Tuning in…
Tuning in…
Desert Island Discs
Presented by Kirsty Young
Forensic psychotherapist treating the most dangerous violent offenders at Broadmoor Hospital and researching the nature of evil.
Eight records
And it brings back very happy memories of going to a Rolling Stones concert. A friend of mine was roadieing for them, so I was backstage for the whole of the day.
Cello Suite No. 1 in G major, BWV 1007: I. Prélude
It's just one of the most perfect pieces of music. I give this music to people that I care for. I don't know who it was who said that the cello is the voice of the heart, but I think there's no doubt that it is.
Chas Jankle, I think, is a musical genius, and this is one of his best. But Ian Dury was a wonderful singer, and I saw him when I was at medical school, and I saw him not long before he died. And everybody of a certain age in their jeans and T-shirts just dancing away was fantastic.
I chose this because it reminds me of the times at medical school when we would dance. Dancing has been a very important part of my uh enjoyment of my life and uh this weather was great fun to dance to.
Don Giovanni, K. 527: Mi tradì quell'alma ingrata
reminds me of many things. Well, first that I heard Kiri when I was ten years old in our local town hall, but also because she was one of my father's favorites. And my father taught me about opera, and this was the first piece of opera music that I really got when I understood why people love it.
Shower the PeopleFavourite
I used to listen to this all the time at school. James Taylor's greatest hits was Our Record that we played in the Juniors' Common Room all the time. And my children like him, and this is a song which I think really exemplifies everything that I think is important about relationships.
The Choirs of St Peter's, Caversham and St John's, Mortimer
I sing in a choir in my local church and we sing with another choir and we often get together and sing evensong in cathedrals around the country and it's an enormous pleasure. And every year at Candlemas we sing this motet
Requiem in D minor, K. 626: Lacrimosa
Academy and Chorus of St Martin in the Fields, conducted by Sir Neville Marriner
Again, this is a piece that I've sung, and it has a memory for me of being in New York in two thousand and two, the first anniversary of 9-11, when I went to the Juilliard School of Music along with hundreds of other people with my own score, and we came together for a spontaneous singing of Mozart's Requiem to commemorate 9-11.
The keepsakes
The book
The biggest possible volume of collected poetry
If I'm going to have to sit and wait to be rescued, I'm going to need poetry and the consolations of poetry while I wait.
In conversation
Presenter asks
There must be moments when you contemplate what the people you talk to have done and you are a little scared at least?
Yes, well, not, I think, scared because of course I'm working in a very secure and safe environment. And so I think it's sad, really, because particularly in the hospital where I work, many of our people are are very disabled. I mean, not only have they done terrible things, but they've often been through terrible things as well, which has left them very psychologically disabled. And the rehabilitation process is a very slow one, so I think not so much fearful as just sad.
Presenter asks
When you say survivors of a disaster, do you mean the disaster of the lives that they've had... or do you mean the disaster of what it was they did that landed them in Broadmoor?
The recording
Timestamps play the recording from that turn
Presenter
Hello, I'm Kirsty Young. Thank you for downloading this podcast of Desert Island Discs from BBC Radio 4. For rights reasons the music choices are shorter than in the radio broadcast.
Presenter
For more information about the programme, please visit bbc.co.uk/slash radio four.
Presenter
My castaway this week is the forensic psychotherapist Gwen Adsaid.
Presenter
She is one of the leaders in a very specialized field, trying to understand the behaviour of the most vilified people in society.
Presenter
and attempting to find ways of treating it.
Presenter
For more than a decade her office has been behind the towering walls of Broadmoor Hospital.
Presenter
The Victorian Built Institution in Berkshire is home to more than two hundred men, all convicted or accused of the most dangerous violent behaviour. She also works with young offenders, supports crime victims, writes academic papers, and is currently working on a book on the nature of evil.
Presenter
Compared to that her life outside work seems well, almost impossibly normal.
Presenter
Bringing up her children, singing in a choir, and gardening fill her spare time.
Presenter
Of her work, she says, Other people's minds are so fascinating I can't think of anything more interesting.
Presenter
And I can't understand why everyone isn't a psychiatrist. Um fascinating, but I imagine at times also pretty.
Presenter
Terrifying. There there must be moments when you contemplate what the people you talk to have done and and you are a little scared at least.
Dr Gwen Adshead
Yes, well, not, I think, scared because of course I'm working in a very secure and safe environment. And so I think it's sad, really, because particularly in the hospital where I work, many of our people
Dr Gwen Adshead
are are very disabled. I mean, not only have they
Dr Gwen Adshead
done terrible things, but they've often been through terrible things as well, which has left them very psychologically disabled.
Dr Gwen Adshead
And the rehabilitation process is a very slow one, so I think not so much fearful as just sad.
Presenter
Uh
Dr Gwen Adshead
And in terms of
Presenter
Sort of day-to-day setup as as you go into your work. I mean, I noticed today you're wearing beautiful bracelets. I think you've got a necklace on.
