Tuning in…
Tuning in…
Desert Island Discs
Presented by Sue Lawley
A businessman and former chairman of the BBC, knighted for services to the Health Service, now chairman of BT.
Eight records
Symphony No. 5 in D minor, Op. 47
National Symphony Orchestra of Washington DC, conducted by Mstislav Rostropovich
I pick this because I heard it at a July prom about five years ago when Slava Rostropovich conducted it brilliantly. And Rostropovich came more or less straight from the rostrum and he was on a terrific high and warmly embraced me several times.
It's a slightly pooterish reason. At the age of twelve I sung it on Jamaica radio in exchange for a I think a fifteen shilling book tuck.
That's because I'm Anglo-Irish, my wife is Irish, and I'm in the middle of the Irish Channel in terms of my sentiments.
Band of the 5th Royal Inniskilling Dragoon Guards
my regimental band playing the regimental quick march
Elisabeth Schwarzkopf, accompanied by Gerald Moore
which is both lovely and also quite a gloomy song.
Various Artists (Children in Need)
It was the BBC's theme tune, the the children in need version of it. And whenever in my early days as chairman I gave a speech, if there was any excuse, I'd play the perfect day recording for about a minute and a half because it put people in such a wonderful mood
I'm Gonna Sit Right Down and Write Myself a LetterFavourite
I can play on the pianola.
String Quartet No. 15 in A minor, Op. 132
I first came across this when I was uh an undergraduate in Oxford in Aldous Huxley's Point Counterpoint.
The keepsakes
The book
John Donne
I'd want to take some poetry. I think I'd take if I had to pick a a single poet, I'd take John Donne, and if it was his collected works I'd get the sermons thrown in.
The luxury
Two and a half miles of Hampshire Chalk Stream, the upper Itchen
It would be very expensive. It would be two and a half miles of Hampshire Chalk Stream, the upper Itchen.
In conversation
Presenter asks
I suppose if you're bossy, Christopher, it's best to be the boss, and you've been the boss of an awful lot of things over the years, haven't you?
Yeah. … The great thing about being Chairman, there are two really good things about it. One is that you pick the diary dates so people can't muck you about … And the other thing is the avoidance of being bossed about by other people.
Presenter asks
How did you make your first million?
I was out of work. I'd been fired after a takeover of a little construction company that I was the managing director of. And I was in a merchant bank where a friend of mine was working and he showed me a balance sheet of a printing company and said, What do you think of this? … So I looked again and I said yes, I'll do it if I can buy … a significant share of the of the equity.
The recording
Timestamps play the recording from that turn
Speaker 2
Hello, I'm Kirsty Young, and this is a podcast from the Desert Island Discs archive. For rights reasons we've had to shorten the music. The programme was originally broadcast in two thousand and two, and the presenter was Sue Lawley.
Presenter
My castaway this week is a business man. Energetic, tough, and not frightened of a scrap, his commercial acumen has been put to use in both the private and public sectors. He earned his knighthood for services to the Health Service and was until last year chairman of the BBC.
Presenter
His childhood was character building. His parents lived abroad and often didn't see their son at boarding school in England from one year to the next.
Presenter
After national service and Oxford he became, among other things, a member of the GLC. He made a million pounds in a printing firm, and famously a few more millions as chairman of London Weekend Television. I'm naturally bossy, he confesses, but I don't bear grudges, and I always apologise. Now the new chairman of BT, he is Sir Christopher Bland. I suppose if you're bossy, Christopher, it's best to be the boss, and you've been the boss of an awful lot of things over the years, haven't you?
Sir Christopher Bland
Yeah.
Presenter
Uh
Sir Christopher Bland
Yeah.
Presenter
I look I mean, looking at the list, it is amazing. The range is huge, from singer sewing machines to steam locomotives to televisions.
Sir Christopher Bland
Well, my father worked forty years for Shell in one job, so when after three years of my first job I moved, he thought this was signs of dangerous instability. When I moved a second time after another three years, he thought it was all up.
Presenter
But you've always been the boss, really, looking at it. It seems to me, and I I worked it out, that from the age of
Presenter
thirty three, when you were the managing director of a company, you've been at the top either M D or chairman ever since. So if you've spent forty years working, nearly thirty years of it, you've been at the top.
Sir Christopher Bland
Yeah.
