Tuning in…
Tuning in…
Desert Island Discs
Presented by Sue Lawley
A theologian and priest who became the 104th Archbishop of Canterbury, known for his books and thoughtful views, conservative on doctrine but liberal on social
Eight records
Five Variants of Dives and Lazarus
Academy of St Martin in the Fields, conducted by Sir Neville Marriner
The hymn tune I've always loved very greatly is called Kingsfold in the hymn books, and one of the hymns that's been written to fit that tune I'm hoping to have at my installation in Canterbury in February.
Five thousand voices at the Royal Albert Hall, conducted by Terry James
I grew up in an environment where we still sang hymns quite a lot. Even rather irreligious teenagers would still sing hymns at parties. My wife finds this incredible. But that at parties when we'd done our Simon and Garfunkel and Bob Dylan, we sang Welsh hymns. Not because we were pious, but because that's what we knew and what we enjoyed singing.
This particular song is one whose words I found even then very, very haunting. The chorus. You know all the words and you've sung all the notes, but you never quite learned the song. That seemed to me to be a very powerful summing up of the problems that people have with relationships with life in general.
Vespro della Beata Vergine: Ave maris stella
Paul Esswood, Louis Halsey Singers and the London Bach Orchestra, conducted by Louis Halsey
The basic tune is a an ancient bit of plain song, very simple. And what Mottevedi does with it is to change the rhythm a little bit, so the very simple theme underlying it is played with, so that it says different things, evokes different feelings, works in different ways. That seems to me not a bad analogy for how we treat the whole basic structure of Christian belief.
Cello Suite No. 1 in G major, BWV 1007: I. PréludeFavourite
The kind of music that speaks most deeply to me often is music that has a very contemplative quality. The music of Bach in particular has had a a unique importance, I suppose, there. To put some of your ideas on hold, to listen to this, to go with it. That for me is a meditative moment and something that I need very very urgently in a a pressured life.
Die Zauberflöte: Quintet (Act I)
The Magic Flute is a very strange opera. It's all about power and violence, and what overcomes power and violence, and at the same time it just produces music that has such utter serenity that at the end of it you've seen a story about how imagination and loyalty love and hope simply lead people through fire and water.
Christmas Oratorio, BWV 248: Herr, dein Mitleid, dein Erbarmen
Pach's Christmas Oratorio is an overwhelming celebration of the gift of God in Jesus Christ, the essential. Christmas Message.
Isaiah's Prophecy (Russian Orthodox Christmas Eve Service)
I did my doctoral research at Oxford on Russian Christianity, having for a long time had a fascination with Russian culture, Russian music, and then with the Russian Church. So I've chosen as this last record some Russian music from the Copplin service for Christmas Eve.
The keepsakes
The book
W. H. Auden
I'd really rather like to take a book of quite tough poetry that would make me think as well as feel, something like the collected works of WH Orden. Disciplined, quite complex. But full of nourishment.
The luxury
I was tempted to think about a regular supply of chocolate ginger, but... I think I'd rather miss a piano. I wouldn't mind having a piano with me.
In conversation
Presenter asks
Is there a hint of reluctance in your remark that you must do this job with as much conviction and joy as you can?
I think it's very difficult when you're faced with any big job to see it. Entirely positively, because you know your own inadequacies, you know we are likely to fail. And if you've got any sense at all, you know that failing hurts. So, yes, looking at the size of the job and knowing about the failure that's inevitable. It's difficult.
Presenter asks
How close did you get to becoming a monk, and how old were you at the time?
This is really in my early twenties. I spent quite a bit of time in vacations from university, staying in monastic houses and saying my prayers and seeing what it felt like. And then of course my first actual job was in a college run by a monastic community in Yorkshire, at Murfield. And so for two years I followed basically the rule of life of that community. ... And once again, it was, I think, a sense of what was being asked, what was being asked of me at that time was to carry on with teaching.
The recording
Timestamps play the recording from that turn
Speaker 4
Hello, I'm Kirsty Young, and this is a podcast from the Desert Island Discs archive. For rights reasons we've had to shorten the music. The programme was originally broadcast in two thousand and two, and the presenter was Sue Lawley.
Presenter
My castaway this Christmas is a priest. Born in Swansea, he went from grammar school to Cambridge. He toyed with the idea of becoming a monk, but took up academic life instead. By the age of thirty six he was the youngest professor at Oxford. Six years later he'd chucked it all in to become Bishop of Monmouth a backwater, some said. But this clever theologian was unlikely to stay out of the limelight for long. His many books and his thoughtful views, conservative on many doctrinal matters, but liberal on social issues, marked him out as a leader in his Church. And so it came to pass. He became the Archbishop of Wales, and then this month, the one hundred and fourth Archbishop of Canterbury.