Speaker 1
Uh
Dr Gwen Adshead
Got it.
Presenter
You know, w when you walk in, are you allowed to look and carry the sort of things you would in everyday life in an environment like that?
Dr Gwen Adshead
Like that? Oh, yes. It's a although one I think one has to be very one has to be thoughtful.
Dr Gwen Adshead
So it's not so much about feeling frightened, but about being thoughtful about risk and being aware that the people that we work with may not see the world as we do.
Dr Gwen Adshead
I sometimes think that they're like survivors of a disaster, where they were the disaster.
Dr Gwen Adshead
So what you and I might think of as being quite innocuous or harmless, they may see as being threatening or provocative. So one has to be thoughtful about that.
Presenter
When you say survivors of a disaster, do you mean the disaster of the lives that they've had that have led them to the point of psychological breakdown? Or do you mean the disaster of what it was they did that landed them in Broadenware?
Dr Gwen Adshead
Both.
Presenter
Right.
Dr Gwen Adshead
So
Presenter
Yeah. Uh
Dr Gwen Adshead
Many of our people have come from the most disastrous of lives in terms of abuse and neglect, real extremes of abuse and neglect.
Dr Gwen Adshead
But also often for many of them what they've done is a trauma.
Dr Gwen Adshead
And I think one of the things that's complicated about the work that we do is that people
Dr Gwen Adshead
Uninformed people, unthinking people, see this attempted explanation and understanding as being somehow excusing people, and we don't seek to excuse people.
Dr Gwen Adshead
But I think it's crucial to remember that these patients are people. They once had lives.
Dr Gwen Adshead
albeit briefly some of them, that were quite ordinary lives.
Dr Gwen Adshead
They were once small boys, they were once uh young men who were hopeful.
Dr Gwen Adshead
and whose lives went terribly awry.
Dr Gwen Adshead
Think King Lear has it best its ruined pieces of nature, and that's why it's sad rather than frightening, I think.
Dr Gwen Adshead
And the most frightening place really to be is out in the community where, you know, you don't know what's coming in the door.
Dr Gwen Adshead
At least in Broadmoor, we know where it is.
Presenter
Let's have some music. Tell me about your first choice, then.
Dr Gwen Adshead
Well my first choice is Give Me Shelter by The Rolling Stones. And it brings back very happy memories of going to a Rolling Stones concert. A friend of mine was roadieing for them, so I was backstage for the whole of the day. How exciting. Tell me what you saw. Oh well, the most exciting thing was sitting in the scaffolding behind the stage watching the Jay Giles band.
Presenter
How exciting
Presenter
Oh well domestic
Presenter
That
Dr Gwen Adshead
And I felt this movement to the left of me, and there was Mick Jago climbing up the scaffolding next to me. Did he try to chat you up? No, no, certainly not.
Speaker 2
Uh
Presenter
Uh
Speaker 2
Uh
Dr Gwen Adshead
Are you sure? Absolutely, absolutely.
Speaker 2
He's got the shadow, he's got the shadow.
Speaker 2
He's got the shot away!
Presenter
That was the Rolling Stones and Gimme Shelter. I think it would be useful, Gwen Adza, to explain precisely what your title means. You are a consultant forensic psychotherapist.
Dr Gwen Adshead
That's correct.
Presenter
Night. What does that mean?
Dr Gwen Adshead
Yeah.
Presenter
Yeah.
Dr Gwen Adshead
Well, what that means is that I'm a psychiatrist by training, so I'm a doctor, trained in psychiatry, and then I train as a forensic psychiatrist, so that means a psychiatrist who specializes in in mentally abnormal offenders and working with people who've been violent.
Dr Gwen Adshead
And then a psychotherapist is someone who works psychologically with people to try and help improve their moods, reorganise thinking, make themselves function better. That's what a psychotherapist does. But a medical psychotherapist is someone who's trained in medicine, and that's important because if you're going to treat people who are very unwell and who've got very complicated disorders, you need people who are medically qualified to do that. Can you give us a.
Presenter
As I say, there are around about two hundred and fifty men at Broadmoor. Can you give us briefly examples of the the kinds of things that these people have?
Dr Gwen Adshead
Done.
Presenter
Uh
Presenter
Yeah.
Dr Gwen Adshead
Well, you don't get admitted to a high secure hospital unless you've committed an action which is very violent or dangerous or threatening to other people. Murder, manslaughter, sexual violence.
Dr Gwen Adshead
Those types of offences. You don't get to Broadmoor unless you've done something pretty frightening.
Dr Gwen Adshead
And we have got two main efforts. One is to try and restore their mental health.
Dr Gwen Adshead
And the other is to reduce their risk.
Dr Gwen Adshead
They arrive in a high risk state. We aim to treat them and rehabilitate them sufficiently so that they can go on to a less secure place.
Presenter
So the welfare of the patient and the safety of the public are the two things that are your concern.
Dr Gwen Adshead
Are the two
Presenter
Right. They can't they can't have equal status, though I'm imagining, do they?
