the Beatles' Christmas Show.
Presenter
Yeah.
Sir Peter Lampl
Fensbury Park
Presenter
The f
Presenter
Yeah.
Sir Peter Lampl
Yeah.
Sir Peter Lampl
Then, when we got in and the show started, we had some very good seats, but literally, we couldn't hear a thing. I mean, nothing.
Sir Peter Lampl
The screaming was so loud.
Speaker 2
You're playing you, Blast
Presenter
Good love. When I saw her yesterday, it's you she's thinking of.
Presenter
And she told me what to say. She said she loves you, and you know that can be
Presenter
The Beatles. She loves you. So, Sir Peter Lampel, you formed your educational charity, the Sutton Trust, back in nineteen ninety seven. Up until then you were very, very successful in business. What persuaded you to take such a change of direction?
Sir Peter Lampl
Well, the first thing was was the Dunblaine situation.
Sir Peter Lampl
I'd been in the States for twenty years.
Sir Peter Lampl
I was very sensitized to
Sir Peter Lampl
the gun issue. And we were kind of moving in that direction here.
Sir Peter Lampl
And the Don Plane thing happened, which was horrific, and there was a campaign to ban handguns set up in this country.
Sir Peter Lampl
And I got the organizer and two fathers whose daughters had been massacred in this dreadful thing. And I said, Listen, I'll fund whatever you guys need.
Sir Peter Lampl
And as you know, we've a complete ban. I mean, it's fantastic.
Sir Peter Lampl
The thing was so successful way beyond anyone's dreams.
Sir Peter Lampl
So that got me into philanthropy, and then I set up the Sutton Trust, and that was having come back to this country.
Sir Peter Lampl
Chances for kids from low, moderate income backgrounds have gone backwards. But how did you come to know about that?
Presenter
I mean, you had this world, you know, business world you were involved in.
Sir Peter Lampl
Well
Sir Peter Lampl
I was asked to have lunch with the president of a college where I was at. They found out I made some money. You get asked to lunch, right? One of the Welsh. Yeah, there was lots of colleges. So I started chatting to the president. He was Welsh. When I was there, lots of Welsh people came through. There weren't any any more. That's just one example. So I approached the Oxford admissions people.
Presenter
One of our clubs.
Sir Peter Lampl
I did some research on how many kids from state schools went to Oxbridge when I was there compared to now. And it had gone down quite significantly. It was below 50% when I was there. It was about two-thirds. So I approached the admissions people and said, listen, you've got a problem. And they said, well, we can't admit kids if they don't apply.
Sir Peter Lampl
I said, well why don't you persuade them to apply? And I suggested a summer school for kids they'd never heard from.
Sir Peter Lampl
And they said, Well, we're not really that keen And then I said, Well, listen, I'll pay for it and th th they got more interested at that point. So we ended up running a summer school, sixty four kids came.
Sir Peter Lampl
And 16 ended up getting in. These were new kids, so that's what got me started.
Presenter
In Finland, you'll know this, they're a leader in educational achievements. It is an exclusively state-run system. It wasn't always that way, but they decided to make it that way.
Sir Peter Lampl
Achievements
Speaker 1
Yeah, it wasn't.
Speaker 1
Yeah.
Sir Peter Lampl
Yeah
Speaker 1
Uh
Sir Peter Lampl
Yeah.
Presenter
In your informed opinion, with all that you've come to know and understand, and you do a lot of number crunching, that's a big part of the Sutton Trust remit.
Sir Peter Lampl
Yeah.
Sir Peter Lampl
Try to screen it.
Presenter
Do you think that outcome of them being at the top or close to the top of educational outcome tables has got something significant to do with the fact that they are exclusively state?
Sir Peter Lampl
I think it does. We have a very strong private sector in this country. I think if you could wave a magic wand, you would have like the European countries, not just Finland, they basically don't have private schools if they do their minimal.
Speaker 1
Mina
Sir Peter Lampl
And everyone goes to a state school. I think that's a good thing. Where I'm coming from is that isn't going to happen.
Sir Peter Lampl
So we have private schools. What we're trying to do is to say the private day schools should be opened up based on merit, not money.
Presenter
We're gonna have some more music, so Peter Lampel, tell me about your
Sir Peter Lampl
I've chosen the sound of music.
Sir Peter Lampl
I got a place at university and then I went travelling for six months and I get back and there's a letter from my future tutor saying I want you to come and do a maths exam.
Sir Peter Lampl
And I'm like I hadn't even opened a book for six months.