Sir Christopher Bland
The great thing about being Chairman, there are two really good things about it. One is that you pick the diary dates so people can't muck you about and say, please be there at ten o'clock on the Tuesday.
Sir Christopher Bland
And the other thing is the avoidance of being bossed about by other people.
Presenter
Greg Dyke, former colleague here at the B B C and indeed before that at London Weekend of yours, famously said of you, He's got the attention span of a peanut.
Sir Christopher Bland
Coming from Greg, that's pretty rich.
Presenter
Coming from
Sir Christopher Bland
I think
Presenter
I think he meant to be complimentary, I think.
Sir Christopher Bland
He did. He did. He he wouldn't wish to be anything else, I'm sure. But now the pair of us are pretty fidgety. I mean, Gregg doesn't sit through long meetings without crossing his legs and fiddling with his he's got a spectacle case, by the way, that's at board of governors' meetings when he got particularly bored, he would open and shut with a loud click.
Sir Christopher Bland
And he'd also do that in front of the select committee, and on several occasions I had to reach over and take it away from him, like a schoolmaster confiscating a particularly difficult object from a boy in class.
Presenter
And what do you do when you get bored?
Sir Christopher Bland
Yeah.
Sir Christopher Bland
Well
Sir Christopher Bland
As you get older you get uh more patient.
Sir Christopher Bland
More long-suffering.
Presenter
But you haven't been at times. I mean, again, rumours have it that when you get cross you say rubbish or worse.
Sir Christopher Bland
I have actually said bollocks in the council chamber.
Presenter
I don't believe
Sir Christopher Bland
And I got a frown from Lord Reef.
Presenter
So di diplomatic skills are not your strong suit.
Sir Christopher Bland
No, I'm more diplomatic now than I was when I was in my thirties and forties.
Sir Christopher Bland
I've grown older and wiser, and
Sir Christopher Bland
You learn things.
Sir Christopher Bland
You may not.
Sir Christopher Bland
internally be any more patient, but you know it's wise to
Sir Christopher Bland
Mask irritation and impatience.
Presenter
So you learn that saying bollocks doesn't get you very far?
Sir Christopher Bland
gets you to the council chamber of the VBC, so it's not too bad, but you can't say it all the time.
Presenter
And I don't.
Presenter
Tell me about your first record.
Sir Christopher Bland
My first record is Shostakovich Symphony No. 5 in D minor. And I pick this because I heard it at a July prom about five years ago when Slava Rostropovich conducted it brilliantly. And Rostropovich came more or less straight from the rostrum and he was on a terrific high and warmly embraced me several times. And being kissed by Slava Rostropovich warm and bristly off off the podium is quite something, I can tell you.
Presenter
The opening of the final movement of Shostakovich's Symphony No. five in D minor, played by the National Symphony Orchestra of Washington DC, conducted by Rostropovich, he of the sloppy kiss, Christopher Brand.
Sir Christopher Bland
Warm kiss.
Presenter
Warm kiss
Sir Christopher Bland
Yeah.
Presenter
How tell me how you made your first million?
Sir Christopher Bland
I was out of work. I'd been fired after a takeover of a little construction company that I was the managing director of. And I was in a merchant bank where a friend of mine was working and he showed me a balance sheet of a printing company and said, What do you think of this? And I said, It looks terrible to me. It looks bust. And he said, Yes, but uh what about it? So I looked again and I said yes, I'll do it if I can buy.
Sir Christopher Bland
a significant share of the of the equity.
Presenter
You've got a bit of money to do that.
Sir Christopher Bland
Well, I had my my redundancy money. I had twenty thousand pounds, and he said, We'll sell you a quarter of it and I said, How much will that be? He said, How much have you got? I told him. And he said, That's all right. It's worthless, but we'll sell it to you for twenty thousand pounds.
Presenter
But it looked as if it was going to go bust.
Sir Christopher Bland
Well, it was heavily overdrawn, and it was in the di during the three day working week, and it was when the printing business was controlled by Nat Soper, NGA, Sogat, and Slade.
Sir Christopher Bland
I was an innocent until I met Reni Chubb of the London Women's Branch of Sogat.
Sir Christopher Bland
It was a tough business.
Presenter
And it didn't go bust, it turned around.
Sir Christopher Bland
No, it didn't go bus.