Dr Gwen Adshead
Uh why not?
Dr Gwen Adshead
I'm not sure if I can do it.
Presenter
Well, I suppose because the the public and the public listening might think, well, foremost in your mind must surely be the safety of the public.
Dr Gwen Adshead
Republic
Dr Gwen Adshead
They like
Dr Gwen Adshead
Well, I think within the secure perimeter of a hospital, we know that we're working safely. We know that there's no danger to the public. So in that sense, we're not taking risks on a day to day basis.
Dr Gwen Adshead
But nobody moves on from Broadmoor without the issue of the risk to the public being considered very carefully.
Presenter
And it surprised me to learn that that most of the patients in Broadmoor do indeed move on. The proportion of the people that you treat, how many of them will go on to live in the community, not at another lower grade facility in terms of the security of it, but actually out day to day living in the same streets as the rest of us.
Dr Gwen Adshead
I think very few will ever be living in the community in the same streets as the rest of us in that phrase. Because the truth of it is that most of our people haven't led independent lives since they were children. Many of them have been in care, gone from care to prison, gone from prison to secure hospitals. So the idea of independent living is not necessarily the most sensible goal.
Presenter
Is is there any part of you that despairs that they haven't been
Presenter
I suppose helped, if you like, before that. You know, in areas like infant mental health, if if these were once children who then ended up in the care system at the age of seven, eight, nine, ten, then maybe there could have been a point where people in your profession at different stages might have stopped the catastrophic events that have led them to Broadmoor.
Dr Gwen Adshead
Yes, I think that's right. I think that is one of the saddest things.
Dr Gwen Adshead
Our patients tend to be people for whom everything went wrong.
Dr Gwen Adshead
All the opportunities for repair or rescue didn't happen, because of course there are many children who are abused and traumatized, who grow up in very dysfunctional households.
Dr Gwen Adshead
Who do get opportunities for rescue or repair, and they work. Sometimes the care system really works well. Sometimes people get the help that they need and they turn things around. That really happens.
Dr Gwen Adshead
But our people tend to be those for whom everything went wrong.
Dr Gwen Adshead
They not only do they have very deprived and abusive childhoods, but they develop mental illnesses, they develop substance misuse.
Dr Gwen Adshead
And the rest. So yes, sometimes you can feel incredibly sad about the opportunities that have been lost.
Presenter
Let's have some music. What's your second disc today?
Dr Gwen Adshead
Well, my second is Pablo Cassas, playing Bach's first cello suite. It's just one of the most perfect pieces of music. I give this music to people that I care for. I don't know who it was who said that the cello is the voice of the heart, but I think there's no doubt that it is.
Dr Gwen Adshead
Uh
Speaker 2
And
Presenter
Pablo Casal's playing the prelude to Bach's cello suite number one in G major. You said there, Gwenad said, that y you give that piece of music to people y you care about, and I wondered if are you talking about people in Broadmoor that you care for?
Presenter
as well as people on the outside.
Dr Gwen Adshead
No, no, that would be a step too far in terms of being personal, rather.
Presenter
Yeah.
Dr Gwen Adshead
Because in as a psychotherapist, in a way, you make your mind available to somebody else to help them recover. And you can't be too personal.
Dr Gwen Adshead
So you have to be personable?
Dr Gwen Adshead
But not personal. And the dangers of being too personal are.
Dr Gwen Adshead
Risk, danger, exploitation.
Dr Gwen Adshead
I mean, one has to remember one's working with people who by definition
Dr Gwen Adshead
Don't understand other people very well.
Dr Gwen Adshead
And some of our people are predatory that's why they're there.
Dr Gwen Adshead
It's quite subtle to explain, but it's I I
Dr Gwen Adshead
Most of all, I guess, the risk might be for the therapist, too, that they lose their sense of risk.
Dr Gwen Adshead
And let's look back.
Presenter
Back a bit then, Gwen. You were born fifty years ago. Your parents were British, but your early years were spent in America. Wh why was that?
Dr Gwen Adshead
Um yes, my father went to Harvard to do his PhD.
Dr Gwen Adshead
And then he took a job at the University of Canterbury in New Zealand.
Dr Gwen Adshead
and I lived there until I was eleven.
Dr Gwen Adshead
when I then came to school in England.
Presenter
Before you came to school then in England, which of course we will talk about, what were your memories of New Zealand and growing up there?
Dr Gwen Adshead
Christchurch is a fantastic place. You have wonderful beaches, proper sandy beaches, and then an hour or two inland you have fantastic mountains where you can ski. It and we lived up in the hills above the city and we could look out to the sea. We had a most fantastic view.
Dr Gwen Adshead
And your mother's
Presenter
And your mother sh was she an academic too? Yeah, what did she specialize in?
Dr Gwen Adshead
Yes, what did she specialise in? Ancient history. So both my parents were historians.
Presenter
And they decided to send you, aged eleven, to Cheltenham Ladies' College, many thousands of miles away.