Sir Peter Lampl
You know, it's a horrible feeling when you open an exam paper, you go, Oh my god, I don't know any of this stuff.
Sir Peter Lampl
So I felt very depressed because I thought I'd done badly and
Sir Peter Lampl
I was got out the exam and there was a cinema opposite.
Sir Peter Lampl
was playing the sound of music.
Sir Peter Lampl
So I went in there.
Sir Peter Lampl
Saw the sound music
Sir Peter Lampl
And it just lifted my spirits enormously because it's that kind of movie. And the other thing was, it was filmed.
Sir Peter Lampl
where I had been to a summer camp.
Sir Peter Lampl
For six weeks.
Sir Peter Lampl
In what they call the Salzkamakur, which is the region around Salzburg, which is exactly where Salad Musa was filmed.
Presenter
The hills are alive with the sound of music.
Presenter
With songs they have sung for a thousand years The hills fill my heart with the sound
Presenter
Who's he?
Presenter
My heart wants to sing every song it hears.
Presenter
The prelude from The Sound of Music, sung by Julie Andrews, composed by Richard Rogers and Oscar Hammerstein. Sir Peter Lempel, your father is Austrian, in fact. He left uh Vienna in nineteen thirty eight.
Sir Peter Lampl
Yeah.
Presenter
What did he tell you?
Sir Peter Lampl
Yeah.
Presenter
Uh
Sir Peter Lampl
Tell you About that time? My grandfather was Jewish, so my father was half Jewish. And Vienna, even before thirty eight, was becoming intolerable for anyone with Jewish heritage. And of course, after the Anschluss, which was in thirty eight,
Sir Peter Lampl
it became a lot worse. So my grandparents and my father ended up getting out of Vienna and uh over to this country. And then, you know, they were promptly arrested. Intern they call it. Enemy aliens. So
Sir Peter Lampl
So having escaped. They become arrested. And then my father joined the British Army and.
Presenter
I then
Presenter
So he was allowed to serve in the British
Sir Peter Lampl
Yeah, he was.
Presenter
Yeah, he was.
Presenter
Keyword
Sir Peter Lampl
Yeah.
Presenter
Pause uh in the tank
Sir Peter Lampl
Regiment
Presenter
What were the views of the other people serving with him, given given his conversation?
Sir Peter Lampl
Oh, I think he was totally accepted. He was fine.
Presenter
And after the war he returned to Vienna, and that was when he he met th the woman who would become his wife.
Sir Peter Lampl
Yeah. Just before that, yeah.
Presenter
And you were born in nineteen forty eight and then they moved to Batley in Yorkshire. Why do they change?
Sir Peter Lampl
Well, because my grandfather got a job there. We moved into my grandfather and grandmother's house in Batley. Do you remember that? Oh, God, it's an awful place, yeah. The house, you mean? I mean, I'm sure Batley's very nice. No, no, no. Batley was just covered in soot, and it was just awful. What were the circumstances of the house? Was it very. It was cramped, presumably? It was kind of a terrace house. It was cramped.
Presenter
I mean I'm sure that
Presenter
Yeah.
Sir Peter Lampl
Yeah, it was not very nice living there. Although we moved when I was four. And what did your father do for a living?
Speaker 1
Yeah
Sir Peter Lampl
He was seventeen when he'd left Vienna.
Sir Peter Lampl
He had been at gymnasium, which is like grammar school. But he didn't have any qualifications at that point, so he worked during the day and he studied at night, and he ended up becoming a professional engineer.
Presenter
So you were in your I mean, we've talked a little bit about social mobility. They were quite mobile themselves, your parents. They were massive, massive.
Sir Peter Lampl
They were massive, massive, because when I was eleven we moved to Surrey and then he ended up as a director of a public engineering company. So
Sir Peter Lampl
Massive social mobility for my father, yeah. We're going to have some more music, Sir Peter Lampel. Tell me about your third Jumping Jack Flash by The Rolling Stones. I was living in New York. I'd set up my own business. I had an owned an apartment which was worth quite a bit of money.
Sir Peter Lampl
But I needed the money for the business, so I sold it.
Sir Peter Lampl
So I rented an apartment.
Sir Peter Lampl
Nice building in New York.
Sir Peter Lampl
And I was lying in bed. All of a sudden I heard this incredibly loud Rolling Stones music. I sat bolt upright, thought, What the hell's going on? So I called down to the concierge. I said, Listen, can you get them to turn off that Stones music?