Presenter
It's something I've been asked to do, he says, and I must do it with as much conviction and as much joy as I can. He is Rowan Williams. Is there a hint in that remark, Archbishop, of reluctance, do I detect?
Presenter
A man doing his duty.
Rowan Williams
I think it's very difficult when you're faced with any big job to see it.
Rowan Williams
Entirely positively, because you know your own inadequacies, you know we are likely to fail.
Rowan Williams
And if you've got any sense at all, you know that failing hurts. So, yes, looking at the size of the job and knowing about the failure that's inevitable. It's difficult.
Presenter
And you've you've had time to to to anticipate it, and indeed I mean it's such a leaky system, this appointment of the art. We seem to have known really most of the year that you were going to be it. Did you sort of know too?
Rowan Williams
Did you s ⁇?
Rowan Williams
Lots of people clearly knew a great deal more than we did at home about it. But as I say, at the end of the day, it's something I've been asked to do. If you've been asked to do it, then as a Christian you believe that God gives you the resources to do it.
Rowan Williams
At least without failing totally, you hope?
Rowan Williams
And so yes.
Presenter
Although you have called it undoable, you have said it's a bit of a nightmare.
Rowan Williams
Huge variety of things to do and pressures. Expectations are enormous. And I think as the job has developed in the last twenty or thirty years, the international profile has been
Rowan Williams
Probably bigger than it was at some points in the past.
Speaker 4
Yeah.
Presenter
Two.
Rowan Williams
And so, simply in physical terms, there's an awful lot to stretch you in all directions.
Presenter
And also a quite different job from anything you've done before in in the sense that you are centre stage and you you have to become political with a sort of medium P, don't you?
Rowan Williams
Yeah.
Presenter
Yes, you have to
Rowan Williams
Understand what it is for all that you say to be picked over in a new way, and to to try and
Rowan Williams
Retain some level of spontaneity and honesty in the middle of that.
Presenter
But dealing with government, I mean, talking to Prime Ministers. Speaking in the House of Lords, will you do that?
Rowan Williams
And it's government.
Rowan Williams
I shall do that, yes, and I'm in a way r rather looking forward to that, because I think that
Rowan Williams
There is a vigorous debate that goes on in places like the Lord's, and this country is not at the moment, I think, short of a forum for debate on substantial and basic issues. So I'm very happy to take part in that.
Presenter
Somebody
Presenter
But there have been sessions of the House of Lords in the past where none of the twenty six Lords Spiritual have even been there. I think you're intending to change that a bit, aren't you?
Rowan Williams
I'd simply like to see what can be of use in that system and how we best use it.
Presenter
But if you've got views, and I know you have and I want to talk to you about them later, o on whether we should go to war against Iraq, you will go to the House of Lords and stand up and say what you think.
Rowan Williams
I'll want to take part as best I can in that sort of discussion, yes.
Presenter
There is a story, though, isn't there, of a of a of a Pope who was similarly worried, as you obviously quite rightly suggest you are, about some great issue. Um who um well, you tell me the story.
Rowan Williams
Bye.
Rowan Williams
Pope John the Twenty Third, when he became Pope and was trying to deal with some very complicated matter, went to bed eventually and thought he'd sleep on it. Woke up in the middle of the night and saying, It's too difficult, I'd have to ask the Pope.
Rowan Williams
Went back to sleep, woke up again ten minutes later and said, Just a minute, I am the Pope.
Rowan Williams
Something of that feeding, yes. That's right.
Presenter
Absolutely. But the call came and it was I mean is that how you see it? It was it was its vocation. The call came and you couldn't.
Rowan Williams
Cool, and yes, you respond with, as I said, as much joy and as much enthusiasm as you can.
Rowan Williams
I look forward to it.
Presenter
Tell me about your first record,'cause we're going to send you away to a desert island, which, you know, might be just about what you might need right now.
Rowan Williams
Ask me in a few months' time. Uh
Rowan Williams
The first record is a sort of orchestral fantasia by Vaughan Williams, on the basis of a very ancient folk tune, which is also used as a hymn tune. And the hymn tune I've always loved very greatly is called Kingsfold in the hymn books, and one of the hymns that's been written to fit that tune I'm hoping to have at my installation in Canterbury in February.
Presenter
Part of the first of Vaughan Williams' five variants on Dives and Lazarus, played by the Academy of St. Martin in the fields, conducted by Neville Mariner, and um a version of that tune you're having played, um, you say, Archbishop, at your um
Presenter
Ceremonial investiture, as it were, in February, but you are already it. You earlier this month, you became the 104th.
