Tuning in…
Tuning in…
Desert Island Discs
Presented by Michael Parkinson
Conservative Prime Minister who negotiated Britain's entry into the Common Market and signed the treaty making the UK a member of the European Community.
Eight records
A Sea Symphony (Symphony No. 1)
London Symphony Orchestra and Chorus, Andre Previn
I remember being thrilled by it... Of course for me it's also the sea, this magnificent opening with the trumpet calls as the wave comes along, and then the crash as it rolls over you.
Piano Trio in B-flat major, D. 898
Alfred Cortot, Jacques Thibaud, Pablo Casals
Because at Oxford I did get to know a vast range of chamber music, but I think the Schubert is my real favorite, and it has another connection with it.
Der Rosenkavalier (Trio from the final act)
Very romantic and I adore it. I remember I think it was probably the first performance given at [Glyndebourne]. After the first act I walked outside and there walked in Sir Thomas Armstrong... And Sir Thomas said, Well, It's a young man's opera. And I said, Sir Thomas, with the greatest respect, it's an opera for all those who don't grow old.
If I Were a Rich Man (from Fiddler on the Roof)
It always seemed to me to convey the sadness of people who aren't in their own homes and find very little possibility of ever getting to what they really regard as home, but constantly moved on from place to place. ... But the thing I like is if I were a rich man, because I think on a desert island I could sit there and just contemplate what I would do if I were a rich man, knowing I'm never going to be worried by that problem.
Cockaigne Overture (In London Town), Op. 40
London Symphony Orchestra, Edward Heath
Elgar has made such a contribution to British music, putting us back on the map after Mendelssohn described us as just [a land without music], that we really must have Elgar on the desert island.
Prisoners' Chorus (from Fidelio)
Chicago Symphony Chorus and Orchestra, Sir Georg Solti
Of all the operas, Fidelio is the greatest. ... The prisoners' chorus is extolling the virtues of freedom. And this is really what I've always stood for in my political life. Nobody expressed this greater than Beethoven did.
Symphony No. 9 in E minor, 'From the New World'
Chicago Symphony Orchestra, Sir Georg Solti
I conducted it in Beijing at a gala concert in aid of the disabled people of China. It really was a very thrilling occasion. ... We raised altogether one and a quarter million dollars from one concert. ... I said, You may think that we haven't altogether made a success of the old world. But now you and the Pacific are the new world, and it's up to you to make a rather better job of it than we've done.
Geoffrey Mitchell Choir, English Chamber Orchestra, Edward Heath
This is taken from a record which I did a little while back, which was entirely Christmas music. It's this glorious carol which Mendelssohn wrote. And here it has a descant in the last verse.
The keepsakes
The book
Works of the Impressionist Painters
Then I could sit on my desert island and study them one by one.
The luxury
In conversation
Presenter asks
Which of those three things has brought you greatest pleasure: politics, music, or your love of the sea?
I think I'm fortunate in that they all have. In fact, I think they've complemented each other. You can't spend all your life on politics. Those people who think the politics are the be all and end all of life are greatly mistaken, and I think they suffer from it.
Presenter asks
Does the thought of solitary isolation worry you?
It horrifies me because I like people, I like good company, I like uh good food and wine and enjoying myself. On the other hand, I have never had any real time just to sit back and do nothing. And so that'll be a relief to be able to do that on a desert island.
The recording
Timestamps play the recording from that turn
Speaker 3
Hello, I'm Kirsty Young, and this is a podcast from the Desert Island Discs archive. For rights reasons, we've had to shorten the music.
Speaker 3
The programme was originally broadcast in nineteen eighty eight, and the presenter was Sue Lawley.
Presenter
My castaway this week is a man who has tasted triumph and endured isolation.
Presenter
The path to triumph began when as a young Conservative minister he was responsible for negotiating Britain's entry into the common market.
Presenter
It culminated when, as Prime Minister, he signed the treaty which made this country a member of the European Community.
Presenter
The isolation began three years later, when, after defeat in two general elections, he lost the leadership of his party. He has never held political office since.
Presenter
Greatly admired abroad, but treated with a certain caution at home, his good taste and wide interests have allowed him to enjoy many things politics, music, and a love of the sea. He is, of course, the Right Honourable EDWARD Heath, MP.
