Tuning in…
Tuning in…
Desert Island Discs
Presented by Roy Plomley
British actress and stage star, appointed Dame Commander of the Order of the British Empire, known for television and film work.
Eight records
The keepsakes
The book
a large book of poems I would like, of everybody's poems, and then I could learn them and I would record them.
The luxury
I should be able to record reminiscences and thoughts and it would be company to play them back.
In conversation
Presenter asks
Does music mean a lot to you?
Yes, it does. It means a great deal to me when I'm alone. Uh for instance, uh when I'm in California where I uh live quite a lot and do a lot of television, films and so on. I'm there alone'cause my family are all in England now and uh there's a wonderful station there called K uh KFAC which has twenty four hours of music and it's the only station I ever have on and I have it in the house, I wake up with it, I have it in the car, I drive. by it. And all day long and all night they have every kind of uh music, symphonies, uh not all highbrow, but certainly never any lowbrow, very low brow.
Presenter asks
How did it all start?
Well, at school one was stage struck, as all girls were… And my friend wrote up for an appointment… I bought the song out of the play and took it to the theatre. Didn't give my own name. I said my name is Mary Hennessy… And they gave me a scene to learn out of the play… And from that, I did get my first part in the theatre, which was a play by Seymour Hicks, a children's play, which was going on tour, called Bluebell in Fairyland. And from then I started in the theatre.
The recording
Timestamps play the recording from that turn
Speaker 1
Hello, I'm Kirsty Young, and this is a download from the Desert Island Discs archive.
Speaker 1
For rights reasons, we've had to shorten the music. The programme was originally broadcast in nineteen sixty seven.
Speaker 1
This is a recording as it was being broadcast, rather than the studio recording, and for that reason you may hear some interference, and some degradation in the sound quality.
Presenter
Each week a well-known person is asked the question, if you were to be cast away alone on a desert island, which aid gramophone records would you choose to have with you?
Presenter
As usual, the castaway is introduced by Roy Plumley.
Presenter
Our castaway this week, ladies and gentlemen, is Dame Gladys Cooper.
Presenter
Dame Gladys, does music mean a lot to you?
Dame Gladys Cooper
Yes, it does. It means a great deal to me when I'm alone.
Dame Gladys Cooper
Uh for instance, uh when I'm in California where I uh live quite a lot and do a lot of television, films and so on.
Dame Gladys Cooper
I'm there alone'cause my family are all in England now and uh there's a wonderful station there called K uh KFAC which has twenty four hours of music and it's the only station I ever have on and I have it in the house, I wake up with it, I have it in the car, I drive.
Speaker 1
Uh
Dame Gladys Cooper
by it. And all day long and all night they have every kind of uh music, symphonies, uh not all highbrow, but certainly never any lowbrow, very low brow.
Presenter
How did you set about choosing these eight records for the Desert Island?
Dame Gladys Cooper
Well, I suppose I chose them
Dame Gladys Cooper
As reminders, when you hear something played, you think of something particular that's happened to you or whenever it's been played or something.
Dame Gladys Cooper
For instance
Dame Gladys Cooper
Uh I'd been away from England.
Dame Gladys Cooper
For many springs, three or four springs, I've been back in England, and I came back.
Dame Gladys Cooper
One time flew all night from California and I arrived in England in the very early uh morning. It was the most beautiful May morning and nothing is like an early spring in E in England, I don't think. And um I drove from the airport and I drove to Henley on Thames and about a couple of hours later I was um
Dame Gladys Cooper
sitting on the lawn having breakfast about eight o'clock in the morning.
Dame Gladys Cooper
And I heard a cuckoo for the first time for quite a long time.
Dame Gladys Cooper
And of course I thought immediately of Delius on hearing the first cooker in spring.
Presenter
That's your first reminder.
Dame Gladys Cooper
That's my first reminder.
Presenter
Yes.
Presenter
Sir Thomas Beacham conducting an excerpt from Delius's On Hearing the First Cuckoo in Spring.
Presenter
What's your second choice?
Dame Gladys Cooper
The song
Dame Gladys Cooper
From a charming film that I saw many years ago. It was a Quaker picture. Gary Cooper was in it.
Dame Gladys Cooper
And the language is so charming.
Dame Gladys Cooper
So I would like a song out of it, sung by Pat Boone.
