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Desert Island Discs
Presented by Roy Plomley
Comedian and actor who, after an impromptu performance during a TV play breakdown, joined Brian Rick's team at the White Hall Theatre.
Eight records
The Sleeping Beauty: Grand Pas de Deux (Act 3)
My wife was a ballet answer, a very good ballad answer. And she taught me how to enjoy ballet music. Not to the full yet, I'm still trying. And my daughter is seven, my oldest daughter, she's unfortunately a bit like me. And very often we clear the room and she puts on our little ballet dress and we do the pas de d'au. We don't dance very well. She's has very good lessons, but I know how it should feel. And we look into each other's eyes. and we dance round that room as if we were the same height. And as if we really could dance. And we dance the Grand Pard de Deux.
The keepsakes
No book or luxury recorded for this episode.
In conversation
Presenter asks
Apart from solitude, is there anything in the situation of being a desert island castaway that would frighten you particularly?
[Anything] that runs quickly frightens the life out of me. So I would be petrified of the spiders and the quick darting things.
Presenter asks
How much of your own character do you think [writer] John Chapman puts in [the television scripts]?
Just a bit too much. He's frightening the way he knows me. But sometimes I have to do things to Hugh, and I have to be crafty with him, and afterwards I think I hope really and truly I'm not that bad. Maybe as I'm conscious of it, maybe I maybe I won't be, maybe I'll cut it off, maybe I'll stop myself becoming like that.
Presenter asks
Terry, your career is unusual in the number of times you've been up and down. How do you account for this?
Because I make mistakes. I'm I'm not not ashamed to say I make hideous mistakes and I'll go on making them. I'd rather make mistakes and be a bit mad occasionally than be stayed and safe. Because when you've made a mistake and you go down, there's always that thrill of of being able to pay the mortgage off after a few months.
The recording
Timestamps play the recording from that turn
Speaker 1
This download is the only extract the BBC has of this edition of Desert Island Discs. The presenter was Roy Plumley.
Speaker 1
Yeah.
Terry Scott
Teddy, how well do
Speaker 1
You think you would face off
Terry Scott
Oh, I couldn't. I couldn't. Of course I'd have to. Now I'm stuck on this island, but
Terry Scott
I like arguing, I like discussing, and I'm not very nice to live with sometimes.
Terry Scott
And if I'm gonna be stuck with myself on this desert island, it's a bit of a bit of a job.
Speaker 1
Apart from solitude, is there anything in the situation of being a desert island castaway that would frighten you particularly?
Terry Scott
Yeah, can I
Speaker 1
Uh
Terry Scott
Oh yes, because
Terry Scott
Uh I don't mind fighting a lion. I'll have a go with the lion, but you see my mother
Terry Scott
When I was a kid, if there was a mouse or anything Oh, quick, there's a mouse, quick and
Terry Scott
And it's something deep inside me. Anything that runs quickly frightens the life out of me. So I would be petrified of the spiders and the quick darting things. Do you have a religious faith that would help?
Terry Scott
Uh yes, I have. Um very strong Church of England. I couldn't just live there on my own and think of me as the only person.
Speaker 1
I couldn't just
Terry Scott
Is music important to you?
Terry Scott
It's important as a background and also in the right time and the right mood.
Terry Scott
Music
Terry Scott
And
Terry Scott
Records of all descriptions excite men.
Terry Scott
And give me something which
Terry Scott
Nothing else can give. What's the first one you've chosen? The first one is Tchaikovsky's Sleeping Beauty, the Grand Pard de Dare. Why'd you choose that? Well.
Terry Scott
My wife was a ballet answer, a very good ballad answer.
Terry Scott
And she taught me how to enjoy ballet music.
Terry Scott
Not to the full yet, I'm still trying. And
Terry Scott
My daughter is seven, my oldest daughter, she's unfortunately a bit like me.
Terry Scott
And very often we clear the room and she puts on our little ballet dress and we do the pas de d'au. We don't dance very well. She's has very good lessons, but I
Terry Scott
know how it should feel.
Terry Scott
And we look into each other's eyes.
Terry Scott
and we dance round that room as if we were the same height.
Terry Scott
And as if we really could dance.
Terry Scott
And we dance the Grand Pard de Deux.
Speaker 1
Uh
Terry Scott
I'm not sure if I can do it.