Sir Peter Lampl
And there was a pause.
Sir Peter Lampl
And he said
Sir Peter Lampl
That is the rolling star. So I said, what?
Sir Peter Lampl
He said, Yeah, Keith Ritchard just moved into the building. They're up there. I've got to go to work in them. Would you please tell them to stop playing?
Sir Peter Lampl
So twenty minutes later
Sir Peter Lampl
They stop.
Sir Peter Lampl
So
Sir Peter Lampl
In honor of the fact that the Rolling Stones.
Sir Peter Lampl
Stop playing at my request.
Sir Peter Lampl
I'd like to do jumping chat for that.
Speaker 2
I was born in a glass bar came.
Speaker 2
Don't know.
Presenter
Uh
Presenter
Brandy.
Sir Peter Lampl
It's a
Speaker 2
Matches of guests for the song
Speaker 2
Jumping down Shipping Cask!
Presenter
That was the Rolling Stones and Jumpin' Jack Flesh and memories for you, Sir Peter Lampel, of having the Stones as neighbours upstairs playing. You got them to stop though, which I think was pretty good going. I think you're right. Nice polite boys, really. I'm interested in, we touched on it just a bit a moment ago, this social mobility of your family. You'd moved to this council estate in Wakefield after you lived with your grandparents, then you went on to live in Reigate, and your father was slowly improving his jobs as he went. Given that the family was from an Austro-German background, and given that these were the years just after the war, was there any impact for you growing up? That your mother was German? There may have been, but I wasn't aware of it. You have a a sister as well. Did your parents have... They obviously had ambitions for themselves. Did they have ambition for both of you? Did they talk to you about what was expected?
Sir Peter Lampl
You bought the f
Sir Peter Lampl
Yeah.
Speaker 1
Uh
Sir Peter Lampl
Sure.
Speaker 1
Uh
Speaker 1
Yeah.
Speaker 1
Yeah.
Speaker 1
Yeah.
Sir Peter Lampl
They were very concerned about
Sir Peter Lampl
Creating education opportunity for us. I mean, we're talking now when maybe 7% of kids went to university at my time. And.
Presenter
Yeah.
Sir Peter Lampl
We both went to university, so that was kind of unusual in those days.
Presenter
And you said that, you know, only back then 7% of school kids would be going on to university. Not only did you go to university, and your sister did too, but you went to Oxford.
Sir Peter Lampl
Yeah.
Sir Peter Lampl
It was a huge break for me to have got in against the odds. I mean, no one really thought I would get in. But I've got a philosophy of life, which is you've got to give yourself a chance to get lucky. And so even though people didn't think I'd had a great chance, I applied anyway and I got in. So you've got to try. But it was a big break. And yeah.
Presenter
I'd agree
Sir Peter Lampl
Time.
Presenter
Loved it.
Sir Peter Lampl
Yeah.
Presenter
Let's have some more music, said Peter Lampel. We're gonna listen to your fourth.
Sir Peter Lampl
When I lived in New York there used to be a radio programme.
Sir Peter Lampl
Called Saturday Night with Sinatra.
Sir Peter Lampl
And we would religiously listen to this because most people in New York were big Sinatra fans. So the reason I've chosen this is to remind me of good times in New York.
Speaker 1
These little town blues
Speaker 1
are melting away.
Speaker 1
I'll make a brand new start of it.
Speaker 1
In all New York
Speaker 1
If I can make it there, I'll make it.
Speaker 1
Anywhere it's up to you, new, new your
Presenter
The theme from New York, New York. That was Frank Sinatra singing it, of course. Um, Sir Peter Lampel, as we know then, you did your first I was going to say big deal, actually it was a pretty big deal, selling those tickets at a mark up to the the Beatles' Christmas show. You made a little bit of money, it gave you a little bit of appetite for what you were capable of. You left Oxford with a chemistry degree.
Speaker 1
Yeah.
Sir Peter Lampl
Yeah.
Presenter
Did you at that point have any idea where your future lay?
Sir Peter Lampl
Well, I thought it lay in business, yeah. So I very quickly
Sir Peter Lampl
Went on to the London Business School.
Presenter
Was it legitimately just the idea of making a fairly big aw?
Sir Peter Lampl
What of cash? I always wanted to be a general manager and run things.
Sir Peter Lampl
So that was my motivation. It wasn't making
Presenter
A lot of cash. One of the things you said in an interview that I read was that it was much easier to make money out of boring businesses than glitzy ones. Why is that?