Speaker 4
He lazies me in a hundred ways.
Presenter
At own friendly persuasion from the film.
Presenter
Dame Claredis, are you a Londoner by birth?
Presenter
Yes, I am.
Presenter
Was the theatre a very early ambition with you? No, I don't think so. How did it all start?
Dame Gladys Cooper
Well, w at school one was stage truck, as all girls were were and are are still, I suppose. And my great friend and I collected picture postcards, albums full of, you know, Gertie Miller and the Hickses, Seymour Hicks and his wife Ellen Terrace. And
Dame Gladys Cooper
We read in the paper there was being an audition at the Vaudeville Theatre. There was a musical play on there.
Dame Gladys Cooper
And my friend
Dame Gladys Cooper
wrote up for um an appointment. Uh Uh
Speaker 4
Uh
Dame Gladys Cooper
which he had no intention, I don't think, keeping, wouldn't have been allowed to. But I happened to be in London with my mother shopping and remembered about her writing up, so I bought the song.
Dame Gladys Cooper
out of the clay and took it to the theatre. Didn't give my own name. I said my name is Mary Hennessy. I have an appointment and I sang the song to them.
Dame Gladys Cooper
And they gave me a scene to learn out of the play, which I took home and learnt and went up. And of course, I didn't get it, because I'd never, you know, it was ridiculous, it'd be absurd. I don't know why they wasted their time doing it. But from that, I did get my first part in the theatre, which was a play by Seymour Hicks, a children's play, which was going on tour, called Bluebell in Fairyland. And from then I started in the theatre.
Presenter
Yes, and then you went to the gaiety.
Dame Gladys Cooper
And then I went to the Gator.
Presenter
Well, these were the legendary days of of George Edwards, the days of our Miss Gibbs and the Dollar Princess and so on. Did you ever see anybody drinking champagne from the slipper or any of the other fabulous goings-on we hear about?
Dame Gladys Cooper
Nothing at all. It was like being at school at being at the Gaiety Theatre. There were six of us and we were all young with our hair down and we were taught everything, fencing, elocution, singing lessons, all for free and being paid about four pounds a week was marvellous.
Presenter
You were renowned as the most beautiful girl on the British stage and picture postcard photographs of you sold by hundreds of thousands. Did you find this was a hindrance to your career or did it help it?
Dame Gladys Cooper
No, it was a hindrance really, because one was rather resented by being well known from photographs and postcards and uh and so on. And not as an actress. I and I wanted to be and I worked very hard.
Dame Gladys Cooper
Clarence
Dame Gladys Cooper
to be a good actress, to learn my job, but as I say, it was rather resented for some time by the critics because they wouldn't accept one as an actress. And after I'd done quite a lot of parts and successful plays, I was asked what was the best notice I'd ever had to date. And they said Gladyskoo was surprised as.
Presenter
You did indeed leave new school comedy to play in some very distinguished plays by Shaw and Goldsworthy and Arnold Bennett and Lonsdale.
Presenter
And quite early in your career, you went into management yourself.
Dame Gladys Cooper
Yes, I did. I was in management for quite a long time, both in partnership with Frank Curzon, then later by myself.
Presenter
Yes.
Dame Gladys Cooper
And that was a very happy time in the theatre.
Presenter
What were your greatest successes as a as a manager? You did several more than players, didn't you?
Dame Gladys Cooper
Yes, I did. I had an option on five of Maune's plays and I started with The Letter, which was most successful. I did The Sacred Flame, The Painted Veil,
Dame Gladys Cooper
Home and Beauty. I had five or six of his plays, yes.
Presenter
You were at the Playhouse Theatre during your period of management, most of the time? Yes, I was.
Presenter
Well, let's break off here for your third record. What next?
Dame Gladys Cooper
I would like
Dame Gladys Cooper
Philandia by Sebalius, or a bit of it.
Dame Gladys Cooper
I don't have to give you only reason, do I? It's only that I think it's grand and uh
Presenter
No.
Speaker 4
He's only the night.
Speaker 1
Uh
Dame Gladys Cooper
Dramatic.
Dame Gladys Cooper
And I would like it.
Presenter
An excerpt from Finlandia, the Vienna Philharmonic Orchestra conducted by Sir Malcolm Sargent.