Presenter
And you made your million. This was late seventies, early eighties, wasn't it, by the time you made the money. And you still you have on the table in front of you the well, it's not the cheque, it's a sort of bank's paying in slip of that.
Sir Christopher Bland
The pink slip. Yes, it's a lucky talisman.
Presenter
Keep it in your wallet.
Presenter
It's got more than a million on there. Let me have a look.
Sir Christopher Bland
Million one hundred and thirty two thousand
Presenter
Five hundred and fifty one pounds and seventy p.
Sir Christopher Bland
Before text
Presenter
So it's a strong motivating factor in choice making.
Sir Christopher Bland
I don't think that's true because otherwise it wouldn't have taken me so long.
Presenter
I just wondered if there was a kind of
Presenter
drive in you to restore the family fortunes. I mean, the Blands are an old family who had no fortune left, I think, by the time you came on the scene.
Sir Christopher Bland
My grandfather described his occupation in his documents as gentleman, which meant he didn't do any work. And the Blands had been big landlords in the south west of Ireland, but not rich landlords. But all that had gone.
Presenter
But th they were once I think you joined the Dragoon Guards later on. It was once the Blands Dragoon Guards, wasn't it?
Sir Christopher Bland
Yes, in the eighteenth century they were called Bland's Dragoons, or part of them were.
Presenter
Who became the Royal Inniskilling. But was there then that in you, this somehow, perhaps, and maybe this is a romantic vision of mine, but something in you that said, you know, I want to restore us to where we ripe. I mean, you were pretty penniless, as you say, until you made this million. Somehow you wanted to get it.
Sir Christopher Bland
You're either penniless or you're not. I was penniless. My first flat in London was what they call a cold water walk-up, six pounds a week, no bath, shared loo.
Presenter
But
Sir Christopher Bland
And I got paid twenty pounds a week, and six pounds of that went in rent. So I was scratching along, and I scratched along for a long time.
Presenter
Tell me about record number two.
Sir Christopher Bland
Record number two is Where the Bee Sucks from the Tempest. I pick that because
Sir Christopher Bland
It's a slightly pooterish reason. At the age of twelve I sung it on Jamaica radio in exchange for a I think a fifteen shilling book tuck.
Speaker 3
When the bee sucks them all kind, In a cowslips there I lie Then I coach when owls do cry, when owls do cry, when owls do cry.
Presenter
Uh Yeah.
Speaker 3
From the back spec I do fly Folder Sunset Merry Mary, Roadsome Sit Mary
Speaker 3
When the bay sucks there or cry, In a cold slips bell I lie Then I coach when owls do cry, When owls do cry, when owls do cry. On the backs back I do want of the songs that are merry, merry of the songs that are in me
Presenter
Elizabeth Harward singing Thomas Arne's setting of Aerial Song from the Tempest. You sang it, Christopher Bland, on Jamaica radio when you were twelve years old, because your parents were living out there. Your father, you say, worked for Shell Oil. Was he a a high flyer?
Sir Christopher Bland
No, he wasn't. He was a middle ranking executive all his life in Shell, and he wasn't very interested in business.
Presenter
And you'd been born, in fact, in Japan just before the war, hadn't you? And you'd moved around a lot they moved around a lot Canada, I think, and Kenya, as well as Jamaica. So you and your younger brother were sent back to this country uh to go to school. These gaps in not seeing your parents, how great were they?
Sir Christopher Bland
Well, it could be quite long. Shell were an an enlightened employer. They sent you out one summer holiday and three. Your parents came back one summer holiday and three. So
Presenter
What happened in the third one?
Sir Christopher Bland
In the third one, nobody went anywhere. So that was close to a year and three quarters when you didn't see your parents.
Presenter
Age twelve.
Sir Christopher Bland
Age twelve, ten, and on up to eighteen.
Presenter
What did you do in those gaps?
Sir Christopher Bland
Well, I both my brother and I were lucky to be brought up by remote cousins in in Northern Ireland who had six children of their own, and they were are a wonderful, big, chaotic country family.
Presenter
Yes. You you were in in quite a tough school. You went to Sedborough in Yorkshire. A hard nurse of men is its motto, I think. Um what form did the hard nursing take?
Sir Christopher Bland
Well, we wore shorts and we ran a lot and it's a pretty bracing atmosphere. I may say it's changed greatly. I went up there to reopen my old house for girls, so it's come on a lot.