Dr Gwen Adshead
The chill
Dr Gwen Adshead
To many.
Presenter
Uh was how was that? I mean eleven.
Dr Gwen Adshead
It was young. There was an expectation, I think, that children went back to England to go to school.
Dr Gwen Adshead
Also, my parents thought that they m I think they thought they might return to England in in time.
Dr Gwen Adshead
But it was young it was young to go.
Presenter
Can you remember? I mean, how did you get to England? Did you fly or did you fly nice?
Dr Gwen Adshead
And where you with your
Presenter
And were you with your parents when you were in the middle of the mm?
Dr Gwen Adshead
No, no, no, no. I uh flew on my own from Christchurch to Auckland, Auckland to Hawaii, Hawaii to Los Angeles, Los Angeles to London. In those days, you know, it was a long, long journey.
Dr Gwen Adshead
And you were very bright at school.
Dr Gwen Adshead
Well it's very difficult for people to admit that, but um
Presenter
Well it's very difficult for people to admit that.
Dr Gwen Adshead
I don't know. Really, I don't. I was averagely able at school. I knew I wanted to do medicine. I'd always known that. I'd known that from quite a young age. Why was that?
Dr Gwen Adshead
I was really, really interested in how people heal.
Dr Gwen Adshead
And both my parents suffered from rather poor health when I was a child. My mother had had T B and was very frail. And my father had poorly controlled diabetes and would often
Dr Gwen Adshead
pass out in public places.
Speaker 1
Place.
Dr Gwen Adshead
And so I think I became quite sensitized to human vulnerability quite early.
Presenter
Yeah.
Dr Gwen Adshead
With a
Presenter
Perhaps
Dr Gwen Adshead
Some music.
Presenter
Yeah.
Dr Gwen Adshead
Absurd.
Presenter
Quite a different sound throughout the last
Dr Gwen Adshead
Oh, yes, this is Ian Dury and the Blockheads. Hit me with your rhythm stick. Chas Jankle, I think, is a musical genius, and this is one of his best. But Ian Dury was a wonderful singer, and I saw him when I was at medical school, and I saw him not long before he died. And everybody of a certain age in their jeans and T-shirts just dancing away was fantastic.
Speaker 1
Me with your rhythm steak, hit me, hit me.
Speaker 1
Shitano Ich Libani Hit me, hit me, hit me.
Speaker 1
Hit me with your rhythm stick. Hit me slowly, hit me quick. Hit me, hit me, hit me.
Speaker 1
Beep
Presenter
That of course was Ian Jury in the Blockheads and Hit Me with Your Rhythm Stick. You were saying then, uh Gwynad said, that you play that to your sons and tell them that this is proper music.
Dr Gwen Adshead
It is proper music. But then I realised this is a very ageing thing to say.
Presenter
Um interestingly, uh before the last piece of music you were saying that as a child you became interested in in medicine because you were really interested in how things heal.
Dr Gwen Adshead
Uh
Presenter
Uh
Dr Gwen Adshead
Mm.
Presenter
The point of medicine that you are dealing with is where almost the sort of philosophical.
Presenter
combines with the practical medicine, if you like.
Dr Gwen Adshead
Absolutely. And you are entitled to bring into your work.
Dr Gwen Adshead
Other intellectual disciplines criminology, jurisprudence, moral philosophy, theology, poetry they all in their different ways have something to say about the psychology of human experience, and particularly human experience faced with extraordinary events.
Presenter
You worked for a time at the Institute of Psychiatry and and you were working there with um
Presenter
Victims of trauma.
Dr Gwen Adshead
Um
Dr Gwen Adshead
Often people have been through events that are very unusual, very shocking and disturbing.
Dr Gwen Adshead
I'm thinking now of a man who was on the Herald of Free Enterprise.
Dr Gwen Adshead
who found himself in an air pocket.
Dr Gwen Adshead
As far as he knew, the water was just rising and rising and rising, and he was going to die.
Dr Gwen Adshead
And he, unsurprisingly, perhaps, became very disturbed by this experience. And I think because those types of traumas that come out of nowhere
Dr Gwen Adshead
They take people to a peak of fear.
Dr Gwen Adshead
And it becomes very difficult for them to come off that peak. That's what happens, really, in post-traumatic stress disorder. And what did you do to try to help?
Dr Gwen Adshead
There's medication to manage the symptoms of anxiety and depression.
Dr Gwen Adshead
And that helps because if you can get a handle on the physical symptoms, that helps people to think.
Dr Gwen Adshead
And the whole point about the psychological treatment is to restore you to a sense of safety, so you no longer believe that you're about to be attacked.
Dr Gwen Adshead
All the time.
Presenter
But as you yourself said earlier, of course, unlike Broadmoor, the the world outside is highly unpredictable, and never mind just getting knocked down by a bus, you might be mugged by somebody, you might come home and your partner might tell you they're leaving you, there you know, there's all sorts of unpredictable things, both emotional and physical, that can happen to us. Do you think our expectations culturally right now are at a point where we expect too much happiness?