Rowan Williams
That's right, yes, the uh legal formalities were completed at the beginning of this month.
Presenter
That was in St Paul's, and it was the legal ceremony, as you say, but it was there was quite a lot of ceremonial and flummery, as it were, the kind of stuff we're led to believe you don't.
Rowan Williams
Um
Presenter
approve of, you know, hats and hierarchy in the Anglican Church.
Rowan Williams
I love ceremonial when it's well done. Good ceremonial in church is ceremonial that makes you think about God, and bad ceremonial in church is ceremonial that makes you think about bishops.
Presenter
So what do you want to do away with, the sort of the buttons and the hats?
Presenter
I'm not
Rowan Williams
Not campaigning to do uh away with anything in particular. I think it's a style that I'm concerned about.
Rowan Williams
One of the things that's always appealed to me about
Rowan Williams
The Eastern Orthodox Church is there's plenty of ceremonial, but very little fuss. People seem to be at home with what they're doing, and to feel that it's it's right to be festive, and yes, perhaps to put on fancy clothes and do strange things for festivity's sake, but not a sense of anxiety with it.
Presenter
An anxiety as to who is better than whom, who is higher than whom. It's that kind of thing.
Rowan Williams
Nice to have.
Rowan Williams
Who stands where in the procession, that kind of thing. And anything in worship that brings out that.
Rowan Williams
Competitive and anxious streak, I think, is working against the basic purpose of worship.
Presenter
This of course follows from a man who, as I said in the introduction, did once consider very seriously becoming a monk. How how close did you get to it, and how old were you at the time?
Rowan Williams
This is really in my early twenties.
Rowan Williams
I spent quite a bit of time in vacations from university, staying in monastic houses and saying my prayers and seeing what it felt like. And then of course my first actual job was in a college run by a monastic community in Yorkshire, at Murfield.
Rowan Williams
And so for two years I followed basically the rule of life of that community.
Presenter
So you went on retreat.
Rowan Williams
The regular round of services during the day.
Rowan Williams
And so I I felt by the end of that I kn I knew a bit of what it felt like.
Presenter
And we've decided it didn't appeal.
Rowan Williams
And once again, it was, I think, a sense of what was being asked, what was being asked of me at that time was to carry on with teaching.
Presenter
Apparently a lot of women were relieved when you made this decision, I hear.
Rowan Williams
You hear, do you?
Rowan Williams
I couldn't possibly comment, I'm sure. But there was, of course, one in particular that I met later on who I'm sure, I hope, is still relieved I didn't make that decision. That's my wife.
Presenter
I'm sure.
Presenter
Record number two.
Rowan Williams
Record number two is the hymn Kalon Lan, a pure heart or an honest heart.
Rowan Williams
I grew up in an environment where we still sang hymns quite a lot. Even rather irreligious teenagers would still sing hymns at parties. My wife finds this incredible. But that at parties when we'd done our Simon and Garfunkel and Bob Dylan, we sang Welsh hymns. Not because we were pious, but because that's what we knew and what we enjoyed singing.
Presenter
Hallan Lahn, a pure or a guileless heart, sung by five thousand voices at the Royal Albert Hall, conducted by Terry James, and that was recorded in 1972. So, Archbishop, you were an only son from Swansea, as you say. Give me a picture of your childhood, if you will. What what kind of what did your parents do for a living? What kind of home were you brought up in?
Rowan Williams
My father was an engineer, working for what was then the Ministry of Works, and then became the Department of the Environment, and he used to design heating and lighting systems for public buildings. He actually designed flood lighting for some of the castles in South Wales.
Rowan Williams
And so
Rowan Williams
It was, I suppose.
Rowan Williams
A family not uncommon in South Wales at that time, the first generation away from the mines, because my father came from a mining family.
Rowan Williams
My mother more from a a farming family.
Presenter
And your mother stayed at home because not least because you were quite a sickly boy, I gather.
Rowan Williams
I was rather, yes, yes, having meningitis when I was very small.
Presenter
So you stayed in bed and read your books?
Rowan Williams
I stayed in bed and read my books.
Presenter
But you're a bookish chap anyway.
Rowan Williams
Difficult to say, isn't it, whether I'd have been bookish without those times of enforced solitude, but I think they did matter in my development.
Presenter
But I think
Presenter
What did you read?
Rowan Williams
I read lots of history.
Rowan Williams
And lots of folklore and mythology, and I suppose a fair bit of poetry as well.
Presenter
And you went on at school to
Presenter
Truly enjoy Latin. People always need to have this explained.