Presenter
But then there were what, cold baths?
Sir Christopher Bland
But then they were what?
Sir Christopher Bland
Coal bars every morning
Presenter
Caning?
Sir Christopher Bland
I'm afraid so.
Presenter
Bullying?
Presenter
Uh not
Sir Christopher Bland
too much bullying, but it was typical of a boys boarding public school at the time.
Presenter
Could you hold your own?
Sir Christopher Bland
Yes, yes, I didn't disappear.
Presenter
And looking back on it, w what do you think you suffered as a result of that parental absence?
Sir Christopher Bland
It's hard to tell, but I know I wouldn't.
Sir Christopher Bland
Like it for my own son.
Presenter
Who's now eighteen?
Sir Christopher Bland
Who's now eighteen?
Sir Christopher Bland
Actually what I think w was what must it have done in particular to my mother, you know, seeing me off and my brother off at the airport, knowing they weren't going to see us for a year and a half.
Presenter
Hmm.
Sir Christopher Bland
I I find that very, very
Sir Christopher Bland
Hard to understand.
Presenter
Rook number three.
Sir Christopher Bland
Record number three is Danny Boy. That's because I'm Anglo-Irish, my wife is Irish, and I'm in the middle of the Irish Channel in terms of my sentiments. And when uh Ireland play England I'm confused. I know the words of the Irish national anthem, but in English, and I'm really proud to be an Anglo-Irishman, as Yeats said, no petty people.
Speaker 3
Oh, Danny boy, the pipes, the pipes are calling.
Speaker 3
From glen to glen, And down the mountain side
Speaker 3
The summer's gone And all the roses falling It's you, it's you must
Presenter
Uh
Presenter
Danny Boy, sung by Mario Lanzer. You're obviously um a clever chap, Christopher, because you got an exhibition to Oxford to read history, Queen's.
Speaker 3
Yeah.
Presenter
You'd done your national service first uh in in the Dragoon Guards. Presumably then, even at eighteen, you were in charge of chaps.
Sir Christopher Bland
Well, you start as a trooper. Then I, after various stages, became a second lieutenant and then I was in charge of chaps. Yes.
Presenter
And you learn to fence why fencing?
Sir Christopher Bland
Uh
Presenter
Well it
Sir Christopher Bland
intrigued me and I tried it in the army.
Sir Christopher Bland
And uh it was it was really enjoyable. I liked it very much.
Presenter
'Cause it's kind of it's a surrogate duel, really, isn't it? You either win or you die.
Sir Christopher Bland
Yes, and that's
Sir Christopher Bland
Got a certain point to it.
Presenter
And you played it at Olympic level, aren't you?
Sir Christopher Bland
Well, the Irish Olympic fencing team, which isn't quite as strong as some fencing teams, but I did I went to Rome in the nineteen sixty Olympic Games, which was one of the last really enjoyable
Sir Christopher Bland
Unsecurity conscious Olympic Games.
Presenter
So why and when did you give it up?
Sir Christopher Bland
I fenced a bit when I came to London, but it was pretty hard.
Presenter
What you died too of.
Sir Christopher Bland
I died too often.
Presenter
So there you are. You were everything to play for as you came out of that education and national service. You were an all-rounder, you were talented, you were ambitious.
Presenter
You could have turned your hand to so many different things, and indeed did. You you flirted with politics, and that came to naught. But what happened, I think, during that flirtation was you met someone who was in fact to lay a kind of foundation stone for your future success, didn't you?
Sir Christopher Bland
Yes. And it was more than a flirtation. It was an affair at the end of which I got rejected. I did try very hard until I became
Sir Christopher Bland
thirty-five or so, to be a Tory MP.
Presenter
Some said you could have been a Cabinet Minister. Think that's true?
Sir Christopher Bland
Yes, I do, on a good day, with a bit of luck. Whether I would have been a cabinet minister in the Thatcher Government, I'm not sure.
Presenter
Why not?
Sir Christopher Bland
Because she and I
Sir Christopher Bland
Not that we met very often.
Sir Christopher Bland
Weren't ham and egg.
Presenter
Tell me about this man you did meet, with whom you did get on, then.