Speaker 1
No.
Dr Gwen Adshead
Yeah.
Speaker 1
Or
Dr Gwen Adshead
The motor
Speaker 1
Yeah.
Dr Gwen Adshead
Yeah.
Dr Gwen Adshead
Yes, I do. I I sometimes wonder whether we don't prepare enough.
Dr Gwen Adshead
For the slings and arrows of outrageous fortune.
Dr Gwen Adshead
Or rather, I think that we
Dr Gwen Adshead
don't understand that pain and suffering and rage and distress are as normal a part of life.
Dr Gwen Adshead
as the happiness and the joy.
Presenter
Let's have some music then. What are we going to hear next?
Presenter
Speaking of the happiness and the joy.
Dr Gwen Adshead
Speaking of the happiness and the joy, um the next record I've chosen
Presenter
The joy.
Dr Gwen Adshead
is the Weather Girls. It's Raining Men, and I chose this because it reminds me of the
Dr Gwen Adshead
times at medical school when we would dance. Dancing has been a very important part of my uh enjoyment of my life and uh this weather was great fun to dance to.
Speaker 2
It's rising.
Speaker 2
I'm just getting low according to all sources to do.
Speaker 2
Lost tonight for the first time just about having
Speaker 2
History
Presenter
That was the weather girls and it's raining men. And you said when I said that there was there was lots of dancing at medical school. I'm glad to hear it. You w you weren't then too dedicated to your your work.
Dr Gwen Adshead
Oh no, I'm afraid not. No, I failed my second year medical exams and had to reset most of them.
Presenter
Did you?
Dr Gwen Adshead
Uh
Presenter
Uh
Dr Gwen Adshead
Oh yes.
Presenter
Why? How did you feel?
Dr Gwen Adshead
Too much partying. When I came to do my second year exams I had to blow the dust off my books. I danced a great deal in medical school and enjoyed every minute of it.
Presenter
So that was what late nights, all nights? Oh, yes.
Presenter
How did that go down with your highly academic parents?
Dr Gwen Adshead
Oh, well they were far away in New Zealand.
Presenter
Presumably you told them that you'd failed.
Dr Gwen Adshead
Oh yes, yes, yes, yes. My mother wasn't terribly pleased. But uh Can you remember how the conversation went?
Dr Gwen Adshead
Uh not happily.
Dr Gwen Adshead
Not every memory is a happy one. Not every memory is a happy one. I think she was she was not very hopeful for me. But no, I passed my resets. And did you pass them well?
Presenter
Yeah.
Presenter
And that's where
Dr Gwen Adshead
Did you sort of knuckle down? Enough.
Presenter
Enough. Oh yes, enough with that.
Dr Gwen Adshead
And when I came to do Sakatri, it just in a way felt so familiar. And I I love that I know I like that moment when you sit down with someone and you say, well,
Dr Gwen Adshead
How d how is it that we come to be meeting here today? What where does this story start, do you think?
Presenter
When you are at Broadmoor and you are listening to the stories and you know.
Dr Gwen Adshead
Mm-hmm.
Presenter
The result of the stories. How optimistic can you be?
Dr Gwen Adshead
The result of the story
Speaker 1
Uh
Presenter
that you will enable a patient there to find the tools to somehow recover. I mean, a lot of the time, don't you think, well, this might more be about me using the information to then work out with fellow professionals how we stop this the next time, rather than actually helping that individual.
Dr Gwen Adshead
Well, I hope that they're not alternatives.
Dr Gwen Adshead
I mean, the average length of stay in the hospital is about eight years still.
Dr Gwen Adshead
And it's a mirror of the length of time most people spend in secondary school.
Dr Gwen Adshead
And I find myself constantly wondering to what extent people are growing up.
Dr Gwen Adshead
Psychologically.
Presenter
Do you actually talk to your patients at Broadmore about the things that they've done?
Dr Gwen Adshead
Oh yes oh yes uh very much so.
Dr Gwen Adshead
Then it's always quite a moment, I think, when one does do that.
Dr Gwen Adshead
When one says, well, when you killed so-and-so, when you actually use that phrase, it's always quite a moment. I heard.
Presenter
Did you once say that one of your patients said, Well, you can be an ex-bus driver, but you can never be an ex-killer?
Dr Gwen Adshead
Yes, that's right. You can be a little bit more.
Presenter
The computer.
Dr Gwen Adshead
That they know that, and um the people who've killed, you know, they know that. They know that they have to try and live uh with that. Because it I mean, it's existentially en enormous. It's like the Talmud says, you know, whoever takes one life takes the world entire. When you kill somebody, you've changed the universe.
Presenter
We will certainly talk more about this in just a second. For now though, let's allow ourselves to pause with some music. What are we going?
Dr Gwen Adshead
Well, my my next choice is Kiriti Kanua, singing Mithradi from Don Giovanni. And this.