Speaker 1
Uh
Terry Scott
Brian Rick's team at the White Hall Theatre. Yes. The the actual reason I got into, the reason why he he wanted me, he spotted something. Again somebody saw something in me. I was doing a small part in one of his television plays. I wasn't actually at the White Hall, and the cameras broke down for three quarters of an hour, and somebody had to fill in.
Terry Scott
And they asked me after about five minutes, and I went on. It wasn't very difficult because it was an audience who'd come to see a fast. They knew there was a panic on, and suddenly this Bob pushed himself forward and chatted and giggled and roared away for three quarters of an hour, and Brian
Terry Scott
thought it was marvellous. He said, No, I'd I'd like you to do some more with us, which led to a bigger part on television and then eventually to actually joining one for the pot, you see.
Speaker 1
And when did your next television break down?
Terry Scott
Well
Terry Scott
Uh I was doing a part in one of Vernon Sylvain's farces on the television and one of the bosses saw it on television. A new boss and another new boss said this man has promise.
Terry Scott
I thought here we go again.
Terry Scott
And he said, We ought to be in a television series. And I didn't say any more. I said, Oh, yes.
Terry Scott
And he said, we've got a chap called Hugh Lloyd. I said, good heavens. Because I've been working with him in summer shows, you see?
Terry Scott
He said he's been doing awfully well in Hancock and um lots of other programmes. Would you like to work? And I said, Marvellous. Who's going to write it? they said. That's the first question everybody asks when you get on television. And I said, well, I've met John Chapman at the Whitehall. He was in one of the farces.
Terry Scott
And he might be willing to
Terry Scott
and John wrote her synopsis. They accepted it.
Terry Scott
And he's written sixty one of them.
Speaker 1
Yeah.
Terry Scott
He will not. Yeah.
Speaker 1
How many years has it been running now? Four years.
Speaker 1
And very successfully. How much of your own character do you think John Chapman puts in
Terry Scott
Just a bit too much. He's frightening the way he knows me.
Terry Scott
But sometimes I have to do things to Hugh, and I have to be crafty with him, and afterwards I think I hope really and truly I'm not that bad.
Terry Scott
Maybe as I'm conscious of it, maybe I maybe I won't be, maybe I'll cut it off, maybe I'll stop myself becoming like that.
Speaker 1
Yeah. Now you and he'll work together outside television. You you do summer shows together.
Terry Scott
Yes, we do summer shows, pantomimes. We do a lot of work together and also a lot of work apart. It's essential that we work apart because we don't want just to go together. We've got things we we must do on our own.
Speaker 1
Yeah. Recently you've done some solo television shows.
Terry Scott
Yes, yes on BBC Two they were repeated on one. They didn't go down too badly, quite well. Terry, your career is unusual in the number of times you've been up and down. How do you account for this? Because I make mistakes.
Terry Scott
I'm I'm not not ashamed to say I make hideous mistakes and I'll go on making them.
Terry Scott
I'd rather make mistakes and be a bit mad occasionally than be stayed and safe.
Terry Scott
Because when you've made a mistake and you go down, there's always that thrill of
Terry Scott
of being able to pay the mortgage off after a few months. What's your big ambition?
Terry Scott
To learn enough.
Terry Scott
to feel
Terry Scott
That I'm almost a star when I'm say sixty-five and I'm not ashamed of taking the money anymore.
Terry Scott
And I think, well, I've learnt it, and I think I'll have that much money, and they'll say, We'll be honored to pay it. I don't suppose it'll ever come to that in my thoughts.
Speaker 1
Yeah.
Terry Scott
Comedy acting. I think I think I'll have to be a comedy actor, but if it so happened that I went into musicals
Terry Scott
Rex Harrison did. Suddenly he went into my fair lady. What could happen in twenty years' time with me playing an old man? I don't mind if it's twenty years' time, as long as one day I could be half as good as that.
Presenter asks
What's your big ambition?
To learn enough. To feel that I'm almost a star when I'm say sixty-five and I'm not ashamed of taking the money anymore. And I think, well, I've learnt it, and I think I'll have that much money, and they'll say, We'll be honored to pay it. I don't suppose it'll ever come to that in my thoughts.
“I like arguing, I like discussing, and I'm not very nice to live with sometimes. And if I'm gonna be stuck with myself on this desert island, it's a bit of a bit of a job.”
“I couldn't just live there on my own and think of me as the only person.”
“Records of all descriptions excite men. And give me something which nothing else can give.”
“I'd rather make mistakes and be a bit mad occasionally than be stayed and safe.”