Presenter
mister Heath, which of those three things, I wonder, has brought you greatest pleasure, politics, music, or your love of the sea?
Edward Heath
I think I'm fortunate in that they all have. In fact, I think they've complemented each other.
Edward Heath
You can't spend all your life on politics. Those people who think the politics are the be all and end all of life are greatly mistaken, and I think they suffer from it.
Presenter
Do the three things, do you think, have anything in in common? Conducting orchestras, captaining, crews, and indeed cabinets?
Edward Heath
Well, with an orchestra at least they're all trying to go the same way.
Edward Heath
One hopes a crew is, but one's never sure about a cabinet.
Presenter
Well, I I mentioned isolation in my introduction to you. Um we have in mind for you um a warm but um solitary isolation and an enforced one on our desert island. Does the thought of that worry you?
Edward Heath
It horrifies me because I like people, I like good company, I like uh good food and wine and enjoying myself.
Edward Heath
On the other hand, I have never had any real time just to sit back and do nothing.
Edward Heath
And so that'll be a relief to be able to do that on a desert island.
Presenter
So you have music on the island, which I know um will be great consolation for you. I presume it has taken you a long, long time to boil it down to eight records.
Edward Heath
I think it's an almost impossible task which you've set. You do it so charmingly that of course one can't resist. But uh
Edward Heath
All the musical experience one has, and all the works one knows, and all the records one collected, and then he was a just eight.
Presenter
Let's hear your first one. What's it to be?
Edward Heath
Well the first one I've chosen for a number of reasons, but it's uh the beginning of the Vaughan Williams C Symphony.
Edward Heath
which I think is a tremendous work.
Edward Heath
When I went up to Oxford, I joined the Oxford Bach Choir, and this was the first work we sang.
Edward Heath
I remember being thrilled by it, and also by the fact that it was conducted by Sir Hugh Allen, who was professor of music at that time, and a very great personality.
Edward Heath
And I remember him telling us that uh the first performance at the Leeds Festival was really a failure.
Edward Heath
And then they d he did it with the Bach Choir. And afterwards Vaughan Williams wrote on his score, I thought I had written the unsingable work, but now you have sung it.
Edward Heath
Of course for me it's also the sea, this magnificent opening with the trumpet calls as the wave comes along, and then the crash as it rolls over you. Well, that's something I've experienced so often.
Presenter
The opening of Vaughan Williams' Sea Symphony with the London Symphony Orchestra and Chorus conducted by Andre Previn. Well, now, we were talking about the Sea. You were born at the Seaside, um, at Broadstairs in Kent, uh, in the middle of the First World War. What did your parents do for a living, then?
Edward Heath
Well, my father was a carpenter and uh then later on in the thirties he became uh manager of the building firm. It was quite a small one. And then finally when the owner died he took over the firm and he worked very, very hard at it.
Edward Heath
We were very close families, and he was keen, my mother was as well, that both my brother and I should become musicians, and I concentrated on the piano, and my brother on the violin.
Edward Heath
The first piano we had was an upright piano. I remember so well going off to Margate in order to see these pianos. And um
Edward Heath
They were very good because they were hard pressed and we finally bought this piano for forty eight monthly instalments.
Presenter
Did your mother work as well?
Presenter
What did you do?
Edward Heath
Before she married my father she was uh a lady's maid, and then when they were married they used to let the rooms in our house during the summer for visitors and uh well, it was a boarding house really on a very small scale.
Presenter
What about politics in the household? Was that much discussed or not?
Edward Heath
It wasn't really, no. When I was at school I did take a large part in politics, really. We had a very good debating society.
Presenter
You won a scholarship to the Grammar School, didn't you?
Edward Heath
Yes. I was at a church school to begin with in our village. And uh I became a chorister there.
Edward Heath
Then I got a scholarship over to the grammar school at Ramsgate Chatham House.
Presenter
And then you got a scholarship to Oxford.
Edward Heath
Yes, and I went up to Oxford with uh August Color Baylor.
Presenter
Let's pause there for record number two.
Edward Heath
But I would like to play um Schubert's piano trio.