Sir Peter Lampl
Well, because obviously everyone's interested in glitzy businesses. Yes. And my criteria for what was a good business to get involved with
Sir Peter Lampl
Was if it put people to sleep at a cocktail party.
Presenter
We are a special
Sir Peter Lampl
We are a special distributor to the manufactured housing and RV industry in the United States. Do you want to know more? I really don't know. No, no, that's enough, right?
Presenter
No, no, that's enough.
Sir Peter Lampl
With
Presenter
Which boring business did you make the most money in?
Sir Peter Lampl
Uh
Presenter
Uh
Sir Peter Lampl
Well, I had two businesses in Germany.
Sir Peter Lampl
And they both made a huge amount of money. They were in the building materials business.
Sir Peter Lampl
And the Berlin Wall came down.
Sir Peter Lampl
And all of a sudden the market for building materials went crazy.
Sir Peter Lampl
So businesses that were growing at 3% were suddenly growing at 50%.
Presenter
Fifty percent.
Sir Peter Lampl
Because all of a sudden everyone in East Germany, as soon as you get any money, you're going to fix up your house.
Sir Peter Lampl
So we've made roller shutters, which they have in Germany. So that went crazy. Then we had balconies for apartment buildings. Nothing had been done since 1945, so the whole place was falling apart. The quickest way you can make an apartment building look good is put new balconies on. So all the apartment buildings in East Germany were putting new balconies on. So we had the balcony business.
Sir Peter Lampl
We ended up selling them and I retired from business.
Presenter
A
Sir Peter Lampl
Forty-seven as a manner, yeah.
Sir Peter Lampl
Yeah.
Presenter
Time for some more music, Peter Lampel. Tell me about your next one. We're going to hear your uh your fists.
Sir Peter Lampl
Okay, this is California Girls by The Beach Boys. I was flying out to California with an American friend of mine on July the 4th.
Sir Peter Lampl
So we landed in LA and we were going to get the Greyhound bus down to San Diego, and they said, No, no, don't bother. Just get a plane, it doesn't cost anything. So we got on a P S A, which was the California Airlines.
Sir Peter Lampl
And the uniform for the stewardesses was hot pants. So we were like, wow, this is a great place. Those were the days. Those were the days.
Presenter
Hmm.
Sir Peter Lampl
So we land in in San Diego.
Sir Peter Lampl
We're immediately thrust onto a huge beach party on Mission Bay and it's like being stepped off the moon. I mean
Sir Peter Lampl
There was beering hose pipes, they were roasting pigs.
Sir Peter Lampl
And as you can imagine, the girls were all blonde and beautiful. And of course, they were playing Beach Boys.
Speaker 2
And all around this great big world and I see all kind of girls.
Presenter
Yeah, but I couldn't wait to get back in the States back to the cutest girl
Speaker 2
In the world.
Presenter
The Beach Boys, California Girls, Memories for You, Sir Peter Lampel, of beer and hose pipes and hog roasts on a swift. I wish I'd been at that party. Um I want to talk to you about something that it is traditionally very uncomfortable for British people to talk about, which is money. Now you worked for twenty odd years in America, certainly lived there and worked between continents.
Speaker 1
I wish I'd been at
Sir Peter Lampl
Twin continents
Presenter
America has a very, very embedded culture of philanthropic giving.
Sir Peter Lampl
Correct.
Presenter
When you were in America, did you witness that and were you a giver when you were there?
Sir Peter Lampl
I did, and I was a giver, not to the extent I am now.
Sir Peter Lampl
But the figures are the Americans give about 2.1% of GDP.
Sir Peter Lampl
And we give 0.7%.
Sir Peter Lampl
They're about three times as philanthropic as we are. And if you make a lot of money in America, you're expected to do something with it. Here, not the case. It's like a peer factor. It's like, well, everyone's doing it. We're going to this fifty six. Yeah, I'm going to look bad if I don't do it. And a lot of them are genuinely philanthropic and want to be helpful.
Presenter
Yeah.
Presenter
Yeah, it's not gonna look bad.
Sir Peter Lampl
Now coming back to this country, I always say if you want to get rid of a Brit, just ask them for money, because they'll run a mile and you'll never see them again in case they think in case you'll ask them again. Are you talking now
Presenter
About the big givers? Because we know that when it comes to the charity sectors, there are a lot of people who are.
Sir Peter Lampl
I'm talking about the big
Presenter
The big givers, because our charity sector has taken a bit of a battering in recent times. But people do give. They do their monthly direct debits right.