Dr Gwen Adshead
reminds me of many things. Well, first that I heard Kiri when I was ten years old in our local town hall, but also because she was one of my father's favorites. And my father taught me about opera, and this was the first piece of opera music that I really got when I understood why people love it.
Presenter
Kiriti Canawa singing That Ungrateful Man Betrayed Me from Mozart's Don Giovanni with the orchestra of L'Opera in Paris conducted by Lauren Moselle. And you said it, intriguingly, the first time you were aged ten and you heard Kiriti Canawa singing in your local town hall. In my local town hall? That must have been the very beginning.
Dr Gwen Adshead
So that
Dr Gwen Adshead
It must be the beginning of her career. Yes, it was my tenth birthday. And she was wonderful.
Dr Gwen Adshead
It it might be a good time.
Presenter
To talk then about, it's a very loaded word, of course, as you will know more than any of us, the nature of evil.
Dr Gwen Adshead
Hmm.
Presenter
How do you characterize it?
Dr Gwen Adshead
How do you characterize
Dr Gwen Adshead
Well, uh my my supposition is that
Dr Gwen Adshead
Anybody can get into an evil state of mind. Anybody. Anybody. I think one of the fascinating things f for us to think about is what sort of state of mind do you have to be in to tie up and stab an elderly man, which is um can kill him over the course of about three days, which was
Dr Gwen Adshead
A story of one seventeen-year-old girl that I saw.
Presenter
Uh
Dr Gwen Adshead
And this was
Presenter
When she had taped up his mouth with seller tape and taped his eyes shut, she glued his eyes glued his eyes shut, in fact.
Dr Gwen Adshead
Come on.
Presenter
And over a period of three days she intermittently snapped him.
Dr Gwen Adshead
Yeah.
Dr Gwen Adshead
Boom.
Dr Gwen Adshead
Yeah.
Dr Gwen Adshead
Um
Dr Gwen Adshead
And I guess that would be a paradigm case in a way of sustained cruelty, which I think most people would think is a feature of evil. But then against that we have to put accounts like Guita Sereni's account of Frantz Stangel, who was Commandant in Treblinka, who oversaw the deaths of nine hundred thousand people.
Dr Gwen Adshead
Gotta be of interest to a forensic psychiatrist, someone who oversaw the deaths of nine hundred thousand people.
Speaker 2
Yes.
Dr Gwen Adshead
How do you compare those states of mind?
Dr Gwen Adshead
There must be some connecting link between these states of mind.
Dr Gwen Adshead
But they're clearly but similar and different. Because actually evil is one of those things like
Dr Gwen Adshead
time and hope in elephants, which is quite hard to define.
Presenter
Let's have some music then. What are we going to hear next?
Dr Gwen Adshead
Well, my my next choice of record is uh is a piece of me that means an enormous amount to me. It's James Taylor's Shower the People and
Dr Gwen Adshead
I used to listen to this all the time at school. James Taylor's greatest hits was Our Record that we played in the Juniors' Common Room all the time. And my children like him, and this is a song which I think
Dr Gwen Adshead
really exemplifies everything that I think is important about relationships.
Speaker 2
Shower the people you love will love
Speaker 2
Show them the way that you feel
Speaker 2
Without work, I'll find
Speaker 2
Only will.
Speaker 2
Do as I said Shower the people you love will love Show them the way you feel
Presenter
That was James Taylor and Sharo the People. Of course, there are, Gwenat said.
Presenter
There are mistakes that are made, that are people released back into the community who go on to perpetrate.
Presenter
appalling crimes and and have been judged.
Presenter
By psychologists and so on, to be at a state of. Hmm.
Presenter
A function that allows them out into the community.
Presenter
An incredible responsibility for people in your profession to bear.
Dr Gwen Adshead
Um
Dr Gwen Adshead
And I think the the the complicating thing there is that human beings are not machines. You can't you can't put them in a certain setting and then they g and say they're going to stay there.
Dr Gwen Adshead
We can help men and women to get to a state where they are psychologically quite secure.
Dr Gwen Adshead
But we can't promise, we can't guarantee that they're going to stay that way because human beings are dynamic, they move, they change.
Dr Gwen Adshead
And I can think of one man who we really did do good work with, and had really, I think, become much safer and more secure in his mind, but he was rehabilitated out to a hostel, where he was left alone for long periods of time, and he became very agitated.
Dr Gwen Adshead
And he started drinking again and no and luckily there wasn't a disaster this time, but there could have been. So the idea of people are cured or not cured, that dichotomy simply doesn't work at all. I I would
Presenter
imagine that most people would feel that, you know, spending a an enormous amount of time and indeed taxpayers' money trying to understand them and improve the standard of their life is is maybe
Presenter
Time and money that's ill spent.
Dr Gwen Adshead
But I suppose the counter argument to that would be that if you want to really make them safer, you're going to have to try and understand them, if only because you need to understand the nature of the risk. There may be some people who will be unhelpable.