Edward Heath
Because uh at Oxford I did get to know a vast range of chamber music, but I think the shoe bat is my real favorite, and uh it has another connection with it.
Edward Heath
Because I entertained Sir William Walton on his seventieth birthday at Ten Downing Street when I was Prime Minister. And I remember an interview he gave when it was his sixtieth birthday, and he was asked at the end by the BBC interviewer, Sir William, if there was one single word
Edward Heath
which you could have written yourself, what would it have been? And without pausing a moment he said the Schubert B flat trio. And so after an evening in which a large number of his own works were played, we had the trio which played Schubert's B flat trio.
Presenter
Part of Schubert's B flat major piano trio played by Alfred Corteau, Jacques Thibault, and Pablo Casals.
Presenter
You say, mister Heath, that your mother and father wanted you and your brother to be professional musicians, but there was also talk of your going into the church, wasn't there?
Edward Heath
Yes, uh I think my mother was rather keen that I should go into the church. At one time I thought quite seriously about it. But uh my father really wanted me to be an accountant.
Edward Heath
And uh I didn't want that, I protested against that.
Edward Heath
My father died at the age of eighty eight.
Edward Heath
And just before he died he said, Well, you became Prime Minister, but I still wish you'd taken up a respectable occupation.
Presenter
I wonder I know your mother died long before you became Prime Minister.
Edward Heath
Yeah.
Presenter
I wonder what she would have thought of her son becoming Prime Minister.
Edward Heath
Well, I think she would have been very proud. She was very proud when I became a Member of Parliament in nineteen fifty uh alas, in nineteen fifty one.
Edward Heath
She died during the election campaign.
Edward Heath
And I think it was a mark of the civilised politics we've always had in Bexley that on the day of the funeral I said that I would of course go to the funeral, I would not be present, and all the other candidates said they wouldn't carry on any political activities on that day either.
Edward Heath
But I was very moved by then.
Presenter
You won a scholarship, as we said, to Oxford. Did you find yourself up at Balliol? Were you a kind of ordinary working class lad amongst the best that the public schools had to offer?
Edward Heath
Yes. The great advantage of Bale is that it has such enormous variety. I have always felt grateful for the fact that having come from really a very small village by the seaside and a grammar school, I was then able to go to a college which, although it was only two hundred and eighty strong, had such an enormous variety of members.
Presenter
You didn't feel under any pressure to change your accent or your habits or your manners?
Edward Heath
None of these, no.
Edward Heath
Mind you, I hope that they were all right when I got there.
Presenter
Did you make any lasting friendships there?
Edward Heath
Yes, a very considerable number, and uh we still meet to day.
Edward Heath
Some of them were in politics. In fact, I suppose we were rather a political group, really, but
Edward Heath
You see, I went up there in 1935. It was the time when the young were becoming very political because of the rise of dictatorships in Europe.
Edward Heath
Hitler and Mussolini.
Presenter
Is that period in your life when you really began to feel you wanted to go into politics?
Edward Heath
Yes, the Union at that time was uh politically very, very active, and uh the first great debate I heard on the Union, Sir John Simon wound up.
Edward Heath
And I shall never forget that he got up and came to the box and he took each of the points which had been made and dealt with them and then summed it all up and he didn't have a single note. I've never been so impressed in my life and I said, Well, one day I must try and do that.
Presenter
And did you also think then one day I would really rather like to be Prime Minister?
Edward Heath
No, I never thought in those terms, really.
Edward Heath
I hoped I was going to be able to go into politics.
Edward Heath
Directly after the war it didn't look possible, so I sat the Civil Service examination.
Edward Heath
I came out top of that with another bailman. And so later on I could always say to a permanent secretary, Now, look, if I'd wanted to, I could have been in your place, but I didn't.
Edward Heath
And uh then I left the civil service.
Presenter
So we paused for the third record.
Edward Heath
Yes, the third record I'd like is part of Richard Strato Rosen Cavalier.
Edward Heath
Very romantic and uh I adore it.
Edward Heath
I remember I think it was probably the first performance given at Lynbourne.
Edward Heath
After the first act.
Edward Heath
I walked outside and there walked in Sir Thomas Armstrong, very great musician, who had
Edward Heath
Been responsible for me in a way at Oxford. And I went up to him almost in a daze and said, It's wonderful, isn't it?
