Tuning in…
Tuning in…
Desert Island Discs
Presented by Roy Plomley
Bond creator and thriller writer, a former naval intelligence officer whose wartime experiences inspired his bestselling spy novels.
Eight records
The keepsakes
No book or luxury recorded for this episode.
In conversation
Presenter asks
Where were you born?
I was born in London.
Presenter asks
You went to Eton. Your main distinction there was in athletics, I believe?
Yes, it was. I'm afraid I wasn't terribly good at my body. Victor Lodorum twice and public schools hurdles.
Presenter asks
How long did you stay with Reuters?
I stayed on for three years. … I wanted to earn some more money, and Reuters weren't very keen on paying large sums in those days… And so I went into the city, but I didn't get on very well there because I'm not very good at making money as such.
Presenter asks
Had you had this character [James Bond] growing in mind for a long time?
The recording
Timestamps play the recording from that turn
Presenter
This download is the only extract the BBC has of this edition of Desert Island Discs. The presenter was Roy Plumley.
Presenter
mister Fleming, where were you born? I was born in London.
Presenter
You went to Eton. I believe your main distinction there was in athletics. Yes, it was. I'm afraid I wasn't terribly good at my body.
Ian Fleming
Victor Lodorum twice and public schools hurdles.
Ian Fleming
And then Sandhurst? Yes, I went to Sandhurst with the idea of going into the army.
Ian Fleming
And into the Black Watch, incidentally.
Ian Fleming
But um then it was decided to mechanize the army and me and a lot of my friends decided we didn't want to be what we thought then would be uh sort of uh large scale garage mechanics. So.
Ian Fleming
So I had a go at the diplomatic and learnt my languages for it, and I passed in seventh.
Ian Fleming
But there are only five vacancies.
Ian Fleming
And um so I decided not to have another go, but to go straight in and start earning some money. So I
Ian Fleming
joined Reuters, which was the nearest thing to the diplomatic in a way, because I could use my languages German and French and Russian.
Ian Fleming
And I had wonderful time in Reuters, was a correspondent in Moscow and Berlin and all over the place. And of course I learnt there the sort of good straightforward or at any rate straightforward writing style that uh everybody wants to have if they're going to write books.
Presenter
How long did you stay with them?
Ian Fleming
I stayed on for three years.
Ian Fleming
But then um
Ian Fleming
I wanted to earn some more money, and Reuters weren't very keen on paying large sums in those days I no doubt they're much better now.
Ian Fleming
And so I went into the city, but I didn't get on very well there because I'm not very good at making money as such.
Ian Fleming
How do you mean?
Ian Fleming
Well, I mean just pure making money. I must do something that entertains me. If it makes money at the same time, well, that's all the better for me.
Presenter
Yes.
Presenter
Well, then the war came along, and you joined the Royal Navy, you became personal assistant to the Director of Naval Intelligence. Well, this led, not surprisingly, to some rather violent
Ian Fleming
Into action, I believe. Well, not so much that really. It was very interesting life. I took part in the Dieppe Raid, which is a very bloody affair.
Ian Fleming
And I had some exciting adventures round the world, and altogether I had an extremely I couldn't have had a more interesting war, if one can have an interesting war.
Presenter
And presumably your naval intelligence experience provided some useful source material for your later books.
Ian Fleming
Yes, it it taught one what one could say in writing thrillers and what one couldn't say, and of course it taught you really how the intelligence machine does work.
Ian Fleming
I can't say that, of course, I
Ian Fleming
tell that exactly in my books because our fiction and the whole thing is much larger than life. But as I said, at least it tells you what mistakes not to make. And when the war ended?
Ian Fleming
Then I went to the Sunday Times, to the Kemsey newspapers, and I became their foreign manager. They didn't have a foreign department in those days, and it was my job to place correspondents all round the world, and look after their welfare, and see that they uh wrote plenty of intelligent stuff.
Ian Fleming
No.
Presenter
Your books
Ian Fleming
Some
Presenter
You've written now what, eleven James Bond books.
Ian Fleming
Well, there's actually twelve because the next one has just gone to my publishers. Yes. There's one a year. As one a year. So the first one then, what, nineteen fifty? Fifty two, written in fifty one, I suppose, yes.