Dr Gwen Adshead
So time
Dr Gwen Adshead
Invested in understanding them is time invested in safety.
Presenter
Unless of course you always just keep them locked away, in which case everybody's safe from
Dr Gwen Adshead
And
Dr Gwen Adshead
Except that you can't do that. There is no there is no legal framework in which we lock people away forever, except in a very few in a very few circumstances.
Dr Gwen Adshead
Um if you're going to lock up everybody who's potentially dangerous, you're going to have to lock up a lot of people who will never be crim who will never do anything violent. In fact, uh I have a colleague in Chicago who's a very famous professor of forensic psychiatry who used to say that if you really want to make a city safe you will lock up every single man between the ages of fifteen and thirty-five, and that will make the c streets completely safe.
Dr Gwen Adshead
which is counter argument is of course, but who will mow the lawn? But she's right. So you could detain people indefinitely, but that would be fantastically unjust.
Dr Gwen Adshead
The other thing is, is that, contrary to what people think, violence is quite rare.
Dr Gwen Adshead
So you'll be talking about detaining people on the basis of something that may is fantastically rare and often very unpredictable?
Dr Gwen Adshead
And we think of it in terms of a bicycle lock.
Dr Gwen Adshead
that you've got to have four numbers come up before the lock opens and for the violence happens. So you could have people wandering around with three numbers down who'll never get to the fourth. Now statistically you might lock everybody up
Dr Gwen Adshead
Who's got those three clinical risk factors?
Dr Gwen Adshead
But you'll be locking up an awful lot of people, and what will you do with them?
Presenter
Time for some music. Tell me what we're going to hear now.
Dr Gwen Adshead
Well what we're going to hear now is something which is very important to me which is I sing in a choir in my local church and we sing with another choir and we often get together and sing evensong in cathedrals around the country and it's an enormous pleasure. And every year at Candlemas we sing this motet which is a 16th century motet by Johannes Eckhard called When Mary to the Temple Went and these are our two choirs singing together.
Speaker 2
Share.
Speaker 2
Lord Preci.
Speaker 2
May children
Presenter
The choirs of Saint Peter's in Caversham and Saint John's in Mortimer, conducted by Ian Wesley, singing When Mary to the Temple went, Could you hear your own voice in there, Gwen?
Dr Gwen Adshead
No, I hope not. The art of choral singing is to be able to hear other voices coming together to make that melody. It would be disastrous if I could hear my own voice above the others.
Presenter
Um, your Christian faith then, how important a part of your life is it? And indeed of your work?
Dr Gwen Adshead
Oh, very important.
Dr Gwen Adshead
I think all the world's religions provide an account of how people struggle with uh the four last things, good and evil.
Dr Gwen Adshead
death and judgment. And those themes are so
Dr Gwen Adshead
Present in my work that it would be very difficult, I think.
Dr Gwen Adshead
to to do this work without being.
Dr Gwen Adshead
At least interested.
Dr Gwen Adshead
In religious theological ideas, and indeed ideas of moral philosophy.
Presenter
Is redemption possible for for many of the people that you work with, do you think?
Dr Gwen Adshead
I hope so.
Dr Gwen Adshead
It reminds me of that line from Richard the Second, in which uh
Dr Gwen Adshead
Richard says May I live in hope.
Dr Gwen Adshead
And Anne says All men, I hope, do so.
Dr Gwen Adshead
Hope is a very important part of the work that I do. I always think that there's a duty to be hopeful.
Presenter
You were married for thirteen years no longer married. The things that you've heard are worse than than most of us, surely listening, can imagine.
Presenter
Where do you unburden yourself? Do you go and talk to somebody about that in a in a clinical sense? Do you unload the horrors that inevitably must they must be in your head, are they?
Dr Gwen Adshead
Yes, yes, taking care of our own psychological health is an important part of being a professional. It's not, as I say, it's not about being.
Dr Gwen Adshead
tough and uh pretending that you don't have feelings about this, that would be disastrous. I make a very clear distinction in my mind between my work and my home life. So I very rarely think about uh uh about my work when I'm not there.
Presenter
You talked about hope, and I'm sure
Presenter
It must be incredibly rewarding at times, but but to do what you do week in, week out must
Dr Gwen Adshead
Screwdon.
Presenter
I mean, I don't know. I think as a parent I would I'm I'm not sure I'd want my my daughter to do it.
Dr Gwen Adshead
Well, it's it is a demanding job, but it it is um the most interesting job anybody could have.
Dr Gwen Adshead
You do get to deal with the big themes of life.
Presenter
Your father died last year. Your mother is is still alive. What did they make? What does your mother make of this remarkable and unusual career that you have?
Dr Gwen Adshead
Oh well, I think she finds it rather baffling. Um it's not a world I think that she understands or or knows.
Presenter
You're a mother of of two your yourself. Uh did it become harder your job when you became a mother?
Dr Gwen Adshead
Yes, I think it did.
Dr Gwen Adshead
It became a bit sadder recently.