Sir Peter Lampl
Yeah.
Sir Peter Lampl
Yeah.
Sir Peter Lampl
And their monthly direct divider jokes.
Presenter
Okay. Uh what about your relationship with your own money? When you started to make
Presenter
A serious amount of money. Did you enjoy that? To a certain extent.
Sir Peter Lampl
Yeah.
Sir Peter Lampl
I mean, I could have just kept going and make more and more money. But once I made a certain amount, I said, well, that's enough money for me to do whatever I want.
Sir Peter Lampl
And I'm going to do something else.
Presenter
Can I ask you how much that was?
Sir Peter Lampl
Yeah.
Sir Peter Lampl
It was, you know, close to a hundred million.
Presenter
Oh, a lot of people.
Sir Peter Lampl
Oh, yeah.
Sir Peter Lampl
So I was looking for something else to do, which ended up being the sun troll.
Presenter
Which was not making more money, just to be cle'cause you could have you retired at 4.7, you had 100 million in the bank, you could have just, as I say, you could have bought the super yacht. You could be floating off the Cayman on the bottom.
Sir Peter Lampl
I could, but I'm not interested in that. I was more interested in doing this. I should have made some more money because I could have given more money away to this thing.
Presenter
In the beginning when you started the Sutton Trust.
Sir Peter Lampl
Hmm.
Presenter
In 1997, it was a year after you had been involved with the Dumblane charity.
Sir Peter Lampl
Yeah.
Sir Peter Lampl
Yeah
Presenter
What was your original intention in the beginning when you set it up?
Sir Peter Lampl
I had no strategy, no nothing. You didn't I didn't know what No.
Sir Peter Lampl
I just wanted to help some kids. That's where I started. And then, a bit like the Don Blaine thing.
Sir Peter Lampl
I just got 16 kids into Oxford who wouldn't have gone there. You know, this works. The following year we got Cambridge, Bristol and Nottingham. Now we have a dozen universities. Roughly we have nearly two and a half thousand kids doing our summer schools. And that's when I got seriously interested in the Sutton Trust and funding it. We now fundraise. I mean I'm not putting the kind of money in that I used to. Let's have some more music. This
Presenter
This is your sixth of the day.
Sir Peter Lampl
Well, this is uh Swan Lake, and I was dating this rather nice girl in New York who was loved the ballet. So I ended up buying season's worth of ballet tickets, two tickets, at City Ballet, which at that time
Sir Peter Lampl
Borushnikov, Peter Martin, Susan Farrell, I mean the best ballet company in the world.
Sir Peter Lampl
Anyway, after about three months, she dumped me. So I was left with these ballet tickets. Then I realized, if I asked girls out and say, well, you want to come to the ballet with me, they thought I was sensitive, considerate. They thought I was wonderful. So I really got into ballet.
Presenter
Uh
Presenter
Music from part of the final scene from Swan Lake by Tchaikovsky. It was performed there by the Boston Symphony Orchestra, conducted by Seiji Ozawa. Let's talk a little bit more then about your recent life's work, Sir Peter Lampy. Last year the Sutton Trust piloted a summer school aimed at the group which achieves, I think, the worst GCSE results in Britain. Interesting to note that that group is white British boys. 24%, I think, achieve five A star to C grades. They were offered this, you've talked a lot about summer schools, and these boys were offered a tailored summer school opportunity at Oxford University, no less. How did it go?
Sir Peter Lampl
We're still evaluating it, but it's a great initiative. I think they were not low ability, they were quite high ability, but they were white working class. My experience is you've got to show kids the opportunity.
Sir Peter Lampl
More often than not, they'll grab it.
Presenter
And you yourself, when you were growing up, we come back to it again, you know, seven percent of kids going to university, now it's just about half of kids coming out of school is going to university.
Sir Peter Lampl
Right.
Sir Peter Lampl
Very good.
Speaker 1
Yeah yeah
Sir Peter Lampl
Yeah.
Presenter
There's some big questions being asked right now about whether there's any point in that and whether it's time and money well spent. What's your view?
Sir Peter Lampl
What's your view?
Sir Peter Lampl
A lot of those kids should go to university. The problem is that kids are coming out with over £50,000 worth of debt. Three years out, 20% to 25% not in graduate employment. I think there's far too many kids going to university. This is a big agenda. We are looking to push degree level apprenticeships.
Sir Peter Lampl
which means you're working for a company, you're going on day release. It's kind of what Germany and Switzerland do. The advantage of that is you earn while you learn, you come out with no debt.