Presenter
Had you had this character
Presenter
growing in mind for a long time.
Ian Fleming
No, I can't say I had, really. He sort of uh
Ian Fleming
Developed when I was just on the edge of getting married and I was frenzied at the um
Ian Fleming
uh prospect of this great step in my life after having been a bachelor for so long.
Ian Fleming
And I really wanted to take my mind off the agony. And so I decided to sit down and uh write a book.
Presenter
Is one based on any particular person or combination of persons?
Ian Fleming
No, not really. He's a sort of mixt a fictional mixture of commandos and secret service agents that I met during the war, but of course entirely fictionalized.
Presenter
Is there much of you in it?
Ian Fleming
Is there much of you in it? I hope not. I mean people do connect me with James Bond simply because I happen to like scrambled eggs and short sleeved shirts and some of the things that James Bond does. But uh I certainly haven't got his guts nor his uh very lively appetites. Now the first James Bond book was an immediate success.
Ian Fleming
Yes, it was. How long do these books take you to write?
Ian Fleming
Six weeks to two months the actual writing, but I never correct as I go along. I try and get pace into the narrative by sitting straight down at the typewriter.
Ian Fleming
But then of course I do two or three months correction afterwards and then one has to correct the proofs and so on. So it takes about
Presenter
Yeah.
Ian Fleming
A year altogether, let's say.
Presenter
Are you a systematic worker? Can you work so many hours a day regularly?
Ian Fleming
Yes, I find I have to. I I work for about three hours in the morning and one hour in the evening, and I find unless I stick to a routine
Ian Fleming
If I just wait for genius to arrive from the skies, it just doesn't arrive. I I just uh get on with the work.
Presenter
You'll write these books always at your vacation home in Jamaica. Yes. Oops. Do you look forward to writing a new one every year?
Ian Fleming
Well, I don't really, unless I've got it firmly fixed in my mind, and of course, uh, this is a very bad period for me this time of the year, because I'm trying to
Ian Fleming
Work out the next adventure of James Bond, which has got to be written in January and February.
Ian Fleming
And I'm always rather in despair thinking I'm not gonna have enough book to write.
Presenter
There's been a a cumulative rise in sales and success since the first book.
Ian Fleming
I think there has, with the exception of the last one, which was um well, let's say last year's one, which was The Spy Who Loved Me.
Ian Fleming
Well I try to break away from my normal formula.
Ian Fleming
But the readers were so furious that James Bond didn't appear until about three quarters of the way through, and that it was written ostensibly by a girl in the first person that I must confess that it wasn't a success, and it took a quite a beating from the critics.
Ian Fleming
And
Presenter
But now the books are being made into film.
Ian Fleming
Yes, they've uh made Doctor Know already, and it's been a tremendous success in England, and even more of a success, I think, in in America, where it's opened uh several weeks ago, where it's breaking records. They're now doing From Russia with Love, and I went out to see them in Istanbul, see the unit at work.
Ian Fleming
And I was tremendously impressed with the casting and uh the way this script had been written and I think it's going to be an equal success.
Presenter
Yeah.
Ian Fleming
They've got an option on doing all the books, yes, one after
Presenter
Tanala.
Presenter
Eleven birth sellers in eleven years, and very profitable film sales. Now on the face of it that looks like unmixed success, but some of the press notices haven't been all that glowing.
Ian Fleming
Blowing.
Presenter
Um they've accused you of being sadistic and
Presenter
Too much sex.
Presenter
Taking the charge of of sadism first, your your torture scenes are pretty beastly in some of the books.
Ian Fleming
Well, I don't know how many of you have read, but um of course they're nothing to w what they really are in real life, and I think the old days of the hero getting a crack over the head with a cricket stump have rather gone out. I mean we all have become considerably wiser since the last war.
Ian Fleming
And I've tried to bring very similitude into these books and um
Ian Fleming
It's certainly true that that um the critics have occasionally found them uh
Ian Fleming
Pretty much.
Ian Fleming
Strong meat.
Presenter
What effect do you think these themes have on the average reader? Are they going to give him.
Presenter
Unhealthy ideas or is this
Presenter
Vicarious violence, a harmless way of supplementing aggressive tendencies.