Sir Christopher Bland
Well, Christopher Chataway was an important influence in my life because he was leader of the Inner London Education Authority on the GLC and I was part of that because I sat for an Inner London Borough. He and I got on well and he made me chairman of the school subcommittee. And then when he became Minister of Posts and Telecommunications, he rang up one day and said, would I like to be Deputy Chairman of the Independent Broadcasting Authority?
Sir Christopher Bland
So I said yes, I really would, and went out and bought a television set.
Sir Christopher Bland
And one way or another
Presenter
But you hadn't had one before.
Sir Christopher Bland
No.
Presenter
You were thirty four years old.
Sir Christopher Bland
Yes. But television sets were rarer then. They weren't an automatic uh thing in those days.
Presenter
Well, this was sort of late seventies, I guess.
Sir Christopher Bland
Yeah, well, all right, perhaps. Anyhow, I just I said
Presenter
I think there were quite a lot of people.
Sir Christopher Bland
Uh
Sir Christopher Bland
Well, there were quite a few. But I didn't have one. But I did by the time I became
Presenter
Thanks.
Sir Christopher Bland
Deputy Chairman of the IBA.
Presenter
Yeah.
Sir Christopher Bland
We hope so.
Sir Christopher Bland
Yes, but Christopher Chatterway knew lots of people. He didn't make them all deputy chair of the IBA.
Presenter
Record number soul.
Sir Christopher Bland
Record number four's my regimental band playing the regimental quick march fare you well in in the skilling.
Presenter
The band of the fifth Royal Iniskilling Dragoon Guards, playing their regimental quick march, Fare Ye Well in Iskilling. So you worked your way up, Christopher, from your first job as a an assistant advertising manager at Curries, and you were a marketing manager at Singer's Sewing Machines, learned how to do buttonholes, I gather.
Sir Christopher Bland
Good button.
Presenter
Then you did a stint with an American management consultancy and by thirty-three you were managing director of the UK end of the business.
Sir Christopher Bland
Yeah.
Presenter
And on you went through that first million and so on. But let's move then to nineteen eighty three when you became because all of these strands in your life started to pull together and you became chairman of London Weekend Television. Was that looking back
Presenter
The best job you've ever had in the sense of its being the most fun.
Sir Christopher Bland
Yes, it was. LWT was a small business. It was about seven hundred and fifty people and a very talented group at the top. And the business went really well. We won the franchise, which was a very important and pretty nerve-wracking moment when you're either in business or out and the
Sir Christopher Bland
News is flashed over a fax machine to your office.
Presenter
Bidding for the franchise, not knowing what to bid, because they were sealed bids, weren't they?
Sir Christopher Bland
Yeah, they were sealed beards.
Presenter
And of course across the land people were bidding as little as a pound for such franchises and as much as tens of thousands of pounds.
Sir Christopher Bland
Oh, fifty two million I think was the highest bid, and that was turned down because it was too high. So you didn't know we got ours for eight million because our opponents who bid thirty two were turned down on quality grounds.
Presenter
What you did in order to get that, famously, as I mentioned in the introduction, was put golden handcuffs on the top management. That's to say, you promised them a lot of money if they stayed, so so that when the franchise went through, they were still there.
Presenter
That's been very controversial. I mean, you made millionaires of people overnight. You made yourself many, many millions on that occasion. And you've been beaten round the head with that fact ever since. Would you do the same again?
Sir Christopher Bland
Yes, I would, because I didn't promise them millions. I said, here are the handcuffs, here are the shares, which you have to pay for, and we paid for them at and the shares I think were then seventy P. Anyone who thought they were going to go to six hundred and seventy, which is what they eventually went to, I think, could have gone out and bought them. But there was no promise. I mean, shares do go down as well as up. So there was no guarantee if we'd lost the franchise.
Sir Christopher Bland
We wouldn't have made any money at all.
Presenter
But it was the other seven hundred people I mean, fifty people in that company made a hell of a lot of money. Seven hundred people didn't make any.
Sir Christopher Bland
Well, I I think it was a weakness in the scheme, and there are all kinds of complicated tax and other reasons why we couldn't extend it right across the company. And actually
Sir Christopher Bland
As I recall, we...
Sir Christopher Bland
I think between us gave half a million pounds to the rest of the stuff, which we could afford, but you stumped up.
Presenter
What you stumped up from your own cash.
Sir Christopher Bland
From your own cash. Yeah. No obligation to do that and no doubt it we did it because we hoped that we would feel good as well as they would feel good.