Presenter
We were talking about your period in management, Dame Gladys. In the middle of it all, you took time out to play Peter Pan, didn't you?
Dame Gladys Cooper
Uh
Presenter
And then there was a spell during which you played quite a lot of Shakespeare.
Dame Gladys Cooper
It's not as much as I should have liked, but of course I did have a season in the park here. What did you play?
Dame Gladys Cooper
I played Ross Linds, Aubron.
Presenter
Opron's rather a novelty.
Dame Gladys Cooper
I know. It is for Woman Play. I enjoy that as much as anything.
Presenter
And a New York?
Dame Gladys Cooper
In New York I'd play Lady Macbeth and Desdemona and we did them alternate weeks, uh Ocelo one week and Lady Macbeth.
Presenter
Perfect.
Dame Gladys Cooper
I wasn't a very good lady Mank this. I'd like to have played it again.
Presenter
Then for a number of years you concentrated on films.
Presenter
You had made your first film very early on in your career.
Dame Gladys Cooper
Yeah.
Presenter
Yes.
Dame Gladys Cooper
Oh yeah, silent days, yes.
Presenter
Mm-hmm. Well, the very famous one you met was Bonnie Prince Charlie. with Ivanovello.
Dame Gladys Cooper
And the Bohemian girl with Ivanovello.
Presenter
But coming back to the Hollywood days, the Hollywood epics, which ones do you remember from Hollywood?
Dame Gladys Cooper
I did a lot of them. I never saw them when I did them because I always knew the scene I liked best was going to be left on the cutting floor. But I saw them many years later on television because they show them all on television. In fact, I was looking at one the other night here. But I enjoyed them very much. I was under contract to a Metro-Goldwyn-Mayor for seven years.
Speaker 1
Yeah.
Speaker 1
Yeah.
Dame Gladys Cooper
and did very little. It was very bad for one so-called career because I was always idling because I used to turn down the scripts they sent me and they never seemed to mind. But I took up gardening.
Presenter
And in recent years it's it's been back to the theatre in London and New York.
Presenter
In plays by Peter Ustanoff and Nero Card, and you're currently in a comedy by Hugh and Margaret Williams.
Dame Gladys Cooper
Yes, which I'm enjoying very much indeed. We all are, I think, including the audience, which is nice.
Presenter
And of course you've been making films as well recently.
Dame Gladys Cooper
Yes, the last one I did was last year, I had a few months off and I did a new Disney film which hasn't come out yet called Happiest Millionaire where I sang my first song.
Presenter
Probably
Dame Gladys Cooper
I had a duet with Geraldine Page.
Dame Gladys Cooper
I was very proud of him. In fact, the other day I got, I think it was a forty-five dollars for a record, the first time I've ever been paid for a singing record.
Presenter
You're a recording star now.
Dame Gladys Cooper
Recording star night.
Presenter
You'll be in the top ten yet.
Presenter
Let's have your next record.
Dame Gladys Cooper
My next record is a reminder of a very happy six months I spent doing the film of My Fair Lady. So I would like very much to have Rex Harrison singing.
Dame Gladys Cooper
I've been accustomed to her face.
Speaker 4
I've grown accustomed to her face.
Speaker 4
She almost makes the day begin.
Speaker 4
I've grown accustomed to the tune.
Speaker 4
She whistles night and noon.
Speaker 4
Her smile, her frown.
Speaker 4
Now up
Speaker 4
Her downs are second nature to me now.
Speaker 4
Like breathing out and breathing in.
Presenter
Rex Harrison in My Fair Lady.
Presenter
Dame Gladys, you're in a comedy now in the West End which is very successful, but it's an old-fashioned comedy in the sense that it's a well-made play in an upper-class setting with star names and pretty dresses. In other words, it's glamour theatre. What do you think of the modern trend towards non-glamour theatre?
Dame Gladys Cooper
Well, I personally don't go because I go to the theatre to be
Dame Gladys Cooper
entertained.
Dame Gladys Cooper
Um
Dame Gladys Cooper
I like to uh laugh.
Speaker 1
No
Dame Gladys Cooper
I like to be made happy. I don't mind being reduced to tears.
Dame Gladys Cooper
But I
Dame Gladys Cooper
don't want to be shocked and I don't
Dame Gladys Cooper
not particularly interested in sordid things, uh I don't think really.