Rowan Williams
Yes, I suppose at some point I rather fell in love with the idea of other languages, and Latin, the sound of it, and the
Rowan Williams
the discipline and the structure of it really excited me.
Presenter
And drama, you like.
Rowan Williams
And drama, yes.
Rowan Williams
I was lucky being at a school where drama was taken very seriously.
Presenter
So what did you play? What kind of roles did you get given?
Rowan Williams
Oh dear, typecasting from day one, really. I used to get authoritative sorts of roles. I ended up playing parts like the stage manager in Thornton Wild as Our Town, who's the kind of um god figure who hangs around the edges. Don't laugh
Presenter
And you played Death squad.
Rowan Williams
I played Death, yes, in Everyman, the Miracle Play, complete with a skull mask and a great big black hood.
Presenter
So you you had the voice. The voice we hear now is is is
Rowan Williams
Well, I imagine not when I was ten, but I suppose something of it came across.
Presenter
What?
Presenter
I'm singing.
Presenter
Of course what's fascinating is the accent. Where's the Swansea accent?
Presenter
Was it ever there?
Rowan Williams
I don't know. I was never conscious of having and losing.
Rowan Williams
And I know that when I go back to the sort of area where I grew up, some of it comes back, and that when I speak Welsh I sound like a Swansea Valley person.
Presenter
Interesting, isn't it? But there we are, we can see it all, that the important elements. Feeding into this job that you have now arrived at because there was the love of history, there was the love of, well, a kind of sense of theatre really was there.
Rowan Williams
A bit of a sense of theatre, and, I suppose, a love of what Arkanola calls story and language. I think that's a very important part of religious faith and religious practice a sense of enormous excitement about the mysteries that language can uncover for you.
Presenter
Well now, how does that all lead into this third record? You've got to explain this one.
Rowan Williams
Well, yes, I was never terribly keen on popular music as a teenager, but the record you're going to hear is one that was given to me as a 21st birthday present, and it's one of the Incredible String Bands records. And this particular song is one whose words I found even then very, very haunting. The chorus. You know all the words and you've sung all the notes, but you never quite learned the song. That seemed to me to be a very powerful summing up of the problems that people have with relationships with life in general.
Speaker 3
But just when everything is going fine and absolutely nothing is wrong.
Speaker 3
This funny little hedgehog is always around every time he wants to sing me this song.
Speaker 3
Oh, you know all the words, and yes, some all the nose, but you never quite learned the songs she sung.
Speaker 3
I can tell by the sadness in your eyes that you never quite learned a song.
Presenter
The Incredible String Band and the Hedgehog Song. You might have some explaining to do after that.
Presenter
So there was no history of service uh in the clergy in your family at all. Uh where did it come from in you, do you feel? Did you have a mentor? What what inspired you?
Rowan Williams
I think it had a great deal to do with having inspirational figures around um the local vicar Canon Eddie Hughes, who was, I suppose, the greatest single inspiration for me and my my calling.
Rowan Williams
He was somebody who had a
Rowan Williams
A very lively imagination and intelligence was interested in everything, in everybody.
Rowan Williams
Read widely.
Rowan Williams
Encouraged me to read widely when I was a teenager.
Rowan Williams
and always took absolutely seriously the questions that you asked. So you never felt stupid, and you never felt, oh, you shouldn't ask that.
Rowan Williams
Because he had a a hospitable mind and soul.
Presenter
So these are obviously, one can tell from the way that you say it, lessons that you've borne very much in mind ever since, and lessons presumably you seek to apply all of the time.
Rowan Williams
Yes, I think they've always been the kind of benchmark for me.
Presenter
But how do you put it to use? Because obviously with you he was pushing at an open door, but you have the Church of England has, does it not, a diminishing clergy, I think in a vast percentage drop over the past ten years of the numbers of priests that you have. How do you encourage them in? How can you make a difference?
Rowan Williams
Well, clergy numbers, of course, have been up and down a bit, and they've actually increased here and there in recent years, so it's not it's not all bad news. I think the willingness to be there at the end of people's questions, at the receiving end of hard questions
Presenter
If they will come to you with their questions.
Rowan Williams
But that that means also you've got to go out and invite those questions. And I've given very high priority in the last ten years as a bishop in South East Wales.
Rowan Williams
To going around local schools.
Presenter
But you can't do that as Archbishop of Canterbury. There's so much else you have to do. How are you going to do it?
Rowan Williams
Bonding.
Rowan Williams
How are you going to do that?
Rowan Williams
What I've seen again in the local church in South Wales is that planting new congregations does attract people if they feel they don't have to go through a huge kind of cultural conversion to get in.
Presenter
What does that mean?