Edward Heath
And Sir Thomas said, Well,
Edward Heath
It's a young man's opera.
Edward Heath
And I said, Sir Thomas, with the greatest respect, it's an opera for all those who don't grow old.
Speaker 2
It's all right.
Presenter
The trio from the final act of Richard Strauss is De Rosencavelier, sung by Elizabeth Schwarzkopf, Krista Ludwig, and Theresa Stich Randall, with the Vienna Philharmonic conducted by Herbert von Carrion.
Presenter
Shall we talk about sailing? You didn't take it up until you were nearly fifty. Why was there a 49?
Edward Heath
Forty nine there.
Edward Heath
Well, I played golf, but uh when I became leader of the Conservative Party, then I found that I
Speaker 2
Then I
Edward Heath
drove off, probably not very well. And then the questions would come, what is Mr Wilson going to do this week? What is the government going to do about this, that and the other? And I got so tired of this.
Presenter
Well, as you strode down the fairway.
Edward Heath
Yes, so, I said, away with it all, give it up.
Edward Heath
which I did, and then I was strolling along the pier at Broadstairs one Saturday afternoon.
Edward Heath
And uh a fellow stepped out of a sort of cubicle there and said, Can I interest you in sailing?
Edward Heath
You're here, and I've got my boat here, and I'll teach you how to sail.
Edward Heath
That's all right. Well, let's sail. That was how I started.
Edward Heath
He he was in fact a very good instructor and then we started racing very quickly. We had a few uh accidents.
Edward Heath
On one occasion we came into harbour and went slap into the harbour, where we didn't move the pier, but we'd entered the boat, and of course you had a whole ray of
Edward Heath
observers, people on holiday along the top leaning over, trying to see what was happening to you as they saw you shooting in we couldn't get round again in time.
Presenter
But you nevertheless rose to the giddy heights of winning the uh the Sydney to Hobart race. When was that It's about twenty years ago now?
Edward Heath
That was nineteen sixty nine, yes. It was really a remarkable event.
Edward Heath
And uh what led to it was I did a tour of Australia in 1968.
Edward Heath
as leader of the party. And uh I found the Australians were very cynical about the productions they uh long haired, layabouts, drug addicts and palms on all the rest of it. So I got very tired of this. I came back to my
Edward Heath
crew and uh
Edward Heath
We won a very good race and I said, What do we know next? and they said, Well, don't you want to go to Australia to deal with these people? So I said, All right, well, let's go to Australia.
Edward Heath
That uh it's a tremendous race.
Presenter
Very good on board, but not very good below, not very good in the galley, I gather.
Edward Heath
I'm afraid not. No. You see, we didn't have a cook on board, so to speak. Every member of the crew was a cook, and did his share of the cooking.
Edward Heath
There was one glorious morning when we were winning.
Edward Heath
And uh round about six o'clock the sun was coming up, it was warm, the sea was calm, and I was feeling so.
Edward Heath
Satisfied with events, I said, Look, I'll go and cook the breakfast. They looked rather surprised and said, Yes. So I went down and
Edward Heath
managed to get the stove on and then the frying pan, then I put a lot of
Edward Heath
fat round the frying pan, and then I got the slices of bread, which were of course already cut, and I put those all over the frying pan. And uh then I cracked some eggs, which it was safe to eat in those days, and uh put them on top of the bread and uh put some bacon round the edge, and then sat back and waited.
Edward Heath
And picked up a book and then waited, and nothing happened. After half an hour,
Edward Heath
One of the crew came down and said, You are getting breakfast, are you? Because we are getting a bit hungry and I said, Yes, it's all in the pan and then they shut their eyes and pulled out their hair and said, How can you ever expect to fry eggs when you put it on top of a load of bread like that? We better deal with it. So after that I was never allowed to try again.
Presenter
Shall we have your fourth record?
Edward Heath
This m may seem a little strange, but I'd like uh part of Fiddler on the Roof.
Edward Heath
It always seemed to me to convey
Edward Heath
The sadness of people who
Edward Heath
aren't in their own homes and
Edward Heath
find very little possibility of ever getting to what they really regard as home, but constantly moved on from place to place.