Presenter
We felt a bit guilty.
Sir Christopher Bland
Uh oh.
Presenter
Yeah.
Sir Christopher Bland
Uh probably. Probably.
Presenter
But if that was the best moment winning the franchise, presumably the worst was losing the whole company to Granada.
Sir Christopher Bland
Yes, that was a terrible moment.
Sir Christopher Bland
But, you know, if that hadn't happened I wouldn't have become chairman of the BBC, so it's an ill wind that blows nobody any good.
Presenter
And that's business.
Sir Christopher Bland
Yes, and that's business. It's tough.
Presenter
Record number five.
Sir Christopher Bland
It's Elizabeth Schwatzkopf singing Bis Doo by Mir, which is both lovely and also quite a gloomy song.
Speaker 3
Boop.
Speaker 3
Fine ear
Speaker 3
Is tricked on thine hand.
Speaker 3
John and Hovens.
Speaker 3
We're so fun.
Speaker 3
Um
Speaker 3
Fearing it, Loy and our best.
Presenter
Elizabeth Schwarzkopf singing Bach's Bistu by Mir, accompanied by Gerald Moore there. Back then, Christopher Bland, to who you know, is it true you asked Virginia Bottomley, then Secretary of State at the Department of Heritage, I think it then was, for the BBC chairmanship?
Sir Christopher Bland
Yes, I went along and said, look, here's why I think I'm qualified. So.
Sir Christopher Bland
I I I did.
Presenter
And you got it.
Sir Christopher Bland
Yes.
Presenter
Look, there are so many things one could talk about with the BBC. There are always controversial issues surrounding it as we know who's running it and how it's being run. But by far the most important issue has to be how it's funded and whether the licence fee can be justified. It's guaranteed that licence fee until 2006. It's going to be difficult to justify it beyond that, isn't it?
Sir Christopher Bland
I don't think so.
Sir Christopher Bland
I think if the political and public will is there and the BBC spends its money really wisely, then it will turn out to be as justifiable in two thousand six as it has been throughout its history.
Presenter
But it is a matter of public pressure as well, isn't it? That people say, Look, I I've got Sky, I pay this much money for Sky, I hardly ever watch the B B C why should I go on forking out for this what is effectively a poll tax?
Sir Christopher Bland
Yes, and you always have to press them very hard when they say I don't either watch or listen to the BBC, because you then say, Well, what did you think of Blue Planet? and they say Oh yes, that was really good or what do you wake up to in the morning and they admit to waking up to Wogan and and suddenly it turns out that most people use the BBC.
Presenter
But they still might find it too high a price to pay, that's the point, while they're beginning to pay for pay television.
Sir Christopher Bland
Well, I think that a uh a licence fee of one hundred and nine pounds looks awfully cheap when you compare it with the sky subscription of over three hundred pounds a year. Look what you get for it.
Presenter
But what about the other arguments? And I mean, you've experienced it from the other side. You'd be very cross if you were still running London Weekend television and commercial television is in difficulties, advertising revenues are falling, ITV Digital is failing, while the BBC rides triumphantly into some would say pay television's territory, you know, specialised digital channels for the arts and children's programmes and so on. It's unfair competition, shouldn't be doing that. And that was your strategy.
Sir Christopher Bland
Well
Sir Christopher Bland
It's not unfair competition. And if you look at BBC's children's programmes, they're quite different to those which are offered by the commercial rivals, which are largely a diet of cartoons. And we have to point out to the ITV companies that ITV Digital's failure is not the BBC's fault, it was the commercial judgment that went really badly wrong. The collapse of advertising revenue is because demand from companies like the one I chair for advertising is extremely soft at the moment. But it has nothing to do with the BBC.
Presenter
Hand on heart, do you think the licence fee will survive beyond two thousand six? Would you be willing to put your million pounds on it?
Sir Christopher Bland
Absolutely.
Presenter
Record number six.
Sir Christopher Bland
Record number six is Lou Reed's Perfect Day.
Sir Christopher Bland
It was the BBC's theme tune, the the children in need version of it. And whenever in my early days as chairman I gave a speech, if there was any excuse, I'd play the perfect day recording for about a minute and a half because it put people in such a wonderful mood for whatever you wanted to say next.