Rowan Williams
If you've got a place where people sense that they're welcome, that they don't immediately have to learn a a totally strange language and do totally strange things, it's surprising how many people need that, respond to that.
Presenter
I still don't quite see how you're going to approach it in a different way from the way in which it's been approached before. What are you going to do to make a real difference?
Rowan Williams
More, I hope, of what I've been trying to do as a bishop in the last ten years, which is to encourage these new enterprises which say don't let's unravel the parish system by any means, but see what can happen alongside it. Go and open the community centre in the council estate and see who comes. Make yourself known and trusted in an area like that. For the first time in many years, recently, we saw in Wales a bit of an upturn in attendance because of these new congregations coming coming online.
Presenter
Record number
Rowan Williams
Four.
Presenter
Yeah.
Rowan Williams
One of the bits of music that I was deeply moved by when I first heard it, and still love to go back to, is Monteverdi's Vespers.
Rowan Williams
The basic tune is a an ancient bit of plain song, very simple.
Rowan Williams
And what Mottevedi does with it is to change the rhythm a little bit, so the very simple theme underlying it is played with, so that it says different things, evokes different feelings, works in different ways. That seems to me not a bad analogy for how we treat the whole basic structure of Christian belief.
Presenter
Hail Bright Star of Heaven, Arve Maristella from Montevede's Vespers, sung by Paul Eswood and the Louis Halsey singers with the London Bach Orchestra, conducted by Louis Halsey. You married Rowan Williams in your early thirties to Jane, also a theologian, and essentially went into academic life both in Oxford and Cambridge, ending up as Professor of Divinity at Oxford, aged thirty-six.
Rowan Williams
Day.
Rowan Williams
It was enormously enjoyable. But from ooh, 1980, I think, onwards, I'd also been working in a parish in Cambridge, in one of the council estates, and that's where we lived, that's where we started our married life. And that was another kind of enjoyment, another kind of stimulus. So I was sort of moonlighting, really, for a few years between this parish and the city.
Presenter
So you were seeing what it was like outside the academic arena, as it were.
Rowan Williams
It seemed to me essential to to see what what what was involved in trying to talk about Christianity in a not so comfortable environment.
Presenter
To real people, you might say.
Rowan Williams
I think there are real people in academies too, but certainly to see a quite different social world.
Presenter
Yeah.
Presenter
But nevertheless, generally speaking, life was very comfortable, and then when you were forty two you were offered the job as Bishop of Monmouth, and uh you took it.
Rowan Williams
I think I'd sensed, ever since being a curate in the estate when I was also a lecturer, that I hadn't been ordained a priest just to write books or to supervise research students.
Presenter
So there was this feeling that there was a job to be done and you could make a a strong contribution to it, and you had to do that.
Rowan Williams
Yes, I think the challenge was, how do I take the theology I've been talking about and writing about and make it make sense to people in Clanverhangel Gobian and Abatileri?
Presenter
So that's what you went to do and yours became, if we're following you through chronologically here, yours became a name to come to with. And certainly there was a point in I think round about ninety seven, wasn't there, when you were considered, it seems, as the Bishop of Southwark. And George Carey, then Archbishop, your predecessor, asked you, I think I'm right in saying, to distance yourself from what you'd written and said about homosexuality, about gay clergy. And you declined.
Rowan Williams
A great deal of what I think of as urban myth has grown around this this period, and really I'm I'm slightly baffled as to where some of this has come from. I did gather that my name was considered for the Diocese of Southwark. I didn't think it right to pursue that at the time, and I must say that Archbishop Carey was never anything other than completely supportive in that period.
Presenter
But this is a a controversial issue and one that I understand you would like now to put on the table, isn't it? You would like gay men and women to be acknowledged by the Anglican Church.
Rowan Williams
It's certainly no part of my my programme to to change this by fiat, or even to push it as a matter of discussion. But there it is on the table, we have to think about it.
Rowan Williams
And my hope is simply that we think about it without too much rancor, without too much prejudice, or too much fear. And I think it can run both ways, too.
Presenter
I think that was coming wrong.
Presenter
There are large tranches of the Anglican Church who do not wish to consider this at all. They are crystal clear, and believe the Bible is crystal clear on the matter, don't they?
Rowan Williams
That's right, and the reason they're worried about it, I think, is largely that it comes to be an issue about the significance of the Bible.
Rowan Williams
and the authority of the Bible.
Rowan Williams
And it's not for many people primarily about sex, it's about what you think of the authority of the Bible, and that is sufficiently important, I think, to justify.
Presenter
But you have, I believe I'm right in saying, have you not ordained a priest whom you knew to be a practising homosexual?
Rowan Williams
Cool.
Rowan Williams
Gotta take a moment.