Edward Heath
And in our world today there are still so many people.
Speaker 2
Yeah.
Edward Heath
who suffer like that.
Edward Heath
But uh the thing I like is uh if I were a rich man, because I think on a desert island I could sit there and just contemplate
Edward Heath
what I would do if I were a rich man, knowing I'm never going to be worried by that problem.
Edward Heath
If I were a rich man.
Edward Heath
All day long I biddy biddy bump
Edward Heath
If I were a wealthy man
Edward Heath
I wouldn't have to work hard.
Edward Heath
Yeah, but
Edward Heath
If I were a pity, pity rich, idle, little, idled, idle man.
Presenter
If I Were a Rich Man sung by Toppol from Fiddler on the Roof.
Presenter
Now, it was in nineteen fifty that you stood as MP for Bexley, and um you've gone on winning it ever since. That's what, thirty eight years now? Boy and man.
Edward Heath
Yes, it'll be thirty nine years on february twenty third next.
Presenter
And are you standing in the next election?
Edward Heath
Oh, yes, yes.
Presenter
No desire to go to the Lords.
Edward Heath
No, not at all.
Presenter
Never?
Edward Heath
I don't think so, no.
Presenter
Why not?
Edward Heath
Could I enjoy the commons?
Presenter
Now, I know you get rather annoyed with the suggestions, which are pretty constant, that um that you've spent the last thirteen years sulking in your tent, as it were, because Mrs Thatcher um replaced you as as as leader. How do you cope with those kinds of criticisms? Because they do go on and on coming, don't they?
Edward Heath
There's nothing you can do about them. Perhaps one day people will start to deal with the arguments instead of uh merely repeating these. Uh
Edward Heath
phrases. Of course what it does reveal is that they can't cope with the arguments.
Edward Heath
So their only escape is uh is abuse.
Presenter
I suppose people think that there may be some truth in it, in the fact that she, Mrs. Thatcher, is now perhaps.
Presenter
Being credited with the things, the kinds of policies that you were trying to sell at the time, that is to say, the enterprise economy, the taming of the unions.
Edward Heath
Yes, but there are very fundamental differences in the policy, particularly on the side of the social services.
Edward Heath
Where our policies were quite different. And I think a great deal of hardship is being caused today.
Edward Heath
particularly affecting young people, but these are things one can discuss perfectly rationally.
Presenter
But you must resent being labelled time and again embittered or resentful.
Edward Heath
Oh, I've got past that stage now. It was annoying to begin with.
Presenter
What about misses Thatcher herself? I mean, she's never really extended the hand of friendship, has she?
Edward Heath
Well, that's entirely a matter of heart.
Edward Heath
She's it's up to her to decide uh what she's gonna do and how she behaves.
Presenter
But if the call came to morrow, and the offer was there of an important job in the Cabinet, an important one, would you say yes?
Edward Heath
Yes, uh but uh it certainly won't come. But it's not a it's not a matter under discussion.
Presenter
We shall cease to discuss it and have your fifth record.
Edward Heath
Yes, now perhaps this is uh thought to be rather egocentric, I don't know.
Edward Heath
But uh I'd like to put on uh part of Ergos Cockane overture.
Edward Heath
In the performance which I conducted myself at the London Symphony Orchestra at a gala concert in London while I was Prime Minister,
Edward Heath
Elgar has made such a contribution to British music, putting us back on the map after Mendelssohn described us as just landowner music, the country without music, that we really must have Elgar on the desert island.
Presenter
The End of Elgar's Cocaine Overture played by the London Symphony Orchestra at the LSO's Gala concert in nineteen seventy one, conducted by the then Prime Minister, Edward Heath.
Presenter
When you were Prime Minister, mister Heath, you had an ideal, as I'm sure all Prime Ministers do, of the sort of world you wanted to live in, you wanted us to live in. How do we fall short of that to day?
Edward Heath
Of course I wanted us to be part of the European community, and we managed to bring that about.
Edward Heath
And I wanted to bring about a better standard of living for the people of our own country and better relationships between all the different groups in our country after all. As I said, when I was at Oxford, we had no class snobbishness. We were all different, but we all had the same aims and objectives and the same values. And that's what I think one needs in a country.