Speaker 3
Just a perfect day
Speaker 3
You made me forget myself
Speaker 3
I thought I was someone else.
Speaker 3
Someone good.
Speaker 3
Yeah.
Speaker 3
Such
Speaker 3
Ha ha Days I'm glad I've been in with you.
Speaker 3
Perfect day.
Presenter
The Children in Need version of Lou Reed's Perfect Day, sung and played by a host of stars. And so to um B T Christopher Bland, which is where you went last year. You were just about sixty three. You might have thought that the B B C chairmanship was your last and greatest job.
Presenter
Did you phone a friend for that one as well?
Sir Christopher Bland
No, a headhunter phoned me. I was asked whether I would
Sir Christopher Bland
Consider leaving the BBC by a headhunter and I said no.
Sir Christopher Bland
Under no circumstances and I then said
Sir Christopher Bland
in a strange and serendipitous moment, except for B T. She says, I'll call you back, and I got off at the job. And I took it not without a lot of heart searching.
Presenter
And so you went to BT huge problem. It had thirty billion pounds worth of debts, and you've cut those down to a mere fourteen billion, which is still pretty hefty by selling off and hiving off and separating off and all those global joint ventures and so on that the previous management got BT into. Now what?
Sir Christopher Bland
Go on driving it down. That, by the way, is what thirty billion looks like when you write it on a bit of paper.
Presenter
Two, three, four.
Sir Christopher Bland
The Zeros go a long way to the west.
Presenter
Ten zeros. So it's big, but I mean there's still quite a lot of those left. Now what you can do?
Sir Christopher Bland
Yeah.
Sir Christopher Bland
Well the pressure is greatly reduced on us, but what we've now got to do is concentrate on BT's core business, making sure that we control our costs very carefully, that we do provide a really first-class service, and that's what we're doing.
Presenter
That sounds essentially as if you're putting it back to where BT was in the mid eighties when it was first uh privatized, you know, that you are simply a a supplier of lines, communications for the consumer.
Sir Christopher Bland
And and that we introduce new technology, for example, broadband.
Presenter
So that fast internet access, which you can do because you've got contact with these customers. You're in a brilliant position to do that, because you've you're already in all of those homes, aren't you?
Sir Christopher Bland
Yes, we've got over twenty million customers in the United Kingdom, so it's a a very, very strong position.
Presenter
But the press got very excited when you suggested that that B T and you did this, I think, the end of last year, had the capacity to rival Sky, that you could actually get programmes down those copper wires onto television sets.
Sir Christopher Bland
Well, that was a a subeditor.
Sir Christopher Bland
producing a headline. I was asked about what BT's position might be in terms of broadcasting and I said at one extreme we could simply be a supplier of access, at the other extreme we could get heavily into content like B Sky B. The most probable position for B T is somewhere in the middle.
Presenter
So where is that? What's the strategy then? If to get rid of the debt you go back to your core business, to doing, as I say, what BT was doing when it was privatized in nineteen eighty five, what's the strategy then? Is that all you're going to do?
Sir Christopher Bland
That's a pretty good strategy. Telephony is a good, profitable business and BT is really putting a lot of intellectual and R and D muscle behind broadband and and what you can deliver down a broadband pipe is much more interesting than the old
Sir Christopher Bland
Uh unaugmented copper wire.
Presenter
Record number seven.
Sir Christopher Bland
This is the fat swallow playing and singing. I'm gonna sit right down and write myself a letter, which.
Sir Christopher Bland
I can play on the pianola.
Presenter
We can all play on the piano.
Sir Christopher Bland
We can, but but it's amazing how when you do it, you think this is really me.
Presenter
I'm gonna Mm-hmm.
Speaker 3
Right.
Speaker 3
And write myself
Speaker 3
I'll let us
Speaker 3
And make believe it came from
Speaker 3
I'm gonna write words, oh so sweet.
Speaker 3
They don't have me off my bl
Speaker 3
Uh
Presenter
A lot of tears
Speaker 3
Yeah.
Presenter
Fat swallow and write myself a letter. Casting off time then then, Christopher, but you know all about roughing it, don't you? Because you've got some kind of m fishing bothy o off the top left hand corner of Scotland.
Sir Christopher Bland
Yes, it's on a peninsula about twenty miles south of Cape Roth.
Presenter
No electricity.
Sir Christopher Bland
It's no electricity.