Presenter
Mm-hmm.
Rowan Williams
When bishops decide to ordain people they take advice from all sorts of people who've been involved in selection and in training, and I've never overridden the advice I've received.
Presenter
But is it something, as Archbishop of Canterbury, that you would do again?
Rowan Williams
But you would
Rowan Williams
The Church of England has a fairly clearly declared policy.
Rowan Williams
On this.
Rowan Williams
The Church in Wales had never had a single policy document. The Church of England has, and I think I would have to abide by that policy document and would.
Rowan Williams
I believe that was part of my my job, part of my responsibility.
Rowan Williams
Record number five.
Rowan Williams
The kind of music that speaks most deeply to me often is music that has a very contemplative quality. The music of Bach in particular has had a a unique importance, I suppose, there. To put some of your ideas on hold, to listen to this, to go with it.
Rowan Williams
That for me is a
Rowan Williams
meditative moment and something that I need very
Rowan Williams
very urgently in a a pressured life.
Speaker 4
Uh
Presenter
The opening of Bach's solo cello suite number one in G major, played by Uly Turovsky.
Presenter
Um you were, Archbishop, I understand, in New York on september eleventh, two thousand and one and and caught up in the tragedy. How close were you to the Twin Towers?
Rowan Williams
About uh two hundred yards away, I suppose, in a neighbouring building.
Presenter
What was the first that you heard or felt or knew?
Rowan Williams
The first I heard was quite literally the sound of the first aircraft hitting the tower.
Presenter
I'm sure you were asked, and I'm sure you have been since, but you were probably even asked on that day, really, where's God? You know, where's God when this terrible thing happened? How how easy
Presenter
Has it been to answer that question with conviction?
Rowan Williams
At one level.
Rowan Williams
God is where God always is, that is, at the center of things, the absolute centre of things.
Rowan Williams
Nothing changes that, nothing alters that.
Rowan Williams
And then you can say.
Rowan Williams
God is in the the vision and the inspiration and the dedication of the people who go in.
Rowan Williams
Compassionately, who risk their lives.
Rowan Williams
And there were so many unbearably moving stories from that day of the people who had risked their lives in that way.
Presenter
You since then have publicly criticised any kind of aggression against Afghanistan and now Iraq. I think you've been signatory to a letter saying that war against Iraq would be immoral and illegal.
Presenter
What happens to that argument if no action is taken and then Saddam Hussein uses biological or nuclear weapons against another great swathe of innocent people?
Rowan Williams
I think there are moments where it's inevitable, but you have to meet violence with violence. I'm not an absolute pacifist, in fact.
Presenter
So if a UN resolution
Presenter
Is taken that we should go to war against Iraq, you would not oppose it at that point, huh? I'd have to think about unilateral action. I'd have to think about that.
Rowan Williams
But a funila
Rowan Williams
Circumstances.
Presenter
Yeah.
Rowan Williams
We can say all right.
Rowan Williams
There can be what we hope would be a short surgical war, remove a tyrant.
Rowan Williams
Two years, three years down the line, what have we in place? What are we envisaging? What else are we doing to secure positively the stability of the region? What positive investment are we putting in? Those larger scale questions, I think, have to be part of any calculation about what we do now.
Presenter
And are these the kinds of issues that you would now expect as Archbishop of Canterbury to discuss in this way with the Prime Minister?
Rowan Williams
I'd hope there might be opportunities for that.
Rowan Williams
And again, it's a difficult balance to draw. I think I I said somewhere else recently that um taking the moral high ground is very easy if you don't have to take the actual decisions, and that's always the temptation.
Presenter
But you could be the moral sounding board. You would want him to have this conversation with
Rowan Williams
Yeah.
Rowan Williams
You can, I think.
Rowan Williams
Remind people why the question's a difficult question. And I don't think it's any part of my job to pretend that questions are easier than they are. Yeah.
Presenter
Bubbles.
Rowan Williams
Yeah. Yeah.
Presenter
Yeah.
Rowan Williams
It often is, I think, yes. Which doesn't always make you very welcome, but I think they have to be asked.
Presenter
It off
Presenter
Oops.
Presenter
But these are the kinds of things that you would wish to air in the House of Lords. You will be doing that, will you?
Rowan Williams
Uh
Presenter
Right.
Rowan Williams
I'd hope to see that as part of my job, yes.
Presenter
And you'd expect to see a packed house when you say it, hmm.
Rowan Williams
No idea.
Presenter
Dare say it would be. Record number six.
Rowan Williams
The Magic Flute is a very strange opera. It's all about power and violence, and what overcomes power and violence, and at the same time it just produces music that has such utter serenity that at the end of it you've seen a story about how imagination and loyalty
Rowan Williams
Love and hope simply lead people through fire and water.