Presenter
But the better standards of living and the values we we have those we've achieved those, haven't we?
Edward Heath
Well, we achieved them in my time as Prime Minister, and it's only now that we've just got back to the same production as we had when I ceased to be Prime Minister in nineteen seventy four. So we've had, what, nearly fifteen years in between. And I think we could have done so much more since. But now
Edward Heath
We've still got two million one hundred thousand unemployed.
Presenter
You've said quite recently, I think, that or you've said things like it before in the past anyway, that Thatcherism
Presenter
is an aberration in the history of the Conservative Party. What do you mean by that?
Edward Heath
Well, you see, uh those concerned always describe themselves as uh radical.
Edward Heath
Some even say revolutionary. But this isn't the language of Conservatism and of Toryism.
Edward Heath
Because Toryism has always believed in development. Radicalism is something for liberals who are prepared to overturn everything in their way, whereas we've always believed in keeping as much as possible of what we value and developing the rest so that we improve it.
Presenter
But to say that Thatcherism
Presenter
Is an aberration, is to imply that the Tory party will come back around. It will be seen eventually as a blip.
Presenter
In the history of the party.
Edward Heath
Toriism will come back to its rightful philosophy, I've got no doubt about that at all.
Presenter
Will there be your kind of Tory around in a few years to come who will be there, who embody what you believe to bring about this return?
Edward Heath
No, we'll be
Edward Heath
And there are a lot of them in the country at the moment who are just silent. And they say, well, we can't support this sort of thing, so we opt out.
Edward Heath
There's the people who opt out.
Edward Heath
that uh we shall have to get back.
Presenter
You talk about some politicians of your philosophy and persuasion opting out.
Presenter
Others remaining silent. Others, of course, have, in your terms, gone over, haven't they, to thatirism?
Edward Heath
Well, I doubt whether they have.
Edward Heath
One dozed from talking to the
Edward Heath
what their real views are.
Edward Heath
and having had the opportunity of going along with it, they do.
Presenter
Going along with it in order to hold office, do you mean?
Edward Heath
Yes, and it isn't only selfish. They feel they have got a job they can do.
Edward Heath
And uh
Edward Heath
Again, that's valuable.
Presenter
Your sixth record, please.
Edward Heath
Well now I'd like
Edward Heath
Part of Fidelio, Beethoven's opera. Of all the operas, the Fidelio is the greatest.
Edward Heath
Uh what I would like is the prisoners' chorus.
Edward Heath
which is at the end of the first act, and is extolling the virtues of freedom. And this is really what I've always stood for in my political life. Nobody expressed this greater than Beethoven did.
Edward Heath
In this wonderful chorus.
Presenter
The Prisoner's Chorus from Beethoven's Fidelio, sung by the Chicago Symphony Chorus and orchestra conducted by Sir George Schulte.
Presenter
Your memoirs have been promised, mister Heath, some would say threatened, for a long time now. Are they nearing completion?
Edward Heath
Well, we've done a lot of work on them, there's still quite a lot to be done.
Presenter
Do you feel, when you write them, that you have missed the opportunity to give as much to the country as you might have done in the past thirteen years? That you've been.
Presenter
Wasted for us and for yourself in many ways.
Edward Heath
As far as all the uh opportunities I've had are concerned, then I think I have uh uh taken great advantage of them.
Edward Heath
Uh as far as the last years are concerned, then obviously I would like to have had the opportunity of doing more as far as government was concerned.
Edward Heath
Instead of that, I've been involved in a large number of other activities, one of the main ones of which of course was the Brandt Commission dealing with the developing countries and the developed countries.
Edward Heath
and followed that up with a large number of visits to developing countries.
Edward Heath
and in some ways I've been able to help them individually in their problems.
Presenter
And would you now, as you sit in your house in um Salisbury Cathedral close, would you describe yourself as a happy man?
Edward Heath
Well, I think in in one's life one has always had a combination of happiness and unhappiness.
Edward Heath
happiness when you are able to achieve something, frustration when you can't.
Presenter
But is there a fundamental contentment there?
Edward Heath
Yes, I think as far as that is concerned, because I adhere to the
Edward Heath
values which I think are important.