Sir Peter Lampl
and you come out with skills the marketplace wants. We've done some work on all on the figures on this. And if you take two students, one is a degree student and one is an apprentice student,
Sir Peter Lampl
Over a lifetime, average degree student, the apprentice will earn more. Really?
Presenter
Yeah.
Sir Peter Lampl
Really? Than the average we're talking degree level apprenticeship.
Presenter
Can you give me an example of
Sir Peter Lampl
What sort of jobs then that encompasses? Well, for instance, you've got Jaguar Land Rover has teamed up with Warwick University. So kids are based at Jaguar Land Rover. They are going to Warwick for their academic training.
Sir Peter Lampl
That is more competitive to get into than the top universities. What you need is a good employer with a good university. Now we don't have enough of those, and it shouldn't be just engineering. When we're talking degree level apprenticeships, we should be talking about everything, accounting, law.
Sir Peter Lampl
marketing, I mean the whole range of things.
Presenter
Time for some more music, Sir Peter Lampool. We're gonna listen to your seventh now. Just tell me about this. Why is it on your list? Well, I can
Sir Peter Lampl
Came back from New York.
Sir Peter Lampl
They were putting together financing for a new opera house at Glimbourne. They were asking people like me to put some money in, so I did.
Sir Peter Lampl
and I became a founder member of Glimeborn, which means I get two tickets for the rest of my life. So as a result of that, we have been going to the opera quite frequently. And I guess the my favorite opera is The Magic Flute by Mozart.
Sir Peter Lampl
Yeah. Yeah.
Presenter
Uh
Sir Peter Lampl
Uh
Speaker 1
Uh
Presenter
Yeah.
Presenter
Ba-ba-ba-ba-ba-ba-ba-kina!
Sir Peter Lampl
Uh
Presenter
Fennie Ver Spike, Fennie Ver Spider Felischer Freud, Wirka Seiner.
Speaker 1
Let's go.
Presenter
Yeah.
Speaker 1
So keep on.
Presenter
So dear kingdom
Speaker 1
So dear button
Presenter
Is a little final kid?
Speaker 1
But finally
Speaker 2
Yeah.
Presenter
The line So develop liner in the line So de flying the line is an inclined popcorn
Speaker 1
Uh
Speaker 1
In the lines or in the flyer
Speaker 1
I hear it.
Presenter
Papagena, Papageno from The Magic Flute by Mozart. That was Bryn Terville and Christine Rice. They were accompanied by the Scottish Chamber Orchestra conducted by Sir Charles Makeras. Sir Peter Lampel, you've made the news for lots of reasons, and I was surprised, among all the cuttings I read about you, to see a headline in 2009 that read Missing Millionaire Philanthropist.
Presenter
Yeah. Uh
Sir Peter Lampl
What happened?
Presenter
Uh Yeah.
Sir Peter Lampl
Yeah.
Sir Peter Lampl
Well, what happened was I was going through a very difficult divorce and my children were involved.
Sir Peter Lampl
And
Sir Peter Lampl
I mean, the the arrangements for men in this country in terms of after a divorce are
Sir Peter Lampl
terrible. I mean, you don't see your kids at school and
Sir Peter Lampl
I got depressed and uh as a lot of people do, I think about a quarter get depressed at some time in their lives. You know, went on a walkabout and You sort of ducked out of life for a few days? Well, it wasn't a few days, it was just
Presenter
Yeah.
Sir Peter Lampl
Will you die?
Presenter
Into
Sir Peter Lampl
But um
Sir Peter Lampl
I mean the good thing is what's happened here is I can talk about it.
Presenter
Yeah.
Sir Peter Lampl
But a lot of people get depressed, so.
Presenter
A lot of people do, and more and more people are talking about it. It is interesting, I think, for somebody who you know always strikes me that people who are entrepreneurial are almost pathologically optimistic. You know, they think that the future is going to be better. And you're somebody who has, as we know, has plowed this significant fortune into trying to make the future better for people. Were you surprised at yourself at the time? Because did it sort of take you by surprise that that was a good idea?
Speaker 1
And you
Sir Peter Lampl
Yeah.
Sir Peter Lampl
What I was I was impressed.
Presenter
Yeah.
Sir Peter Lampl
Yeah.
Presenter
Punk.
Sir Peter Lampl
Click Yeah. I never ever dreamt that I would get depressed.
Presenter
You retired once in your mid to late forties. Have you got any plans of doing it again?