Speaker 4
Why is the
Speaker 4
In the spotlight.
Speaker 4
Right now
Speaker 4
Four, three, one.
Speaker 4
Riser was of whose rising.
Speaker 4
The field of the song.
Speaker 4
I give a lot of sorrow, solar toy.
Presenter
The quintet from the first act of Mozart's Magic Flute, with Agnes Gielzel, Anna Reynolds, Josephine Wezey, Nicolai Gedda, and Walter Berry, with the Philharmonia Orchestra conducted by Otto Klemperer.
Presenter
The other issue that we believe we know you feel very strongly about, Archbishop, is the appointment system. You don't like the fact that the Prime Minister appoints you, do you?
Rowan Williams
I think there are all kinds of historical reasons why we've got the appointment system we've got. I think it's harder to justify than perhaps it used to be. What we've seen in recent years is a gradual movement towards the Church having more freedom in its recommendations.
Presenter
Because of course the Prime Minister also chooses the bishops, technically, because they're in the House of Lords.
Rowan Williams
Technically that's yes, he recommends to the the Queen who was appointed, but we have now a fairly robust process within the Church.
Rowan Williams
That allows the voice of the church to be heard in a way far clearer than would have been the case even twenty or thirty years ago.
Rowan Williams
I would see that as a a process that's ongoing.
Presenter
What about the Queen's voice, the Crown? I mean, she is the Supreme Governor. You don't like that much either, do you?
Rowan Williams
Well, I think there's a much better case for the monarch's involvement than in some ways from the involvement of the government of the day. But I think we still have a lot of work to do defining exactly how that relationship is going to work.
Presenter
I think they're not going to be able to do it.
Rowan Williams
It gives freedom, appropriate freedom, to the church.
Presenter
People will understand that you'd like to stop politicians having an influence i in the church. But are these moves towards a kind of disestablishment and it's rather like Prince Charles talking about defender of the faiths, isn't it? Are you saying this is a multicultural country, there's no religion you can call mainstream, so we really should move over?
Rowan Williams
I think there is still, in a sense, a mainstream religious tradition in the country, despite the practical plurality of religious faith in the country.
Rowan Williams
For most people it's still true that the Church of England is the Church of First Resort.
Rowan Williams
That's where they feel.
Rowan Williams
They have some right to be to be listened to and to be to be looked after. And I don't think that's going to change overnight, and I don't think it should change overnight. We're learning rapidly.
Rowan Williams
The need to give other faith communities the right kind of public voice.
Rowan Williams
Um we have already
Rowan Williams
As it happens, members of other faith communities in the House of Lords, I think the question is whether that ought to be some sort of statutory representation in the House of Lords. That's been discussed. We're looking at.
Presenter
As long as there are bishops in the House of Lords, I mean they may be abolished altogether when it's finally reformed.
Rowan Williams
I think it would be a big mistake to abolish the presence of religious leaders in the House of Lords, bishops, because of the, you know, where the Church of England is in our society.
Presenter
So you're saying that the that the Church of England should continue to be pre-eminent, are you, in in the constitutional structure?
Rowan Williams
To the extent that that's a matter of privilege, people rightly ask awkward questions about it.
Rowan Williams
To the extent that it's a matter of recognising, as the constitutions of many countries do, that the main religious body is this one this is, as I say, the church of first resort, then I don't lose too much sleep over that.
Presenter
There are bumpy times to come, or there not, or not.
Presenter
One of those words. Record number seven.
Rowan Williams
Pach's Christmas Oratorio is an overwhelming celebration of the gift of God in Jesus Christ, the essential.
Rowan Williams
Christmas Message. So we're going to listen to
Rowan Williams
One of the pieces from the Christmas Oratorio that
Rowan Williams
Quite specifically, picks that up, Herrdein Mittlad, Lord, your mercy, your compassion, makes us free.
Speaker 4
Where thine life, And I meet like thine ever born, Tristan bones and markets cry, Tristan martens cry.
Presenter
Herr Dein Mittlight Dein Ebarum, Lord Thy Compassion, Thy Mercy, from Bach's Christmas Oratorio, sung by Michael George and Catherine Bott, accompanied by the new London consort, conducted by Philip Pickett. So we begin to hear, Rowan Williams, the complexities of your new posting. On the other hand, time is on your side. You're fifty-two and. You could remain Archbishop of Canterbury for the next couple of decades, really, couldn't you?
Rowan Williams
It's a sobering thought, isn't it, for everybody?
Presenter
You play a long long game, that means, hmm?