Presenter
Do you mean your political values when you say that?
Edward Heath
Yes, and I think general philosophic values as to how people should behave towards each other and uh the things they should take into account.
Edward Heath
Some are more fortunate than others in life.
Edward Heath
And I deeply regret this attitude that we're all the same.
Edward Heath
that we're all entrepreneurial, some aren't entrepreneurial, and they don't want that sort of life. Well, that ought to be taken into account. But I still th think a great deal about the future. I'm not living in the past.
Presenter
Your seventh record, please.
Edward Heath
Well, now I'd like to play part of Vorjak's New World Symphony. I conducted it in Beijing.
Edward Heath
at a gala concert of the Eastern before last.
Edward Heath
with the Central Philharmonic Orchestra of China, which is their main orchestra.
Edward Heath
I was asked to do a gala concert in aid of the disabled people of China.
Edward Heath
It really was a very thrilling occasion.
Edward Heath
And in the audience, for the first time, a concert in the Great Hall of the Peoples, were eight thousand people, all the hierarchy and the diplomatic law and people. On television it was watched by four hundred million people, and it went out on radio as well.
Edward Heath
We raised altogether one and a quarter million dollars from one concert.
Edward Heath
And that really was very satisfying.
Edward Heath
And when I chose the programme, I chose the algae cock, which we've already heard, because I wanted something British, and then Tchaikovsky's Recocker variations, because I thought Tchaikovsky was one of the rather nicer Russians and the Chinese wouldn't mind.
Edward Heath
And it was European.
Edward Heath
And then for the last part, I said we will have Forjack's New World Symphony.
Edward Heath
And they said, Why is that? And I said, Well,
Edward Heath
You may think that we haven't altogether made a success of the old world.
Edward Heath
But now you and the Pacific are the new world, and it's up to you to make a rather better job of it than we've done.
Presenter
The slow movement of Vorjak's New World Symphony played by the Chicago Symphony Orchestra conducted by Sir George Schulte.
Presenter
Let's leave politics, mister Heath, and and talk about homes and gardens, of which you have very beautiful examples of each. Can you describe where you live?
Edward Heath
Well, it's the first time I've had a home, in the real sense.
Edward Heath
And uh three years ago.
Edward Heath
I moved into a home in the close at Salisbury, just by the west door of Salisbury Cathedral.
Edward Heath
It really is heavenly. There's no other phrase about it. It's uh so peaceful and quiet. You wouldn't know we were in a town, you're alone in a great city.
Edward Heath
Uh at the bottom of the garden I have two rivers joining, and then flowing on is the river Avon.
Edward Heath
So it's really very agreeable.
Presenter
And the garden is one of your great joys, isn't it? What have you done to it?
Edward Heath
Well, it was rather in a dilapidated state when I moved in, because the previous occupant had uh had died at the age of ninety three.
Edward Heath
and she had uh obviously not done anything to him for fifteen years.
Edward Heath
The previous uh canon had died at the age of ninety eight. Uh so in some ways it's encouraging, you know. But I had to uh redo the lawn and uh
Edward Heath
put in a greenhouse and started to grow orchids.
Edward Heath
Uh so it's uh very interesting.
Presenter
And what do you eat from it?
Edward Heath
Well, we eat all the vegetables. I know there are some people who say it's very extravagant to grow your own vegetables.
Edward Heath
I don't think so. I think it's all the fun.
Edward Heath
Especially when you're entertained to say all of this came from our garden.
Presenter
So will you be entertaining at Christmas there?
Edward Heath
Yes, I can't bear to leave home at uh Christmas.
Edward Heath
I like to be at home at Christmas and uh to have friends staying with me.
Presenter
So will it be a full-scale traditional Christmas?
Edward Heath
Yes, we shall have Christmas trees, we shall have uh all the things, and some of my godchildren will be there.
Presenter
Let's have your last record.
Edward Heath
This is taken from a record which I did.
Edward Heath
little while back, which was entirely Christmas music. It's this glorious carol which Mendelsohn wrote.
Edward Heath
And here it has a descant in the last verse, Hark the herald angels sing.