Presenter
Really, yes.
Dr Gwen Adshead
Because I began to see all these men as the small boys that they once were.
Dr Gwen Adshead
And about
Dr Gwen Adshead
how they might have been with all that promise that children have.
Presenter
Yeah.
Dr Gwen Adshead
And when you're on
Presenter
On the island then, of course, you're going to this island.
Presenter
The value of human relationships will be something you can think about, but it will no longer be practically accessible to you. How are you going to deal with that?
Dr Gwen Adshead
Very badly. Very badly. Very badly. I don't wish to be on this island for a minute longer than I have to be.
Presenter
You will have some comforts, as we will find out in just a second, but for now tell me about disc number eight. Go ahead.
Dr Gwen Adshead
Well, my last choice is from Mozart's Requiem, and it's the Lachrimosa. Again, this is a piece that I've sung, and it has a memory for me of being in New York in two thousand and two, the first anniversary of 9-11, when I went to the Juilliard School of Music along with hundreds of other people with my own score, and we came together for a spontaneous singing of Mozart's Requiem to commemorate 9-11. And this, the Lacrimosa, with its great Amen at the end, was one of the most powerful pieces of music I've ever participated in.
Presenter
The Lachrymosa from Mozart's Requiem performed by the Academy and Chorus of Saint Martin in the Fields, conducted by Sir Neville Mariner. So we come to the point, then, Gwynnette said, where I will give you the Bible and the complete works of Shakspeare.
Presenter
What's your other book going to be?
Dr Gwen Adshead
Can I have the
Dr Gwen Adshead
Biggest possible volume of collected poetry that we could find on the planet. If I'm going to have to sit and wait to be rescued, I'm going to need poetry and the consolations of poetry while I wait. So the biggest book of collected verse that we could find would be helpful. You can have that and a luxury.
Dr Gwen Adshead
Um well, I don't suppose I can take the Top Gear team with me to the island. Well they're definitely useless, but I mean I think Oh, that's very unkind. They would be entertain they would be entertaining.
Speaker 1
I think that's a good thing.
Dr Gwen Adshead
They would be very entertaining in different ways, and I think potentially useful. That's something my sons introduced me to, and um I think they would be very entertaining.
Presenter
Is there one?
Dr Gwen Adshead
In particular
Presenter
Like you have in mind?
Dr Gwen Adshead
Yeah, yeah.
Presenter
No, you can't have them anyway. I'm just interested. So what are you gonna take?
Dr Gwen Adshead
Whose fantasy is this?
Dr Gwen Adshead
Well, what I I think I would be lost without pen and paper. So I or some sort of writing device. Because I'm going to be needed to be writing. A writing device.
Presenter
I'm good.
Presenter
We'll just give you pen and paper. It's not that I don't trust you with the computer, but it seems somehow more straightforward. And one record of the eight discs, if you had to choose just one, what would it be?
Dr Gwen Adshead
Uh
Presenter
Uh
Dr Gwen Adshead
Oh, I think I
Presenter
But it James Taylor.
Presenter
Shower the people. It's yours. Gwen has said thank you very much for letting us hear your desert island discs. It's been a real privilege for me.
Presenter
You've been listening to a download from the BBC. You'll find more information on the Radio Four website bbc. co dot uk slash radio four.
Both. ... Many of our people have come from the most disastrous of lives in terms of abuse and neglect, real extremes of abuse and neglect. But also often for many of them what they've done is a trauma. ... we don't seek to excuse people. But I think it's crucial to remember that these patients are people. They once had lives. ... They were once small boys, they were once uh young men who were hopeful. and whose lives went terribly awry.
Presenter asks
The welfare of the patient and the safety of the public... can't have equal status, though, I'm imagining, do they?
Well, I think within the secure perimeter of a hospital, we know that we're working safely. We know that there's no danger to the public. So in that sense, we're not taking risks on a day to day basis. But nobody moves on from Broadmoor without the issue of the risk to the public being considered very carefully.
Presenter asks
Do you think our expectations culturally right now are at a point where we expect too much happiness?
Yes, I do. I I sometimes wonder whether we don't prepare enough. For the slings and arrows of outrageous fortune. Or rather, I think that we don't understand that pain and suffering and rage and distress are as normal a part of life. as the happiness and the joy.
Presenter asks
Do you actually talk to your patients at Broadmoor about the things that they've done?
Oh yes oh yes uh very much so. Then it's always quite a moment, I think, when one does do that. When one says, well, when you killed so-and-so, when you actually use that phrase, it's always quite a moment.
Presenter asks
Did it become harder your job when you became a mother?
Yes, I think it did. It became a bit sadder recently. ... Because I began to see all these men as the small boys that they once were. And about how they might have been with all that promise that children have.
“I sometimes think that they're like survivors of a disaster, where they were the disaster.”
“When you kill somebody, you've changed the universe.”
“Hope is a very important part of the work that I do. I always think that there's a duty to be hopeful.”