Sir Peter Lampl
It's a few
Sir Peter Lampl
Not at all. No. Listen, I don't have a better idea of what to do, so I'm going to keep doing this.
Presenter
The tortuous thing about inviting you here today, of course, is that I send you to a desert island where you will be.
Sir Peter Lampl
Even
Presenter
All on your own? How will you do? I mean, you're a very socially engaged person. Yeah, I want to.
Sir Peter Lampl
Yeah, I won't do very well at all. No. For two reasons. One is I like having people around. I'm going to be on my own on this thing, right? All on your own. Oh, I don't know.
Presenter
Boom.
Sir Peter Lampl
Yeah. And I'm not particularly practical, so I'm not sure.
Sir Peter Lampl
I'd figure out how to survive, so.
Presenter
Sorry about that. Tell me about your eighth piece of music then. What
Sir Peter Lampl
Uh Yeah.
Presenter
Yeah. Uh
Sir Peter Lampl
We're gonna hear Cecilia by Simon and Garfunkel. And why have you chosen this? Well, we have a house in Florida that is right by the sea and we have a terrace that overlooks the sea that has a very good sound system. So my wife and I both love music, love listening to music and love singing to music. We sit out there
Sir Peter Lampl
Belting away to Jimi Hendrix.
Sir Peter Lampl
The Beatles, you name it. But our favourite is Simon and Garfunkel.
Speaker 1
What?
Speaker 1
You're shaking my confidence daily.
Speaker 1
What's your ceiling? I'm down on my knees.
Speaker 1
I'm dead.
Speaker 2
Will you please do come home?
Speaker 2
Celia, you're breaking my heart.
Speaker 2
You're shaking my confidence, baby.
Speaker 2
What a single
Presenter
Cecilia, Sim Lengar Funkel. It's time now, Peter Lampel, for me to give you some books. I give every castaway a copy of the complete works of Shakespeare and the Bible, and they get to take one other book along to the island with those two. What what are you going to take?
Sir Peter Lampl
And the Bible.
Sir Peter Lampl
Right.
Sir Peter Lampl
I'm going to take the complete works of Robert Frost.
Sir Peter Lampl
I think he's a wonderful poet. I've spent time up in New England, which is where he's from, New Hampshire, Vermont.
Sir Peter Lampl
I love his poetry. It's about, you know, rural life in those parts of the world.
Sir Peter Lampl
Birches and the road less traveled and so on and so on. So I would take Robert Frost's complete works.
Presenter
Complete work.
Presenter
You're allowed a luxury, too, something that just makes life
Presenter
More bearable. Well, I reckon you get pretty
Sir Peter Lampl
Be thirsty on a desert island.
Sir Peter Lampl
So I think I would want two cases of champagne.
Sir Peter Lampl
One to drink.
Sir Peter Lampl
And if there's any left, one to the people that rescue it.
Presenter
typically optimistic, if I may say so. You can certainly have a couple of cases of champagne, a few more cases even if you want them. Finally, if I were to ask you to save just one of these discs from the waves, which one would it be?
Sir Peter Lampl
Right.
Sir Peter Lampl
I would say because it's beautiful and it's quite long and it's got depth, I would say the magic flute.
Presenter
It's yours. Sir Peter Lampel, thank you very much for letting us hear your desert island.
Sir Peter Lampl
Thank you.
Presenter
Hi, I hope you really enjoyed that interview with Sir Peter Lampel. Some of his musical choices have also made other appearances on Desert Island discs. Dame Julie Andrews was on the programme back in 1992 talking to Sue, and Sir Paul McCartney was a castaway on our 40th anniversary programme in 1982 in a very memorable edition with Roy. Peter also chose some Rolling Stones as a memory for the time he lived in the same apartment block as Keith Richards, and Keith joined me in the past to share his Desert Island discs. Definitely worth a listen.
Speaker 1
I was going to Sidco Art School.
Presenter
Right.
Speaker 1
And Mick at that time was going to the London School of Economics.
Speaker 1
I just get off and said, Gabino. Me ma I'm sitting in the carriage and suddenly he walks in.
Speaker 1
There's Mick who I haven't seen in years going, Wow man
Speaker 1
What's that under your arm?
Speaker 1
And he pours out the best of muddy waters and rocking up the hops by Chuckberry.
Speaker 1
And these are American pressings, you know, and you can't get these records in England at the time, you know.