Rowan Williams
Well
Rowan Williams
The main priority I think now is to start looking towards the Lambeth Conference later this decade and the gathering of bishops from around the world and how that's to be managed.
Rowan Williams
And I think I've got to keep my mind on that goal, that um middle term.
Rowan Williams
Go before I start thinking about when I'm going to retire.
Presenter
But you would be prepared to stay the course, would you?
Rowan Williams
I'll think about that when we've seen what the next few years look like.
Presenter
Now, if being Archbishop of Canterbury has its worries, what about being on a desert island? The soul, I'm quite sure, you can take care of. What about the body?
Rowan Williams
I'm not the most practical of people, and um I don't imagine that I'd be able to well, probably not be able to light a fire, let alone build a boat.
Rowan Williams
So I wish
Presenter
Or a shack to live in.
Rowan Williams
Or a shack to live in, yes. Yes, even if you have fairly low expectations of your living environment, you'd need something over your head, and I'd have to work rather hard at that, I suspect.
Presenter
But as for the solitariness, I mean that that
Presenter
Obviously appeals, generally speaking, could prove, from everything we gather, deeply desirable in the years to come.
Rowan Williams
I'd miss my wife and children.
Rowan Williams
But the opportunity of solitude is is very important to me, and I think you have to go back to those wells and refresh yourself.
Rowan Williams
become human again before God in these moments. Tell me about your last record. I did my doctoral research at Oxford on Russian Christianity, having for a long time had a fascination with Russian culture, Russian music, and then with the Russian Church. So I've chosen as this last record some Russian music from the Copplin service for Christmas Eve.
Presenter
Isaiah's Prophecy from the Russian Orthodox Christmas Eve service sung by the choir of the Russian Orthodox Cathedral in London, conducted by the Reverend Archpriest Michael Fortunato. If you could only take one of those eight records, Archbishop, which one would you take?
Rowan Williams
The Bach Cello Suites.
Presenter
Now, we give you the Bible. Wh which Bible would you like, by the way?
Rowan Williams
Should be probably the authorised version.
Rowan Williams
I know as a scholar it's not the most perfect translation, but it's the associations of words.
Rowan Williams
It's the rhythm of the sardon that I I think I'd need to keep me centred.
Presenter
And we give you the complete works of Shakespeare as well, and then you're allowed a book of your own choosing. What would that be?
Rowan Williams
I'd really rather like to take a book of quite tough poetry that would make me think as well as feel, something like the collected works of WH Orden. Disciplined, quite complex.
Rowan Williams
But full of nourishment.
Presenter
And your luxury.
Rowan Williams
I was tempted to think about a regular supply of chocolate ginger, but um why not? thinking thinking about about it in the light of the music. I think I'd rather miss a piano. I wouldn't mind having a piano with me.
Presenter
Rowan Williams, Archbishop of Canterbury, thank you very much indeed for letting us hear your Desert Island discs, and happy Christmas!
Rowan Williams
And to you, thank you.
Speaker 4
You've been listening to a podcast from the Desert Island Discs Archive. For more podcasts, please visit bbc.co.uk slash radio four.
Presenter asks
What kind of home were you brought up in, and what did your parents do for a living?
My father was an engineer, working for what was then the Ministry of Works, and then became the Department of the Environment, and he used to design heating and lighting systems for public buildings. ... And so it was, I suppose. A family not uncommon in South Wales at that time, the first generation away from the mines, because my father came from a mining family. My mother more from a a farming family.
Presenter asks
Where did the calling to the clergy come from in you? Did you have a mentor?
I think it had a great deal to do with having inspirational figures around um the local vicar Canon Eddie Hughes, who was, I suppose, the greatest single inspiration for me and my my calling. He was somebody who had a A very lively imagination and intelligence was interested in everything, in everybody. Read widely. Encouraged me to read widely when I was a teenager. and always took absolutely seriously the questions that you asked. So you never felt stupid, and you never felt, oh, you shouldn't ask that. Because he had a a hospitable mind and soul.
Presenter asks
Where was God when the terrible tragedy of September 11th happened?
At one level. God is where God always is, that is, at the center of things, the absolute centre of things. Nothing changes that, nothing alters that. And then you can say. God is in the the vision and the inspiration and the dedication of the people who go in. Compassionately, who risk their lives.
“I love ceremonial when it's well done. Good ceremonial in church is ceremonial that makes you think about God, and bad ceremonial in church is ceremonial that makes you think about bishops.”
“Anything in worship that brings out that. Competitive and anxious streak, I think, is working against the basic purpose of worship.”
“taking the moral high ground is very easy if you don't have to take the actual decisions, and that's always the temptation.”