Presenter
You don't think the theatre should have a message?
Dame Gladys Cooper
Well, it's the right kind of message, I suppose, but I I I d no. I don't really think the theatre should have a message. I think the theatre should be an entertainment for people to go and enjoy and to to as I said, not get away from everyday lives, because a lot of people have happy lives, but I don't think we should go to the theatre.
Dame Gladys Cooper
Mainly.
Dame Gladys Cooper
To be in all this thing of messages. And a lot of them are not the right sort of messages. Anyway, I certainly don't want messages like that. I'd rather rather not know anything about them.
Presenter
You've been doing a lot of television.
Dame Gladys Cooper
Yes, I have, which I enjoy very much, and I find it very good for one too. It keeps one's brain ticking over. Because it has to be quick, you have to learn your lines quickly, and it you have to be on your toes. And I I find uh at my time of life it's it's it's it's very good.
Presenter
Yeah.
Dame Gladys Cooper
Useful.
Presenter
Now, you've had a a long career. Have you ever seriously considered retirement?
Dame Gladys Cooper
No, I haven't really. I don't don't think so. I I couldn't afford it anyhow, so I haven't really thought about it.
Presenter
Never had time.
Dame Gladys Cooper
No, I don't I would like I'm very fond of gardening and I think sometimes that I like to spend my time gardening, not particularly here because I mean w it pours it rain every other day and you can't do any gardening, so I don't know what I should do those days.
Presenter
What would you like to happen next when you finished at the Phoenix Theatre?
Dame Gladys Cooper
Oh, I don't know. Perhaps I'd like to go back to television or another play.
Dame Gladys Cooper
Or short holiday. I d I don't know. I don't know. I don't know. I've often thought of something that I would like very much.
Presenter
Yeah.
Presenter
Right.
Dame Gladys Cooper
I would love to have a beautiful piece of music.
Dame Gladys Cooper
dedicated to me, composed for me. I was listening the other day to the Three Elizabeths, the Three Elizabeths I Eric Coates, the one to the Queen Mother.
Dame Gladys Cooper
Uh Elizabeth of Glant. And I thought, How wonderful if
Speaker 1
Uh
Dame Gladys Cooper
One could be remembered and he would say, Who who?
Dame Gladys Cooper
Who was Gladys Good? Oh, I don't know, but she must have been something. Listen to that piece of music, isn't it beautiful? That's what I would like more than anything. Could we have it?
Presenter
Elizabeth Glass.
Dame Gladys Cooper
Discrete plants. Not dedicated to me, I do know that. But I mean there it is.
Presenter
Eric Coates conducting Elizabeth of Glums from his own suite, The Three Elizabeths. What next?
Dame Gladys Cooper
I would like just to hear that glorious voice of the flag starts again. I would like.
Dame Gladys Cooper
part or some of the Wagner Tristan and Jesulde.
Presenter
Which part?
Dame Gladys Cooper
The duet. The v oh, I think the end of it.
Presenter
And who shall partner her?
Dame Gladys Cooper
Uh milkure.
Presenter
The closing passage of the love duet from Tristan and Isolde, Flagstadt and Melchior.
Presenter
Dame Gladys, how well could you adjust yourself to loneliness?
Presenter
on this desert island.
Dame Gladys Cooper
Quite well.
Dame Gladys Cooper
So long as I knew that it was only going to be for a certain period of time, or just a period of time.
Presenter
Yes. Are you an optimist?
Dame Gladys Cooper
Yes, I am. So that I should
Dame Gladys Cooper
be practically certain that I was going to be rescued.
Presenter
Would you be able to look after yourself? Are you a practical person?
Dame Gladys Cooper
Yes, I think I am. I should like, of course, the island to be a tropical island which has its fruits and so on. I can fish.
Presenter
Would you try to escape if a raft was washed up or something like that? Would you try to get away?
Dame Gladys Cooper
Well, it would depend how long I'd been there.
Dame Gladys Cooper
If I'd been there for some time and I was getting rather uh not quite so optimistic about being rescued,
Dame Gladys Cooper
I'd take a chance, yes. I'd take a chance, hoping that round the bend
Dame Gladys Cooper
There'd be something to rescue in the way of a larger boat or something. Yes, I think so.
Presenter
Let's have your next record.