Speaker 1
Basically, that was the hookup for the stones and for Mick and I was just that we had this
Speaker 1
Same interest in music. You got any more records like that? And he said, sure. I said I I send away to Chicago for them.
Speaker 1
Wow, this man's organized, you know?
Presenter
And was your writing partnership always an easy partnership?
Speaker 1
Not always, but in the early days, very easy. In a way, I mean, this is like uh
Speaker 1
Being on the factory line, you know, because I remember very well.
Speaker 1
And Satisfaction had just come out and it's number one all over the world. Mick and I are going, Yeah, great, fantastic, man, you know. And then the knock at the door and there i is uh basically the record company is saying, Where's the follow-up?
Presenter
Sure.
Speaker 1
Mm-hmm.
Presenter
Is it true and I don't know, it's one of these things you read and you think, Can that actually be true, that satisfaction came to you, the riff came to you in your sleep and you didn't even know you'd
Speaker 1
Doing your s
Speaker 1
I had no, I thanks God to the um
Speaker 1
The recently invented cassette player.
Presenter
Which was by Eurobeus.
Speaker 1
Yes. And I happened to be uh between friends at the time and I sleeping with the guitar on the bed, you know.
Speaker 1
And somewhere obviously in the night I I got up and laid down the basic framework for satisfaction. The only way I knew that something had happened because I looked at the tape
Speaker 1
And I know that I put in a brand new tape, so therefore.
Speaker 1
The real has to be empty that side and full that side. But it had gone the other way. It was.
Presenter
Uh
Speaker 1
You know, it was recorded.
Speaker 1
So I thought maybe I'll hit the button in the wrong position during my sleep or something. So I roll it back and listen back and there is this very weak faint idea of satisfaction, you know, the riff, the first verse and the second, and then 45 minutes of me snoring.
Speaker 1
But it was by a miracle you just captured on that little machine.
Presenter
That was Keith Richards talking to me back in the autumn of 2015. All the programmes are available to download from our archive.
Presenter
Next time, my guest is going to be the computer scientist doctor Sue Black, who can put Saving Bletchley Park on her C V along with helping young mums to learn a little bit more about computers and coding. So I do hope you'll join us.
Sir Peter Lampl
This is the BBC.
Speaker 2
Just before you go, I want to tell you how you can find the best stories from across the BBC. The Drama of the Week podcast showcases our favorites, from brand new writing to classic plays. Explosive drama like Paradise Lost, War of the Worlds, and Blood, Sex and Money by Emil Zola. All you need to do is subscribe to Drama of the Week wherever you get your podcasts.
Presenter asks
Do you think [Finland's exceptional educational outcomes] have got something significant to do with the fact that they are exclusively state-run?
I think it does. We have a very strong private sector in this country. I think if you could wave a magic wand, you would have like the European countries, not just Finland, they basically don't have private schools if they do their minimal. And everyone goes to a state school. I think that's a good thing. Where I'm coming from is that isn't going to happen. So we have private schools. What we're trying to do is to say the private day schools should be opened up based on merit, not money.
Presenter asks
You said it was much easier to make money out of boring businesses than glitzy ones. Why is that?
Well, because obviously everyone's interested in glitzy businesses. Yes. And my criteria for what was a good business to get involved with was if it put people to sleep at a cocktail party.
Presenter asks
When you started to make a serious amount of money, did you enjoy that?
Yeah. I mean, I could have just kept going and make more and more money. But once I made a certain amount, I said, well, that's enough money for me to do whatever I want. And I'm going to do something else.
Presenter asks
[With] about half of kids now going to university, there's big questions about whether it's time and money well spent. What's your view?
A lot of those kids should go to university. The problem is that kids are coming out with over £50,000 worth of debt. Three years out, 20% to 25% not in graduate employment. I think there's far too many kids going to university. This is a big agenda. We are looking to push degree level apprenticeships… which means you're working for a company, you're going on day release… The advantage of that is you earn while you learn, you come out with no debt and you come out with skills the marketplace wants… Over a lifetime, [the] average degree student, the apprentice will earn more… than the average we're talking degree level apprenticeship.
“I have got a philosophy of life, which is you've got to give yourself a chance to get lucky. And so even though people didn't think I'd had a great chance, I applied anyway and I got in. So you've got to try.”
“My criteria for what was a good business to get involved with was if it put people to sleep at a cocktail party.”
“I always say if you want to get rid of a Brit, just ask them for money, because they'll run a mile and you'll never see them again in case they think in case you'll ask them again.”
“I never ever dreamt that I would get depressed.”