Sir Christopher Bland
Everything works off calor gas.
Sir Christopher Bland
and a rather strange Irish central heating system that works without electricity through drip feeding oil rather inefficiently around the house.
Presenter
and you can only get to it by boat.
Sir Christopher Bland
Everything comes in and out by boat.
Presenter
But could you I mean it is your version of a desert island, could you be there alone? Could you hack it on a desert island?
Sir Christopher Bland
Yes, I think I could.
Sir Christopher Bland
I'm pretty practical. You have to be up there. I'm a great expert on oil lamps, of which I have a fine and varied collection. I know all about the Aladdin lamp and its vagaries.
Presenter
And you're the chairman of a cookery school, so can you cook?
Sir Christopher Bland
I put myself through our advanced evening classes, and I did okay. So it's.
Presenter
So you're into the twice-baked souffles on the absolute.
Sir Christopher Bland
Absolutely. I'm glad you know about that.
Presenter
I'm daddy.
Presenter
Last record.
Sir Christopher Bland
This is the
Sir Christopher Bland
third movement of Beethoven's string quartet in A minor. I first came across this when I was uh an undergraduate in Oxford in Aldous Huxley's Point Counterpoint. And he said about it, and I'm reading from a
Sir Christopher Bland
My ancient copy with three and sixpence on the cover.
Presenter
Penguin cover.
Sir Christopher Bland
Penguin cover
Speaker 2
Uh
Sir Christopher Bland
He said it was an unimpassioned music, transparent, pure and crystalline, like a tropical sea, an alpine lake.
Sir Christopher Bland
Water on water, calm sliding over calm, the according of level horizons and waveless expanses, a counterpoint of serenity.
Presenter
The opening of the third movement of Beethoven's string quartet in A minor, played by the La Salle quartet. If you could only take one of those eight records, Christopher, which one would you take?
Sir Christopher Bland
It would be between Beethoven and Fat Swallow. And I think I'd pick Fat Swallow. I think he would get awfully melancholy.
Presenter
And we
Sir Christopher Bland
If you only had Beethoven.
Presenter
What about your book? You've got the Bible and complete works of Shakespeare, as you know.
Sir Christopher Bland
Yes, I'd want to take some poetry. I think I'd take if I had to pick a a single poet, I'd take
Sir Christopher Bland
John Donne, and if it was his collected works I'd get the sermons thrown in.
Presenter
And your luxury.
Sir Christopher Bland
It would be very expensive. It would be two and a half miles of Hampshire Chalk Stream, the upper Itchen.
Sir Christopher Bland
Could could you do that?
Presenter
Uh easily.
Sir Christopher Bland
Thanks. Well, that would be that would be very good.
Presenter
You'd better have a fishing rod, I think.
Sir Christopher Bland
I'll make one.
Presenter
Oh okay.
Sir Christopher Bland
Oh, okay. No, I think that would be too luxury.
Presenter
Sir Christopher Bland, thank you very much indeed for letting us hear your desert island issues.
Speaker 2
You've been listening to a podcast from the Desert Island Discs archive. For more podcasts, please visit bbc.co.uk slash radio four.
Presenter asks
What do you think you suffered as a result of that parental absence?
It's hard to tell, but I know I wouldn't. Like it for my own son. … Actually what I think w was what must it have done in particular to my mother, you know, seeing me off and my brother off at the airport, knowing they weren't going to see us for a year and a half. … I I find that very, very Hard to understand.
Presenter asks
Would you do the same again [putting golden handcuffs on the top management of LWT]?
Yes, I would, because I didn't promise them millions. I said, here are the handcuffs, here are the shares, which you have to pay for … But there was no promise. I mean, shares do go down as well as up. So there was no guarantee if we'd lost the franchise. We wouldn't have made any money at all.
Presenter asks
Hand on heart, do you think the licence fee will survive beyond two thousand six?
Absolutely.
“I have actually said bollocks in the council chamber.”
“I'm more diplomatic now than I was when I was in my thirties and forties. I've grown older and wiser, and You learn things. You may not. internally be any more patient, but you know it's wise to Mask irritation and impatience.”
“I was penniless. My first flat in London was what they call a cold water walk-up, six pounds a week, no bath, shared loo. And I got paid twenty pounds a week, and six pounds of that went in rent. So I was scratching along, and I scratched along for a long time.”