Dame Gladys Cooper
Uh I would like
Dame Gladys Cooper
Beethoven Spiff.
Dame Gladys Cooper
Or part of it, the opening of it. What?
Dame Gladys Cooper
To remind one
Dame Gladys Cooper
of the greatest man.
Dame Gladys Cooper
About age.
Dame Gladys Cooper
Winston Churchill.
Presenter
The opening of Beethoven's Kirk
Presenter
Herbert von Karian conducting the Berlin Philharmonic Orchestra.
Presenter
What's your last record?
Dame Gladys Cooper
Um, my last record
Dame Gladys Cooper
Is what I wake up by in the morning when I'm in California. I get up at six o'clock in the morning.
Dame Gladys Cooper
And I walk out on my veranda and I look down on a beautiful golf course. It's a sunny morning as it always is there. It's very still and it's quite lovely.
Dame Gladys Cooper
And
Dame Gladys Cooper
I'm listening to the Lord's Prayer.
Dame Gladys Cooper
On the radio.
Dame Gladys Cooper
And I wake up by that at six o'clock in the morning.
Presenter
The Lord's Prayer.
Presenter
by the Roger Wagner Corral. If you would take just one of the eight records you played to us, which would it be?
Dame Gladys Cooper
Oh, it would have to be the delius on hearing the first cuckoo in spring.
Presenter
And one luxury to take to the island with you?
Dame Gladys Cooper
Well now could I take a tape recorder if it had its own batteries?
Presenter
Well, we'll try and get one with solar batteries. I think it's a good idea.
Dame Gladys Cooper
Because that would be really most useful to me because I should be able to
Presenter
Don't know if they're on the market.
Dame Gladys Cooper
Do a lot of things with a tape recorder, which I should do now here, and I never do because I never have time. Well, I've done a couple of books and
Speaker 1
Don't
Presenter
Uh
Speaker 1
Right.
Dame Gladys Cooper
So many times I think of something, and if I'd only had a tape recorder, you know, people remind me of things or I think of things or I read of something which reminds me, it would be so useful. But I'd have a lot of time for thinking, so I should be able to record reminiscences and thoughts and so on. And it would be company to play them back, too, even my own voice, wouldn't it?
Presenter
And one book, apart from the Bible and Shakespeare.
Dame Gladys Cooper
Oh, a large book of poems I would like, of everybody's poems, and then I could learn them and I would um uh record them, so I should come home with a great big recording of all sorts of things, which I hope I'll make a great deal of money off when I come back.
Presenter
And thank you, Dame Gladys Cooper, for letting us hear your desert island discs.
Dame Gladys Cooper
Well, it's been a great pleasure to me and I hope
Dame Gladys Cooper
Everyone will enjoy them. Goodbye, everyone.
Speaker 1
You've been listening to a download from the Desert Island Discs archive.
Speaker 1
For more downloads, please visit the Radio4 website.
Presenter asks
Did you find this was a hindrance to your career or did it help it?
No, it was a hindrance really, because one was rather resented by being well known from photographs and postcards and uh and so on. And not as an actress. I and I wanted to be and I worked very hard. to be a good actress, to learn my job, but as I say, it was rather resented for some time by the critics because they wouldn't accept one as an actress. And after I'd done quite a lot of parts and successful plays, I was asked what was the best notice I'd ever had to date. And they said Gladyskoo was surprised as.
Presenter asks
What do you think of the modern trend towards non-glamour theatre?
Well, I personally don't go because I go to the theatre to be entertained. … I don't want to be shocked and I don't not particularly interested in sordid things… I don't really think the theatre should have a message. I think the theatre should be an entertainment for people to go and enjoy… I'd rather rather not know anything about them.
Presenter asks
Have you ever seriously considered retirement?
No, I haven't really. I don't think so. I couldn't afford it anyhow, so I haven't really thought about it.
Presenter asks
How well could you adjust yourself to loneliness on this desert island?
Quite well. So long as I knew that it was only going to be for a certain period of time, or just a period of time.
“I don't want to be shocked and I don't not particularly interested in sordid things, uh I don't think really.”
“I don't really think the theatre should have a message. I think the theatre should be an entertainment for people to go and enjoy.”
“I would love to have a beautiful piece of music dedicated to me, composed for me.”
“It would have to be the delius on hearing the first cuckoo in spring.”