Ian Fleming
Well, I think that's a way of putting it. Uh but I was brought up on what we used to call fourpenny horrors, and um I can't remember that any of the excitements ever did me any harm.
Ian Fleming
Um all history is sex and violence, and I think it's ridiculous to go on writing thrillers in the old Bulldog Drummond John Buchan.
Presenter
Now
Ian Fleming
uh way when life has uh come out so fast
Ian Fleming
Passes.
Presenter
Yes, well sex Bond takes his sex where he finds it almost as casual as he takes a drink.
Ian Fleming
Well, he has one girl per book approximately and and that's one a year. I think that's uh he's a bachelor.
Ian Fleming
and he moves round the world pretty rapidly and um I don't see any great harm in that myself.
Presenter
He's unusually fortunate in meeting these lovely and cooperative girls. Yes, I envy him.
Ian Fleming
Yes, I envy him.
Presenter
All your books, mister Fleming, show tremendous attention to detail. You've obviously done a great deal of background research.
Presenter
Have you ever slipped up at all in any of the James Bond?
Ian Fleming
Yes, I'm afraid I do from time to time. I take a lot of trouble not to, but inevitably things slip past me and past my publishers.
Ian Fleming
And uh for instance in the last book
Ian Fleming
The girl goes into the bar in the casino and orders half a bottle of Pol Roger champagne.
Ian Fleming
Well, it turns out that the Poroger is the one champagne firm that doesn't turn out half bottles.
Ian Fleming
And uh again some kind friend uh commented on the fact that um when Bond drives up to his headquarters in Regents Park
Ian Fleming
and smells the smell of burning leaves and realizes summer has come to an end,
Ian Fleming
I was making a mistake because uh the Regent's Park is now as smokeless as his own. Well, that is very helpful. But I find that the other people make mistakes. Shakespeare, for instance, had uh clocks chiming in ancient Rome.
Ian Fleming
And uh, yes, it's it's very helpful of them and I try and correct them in the later editions.
Presenter
Some people
Presenter
Yes.
Ian Fleming
How much longer do you think you can keep on going? Is he a job for life?
Ian Fleming
Well, I don't know. It just depends on how much I can how much more I can go on following his adventures. You don't feel that he's keeping you from more serious writing? No, I'm not in the Shakespeare stakes. I've got no ambitions.
No, I can't say I had, really. He sort of developed when I was just on the edge of getting married and I was frenzied at the prospect of this great step in my life after having been a bachelor for so long. And I really wanted to take my mind off the agony. And so I decided to sit down and write a book.
Presenter asks
Is there much of you in [James Bond]?
I hope not. I mean people do connect me with James Bond simply because I happen to like scrambled eggs and short sleeved shirts and some of the things that James Bond does. But I certainly haven't got his guts nor his very lively appetites.
Presenter asks
Some of the press notices haven't been all that glowing. They've accused you of being sadistic and too much sex. How do you respond to the charge of sadism, particularly your torture scenes?
I don't know how many of you have read, but they're nothing to what they really are in real life, and I think the old days of the hero getting a crack over the head with a cricket stump have rather gone out. I mean we all have become considerably wiser since the last war. And I've tried to bring very similitude into these books.
“I took part in the Dieppe Raid, which is a very bloody affair. And I had some exciting adventures round the world, and altogether I had an extremely I couldn't have had a more interesting war, if one can have an interesting war.”
“I work for about three hours in the morning and one hour in the evening, and I find unless I stick to a routine, if I just wait for genius to arrive from the skies, it just doesn't arrive.”
“With the exception of the last one, which was The Spy Who Loved Me. Well I try to break away from my normal formula. But the readers were so furious that James Bond didn't appear until about three quarters of the way through, and that it was written ostensibly by a girl in the first person that I must confess that it wasn't a success, and it took a quite a beating from the critics.”
“I was brought up on what we used to call fourpenny horrors, and I can't remember that any of the excitements ever did me any harm.”
“I take a lot of trouble not to [slip up], but inevitably things slip past me and past my publishers. … I find that the other people make mistakes. Shakespeare, for instance, had clocks chiming in ancient Rome.”