Speaker 2
For man's man who
Presenter
Park the Herald Angels Sing, sung by the Geoffrey Mitchell Choir, with the English Chamber Orchestra conducted by Edward Heath.
Presenter
So now those awful decisions have to be made. First of all, which of the eight records would you choose above all the others?
Edward Heath
Well, it is difficult, isn't it? Terribly difficult.
Edward Heath
I think I would take Beethoven's Fidelia.
Edward Heath
I think that would give me greatest satisfaction for the longest possible time.
Presenter
Then you have to choose a book, and as you know, you have the Bible and you have the complete works of Shakespeare.
Edward Heath
Well now, could I have the uh
Edward Heath
complete bound volumes of Hensard from the time they started in the eighteenth century up to today.
Presenter
Oh no.
Edward Heath
Man, what?
Edward Heath
Yeah.
Presenter
No no more collected works.
Edward Heath
I can't get myself up to date with Parliament. Well, then I think I would like just one volume, comprehensive volume.
Edward Heath
of the works of the Impressionist painters.
Edward Heath
Then I could sit on my desert island and study them one by one.
Presenter
And your luxury. What what can we give you? It must be inanimate, and it mustn't be of any practical use at all.
Edward Heath
No practical use. I was going to say a fishing tackle.
Presenter
Oh man.
Edward Heath
Of course that I'd enjoy. Then I think what I would say is some tan lotion.
Edward Heath
Is that all right for Luxrate?
Presenter
I suppose it's practical, but you can have it. You can have it as it's Christmas. And can I say, Edward Heath, thank you very much indeed for letting us hear your desert island discs. And thank you for being my final castaway of nineteen eighty eight. And Merry Christmas.
Edward Heath
Thank you, and the same to you, and to all the listeners.
Speaker 3
You've been listening to a podcast from the Desert Islandists archive. For more podcasts, please visit bbc.co.uk slash radio four.
Presenter asks
Your mother and father wanted you to be professional musicians, but there was also talk of your going into the church, wasn't there?
Yes, uh I think my mother was rather keen that I should go into the church. At one time I thought quite seriously about it. But uh my father really wanted me to be an accountant. And uh I didn't want that, I protested against that. My father died at the age of eighty eight. And just before he died he said, Well, you became Prime Minister, but I still wish you'd taken up a respectable occupation.
Presenter asks
Were you a kind of ordinary working class lad amongst the best that the public schools had to offer at Balliol?
Yes. The great advantage of [Balliol] is that it has such enormous variety. I have always felt grateful for the fact that having come from really a very small village by the seaside and a grammar school, I was then able to go to a college which, although it was only two hundred and eighty strong, had such an enormous variety of members. ... None of these [pressure to change], no. Mind you, I hope that they were all right when I got there.
Presenter asks
How do you cope with criticisms that you've spent the last thirteen years sulking in your tent because Mrs Thatcher replaced you as leader?
There's nothing you can do about them. Perhaps one day people will start to deal with the arguments instead of uh merely repeating these phrases. Of course what it does reveal is that they can't cope with the arguments. So their only escape is uh is abuse.
Presenter asks
When you were Prime Minister, you had an ideal of the sort of world you wanted to live in. How do we fall short of that today?
Of course I wanted us to be part of the European community, and we managed to bring that about. And I wanted to bring about a better standard of living for the people of our own country and better relationships between all the different groups in our country after all. As I said, when I was at Oxford, we had no class snobbishness. We were all different, but we all had the same aims and objectives and the same values. And that's what I think one needs in a country.
“It horrifies me because I like people, I like good company, I like uh good food and wine and enjoying myself. On the other hand, I have never had any real time just to sit back and do nothing.”
“just before he died he said, Well, you became Prime Minister, but I still wish you'd taken up a respectable occupation.”
“I said, Sir Thomas, with the greatest respect, it's an opera for all those who don't grow old.”
“On one occasion we came into harbour and went slap into the harbour, where we didn't move the pier, but we'd entered the boat, and of course you had a whole ray of observers... we couldn't get round again in time.”
“It really is heavenly. There's no other phrase about it. It's uh so peaceful and quiet. You wouldn't know we were in a town, you're alone in a great city. Uh at the bottom of the garden I have two rivers joining, and then flowing on is the river Avon.”